Bill Callahan Releases Video for “Riding for the Feeling” Amid Extensive Tour

Vice just premiered Bill Callahan's new video for "Riding for the Feeling" off the ominously titled new alnum, Apocalypse. Earlier this month, PopMatters' Corey Beasley praised the album: "Apocalypse is a restless record, one concerned with the difficulties of staying put. In that way, it also keeps itself at arm’s length. Callahan’s stripped away a good degree of the hooks present on Eagle, and in the process he’s made a more serious (and, sure, self-serious) album. He’s a talent prodigious enough to warrant a lateral move, and Apocalypse will find its rightful place in his 20-odd-years-long canon. It’s hard to think of an album more thoroughly transportive, even if the places it takes you won’t always be pleasant." Callahan is also on tour at present, full details below.


5/12/11 Stadt Garten / Cologne / Germany w/ Sophia Knapp

5/13/11 Brotfabrik / Frankfurt / Germany w/ Sophia Knapp

5/14/11 Café Keese / Hamburg / Germany w/ Sophia Knapp

5/15/11 Astra Kulturhaus / Berlin / Germany w/ Sophia Knapp

5/17/11 Theatre 140 / Brussels / Belgium w/ Sophia Knapp

5/18/11 De Duif / Amsterdam / Netherlands w/ Sophia Knapp

5/19/11 Aéronef / Lille / France w/ Sophia Knapp

5/20/11 Le Café de la Danse / Paris / France w/ Sophia Knapp

5/21/11 Teatro Principal / San Sebastian / Spain w/ Sophia Knapp

5/23/11 Bikini Barcelona / Barcelona Spain w/ Sophia Knapp

5/24/11 Sala Heineken / Madrid Spain w/ Sophia Knapp

5/25/11 Sala Cosmos / Seville Spain w/ Sophia Knapp

6/14/11 Launchpad / Albuquerque. NM

6/15/11 Rhythm Room / Phoenix, AZ

6/16/11 Troubadour / Los Angeles, CA w/ Michael Chapman

6/17/11 SoHo / Santa Barbara, CA w/ Michael Chapman

6/18/11 The Independent / San Francisco, CA w/ Michael Chapman

6/19/11 Henry Miller Library / Big Sur, CA w/ Michael Chapman

6/20/11 Don Quixote's International Music Hall / Felton, CA w/ Michael Chapman

6/22/11 Neumo's / Seattle, WA w/ Michael Chapman

6/24/11 Neurolux / Boise, ID

6/25/11 The State Room / Salt Lake City, UT

6/27/11 Hi Dive / Denver, CO

6/29/11 Record Bar / Kansas City, MO

6/30/11 Blue Moose / Iowa City, IA

7/1/11 Cedar Cultural Center / Minneapolis, MN

7/2/11 University of Wisconsin / Madison, WI

7/3/11 Lincoln Hall / Chicago, IL

7/5/11 White Rabbit Cabaret / Indianapolis, IN

7/7/11 Wexner Center for the Arts / Columbus, OH

7/8/11 Andy Warhol Museum / Pittsburgh, PA

7/9/11 Johnny Brenda's / Philadelphia, PA

7/10/11 Brighton Music Hall / Boston, MA w/ Ed Askew

7/11/11 Music Hall of Williamsburg / Brooklyn, NYw/ Ed Askew

7/12/11 Bowery Ballroom / New York, NYw/ Ed Askew

7/13/11 Rock and Roll Hotel / Washington, DC w/ Ed Askew

7/15/11 Cat's Cradle / Carrboro, NC w/ Ed Askew

7/16/11 Smith's Olde Bar / Atlanta, GA

7/17/11 Mercy Lounge / Nashville, TN

7/19/11 The Loft / Dallas, TX

8/5/11 Pickathon / Happy Valley, OR / Woods Stage

8/6/11 Pickathon / Happy Valley, OR / Mainstage

In Americana music the present is female. Two-thirds of our year-end list is comprised of albums by women. Here, then, are the women (and a few men) who represented the best in Americana in 2017.

If a single moment best illustrates the current divide between Americana music and mainstream country music, it was Sturgill Simpson busking in the street outside the CMA Awards in Nashville. While Simpson played his guitar and sang in a sort of renegade-outsider protest, Garth Brooks was onstage lip-syncindg his way to Entertainer of the Year. Americana music is, of course, a sprawling range of roots genres that incorporates traditional aspects of country, blues, soul, bluegrass, etc., but often represents an amalgamation or reconstitution of those styles. But one common aspect of the music that Simpson appeared to be championing during his bit of street theater is the independence, artistic purity, and authenticity at the heart of Americana music. Clearly, that spirit is alive and well in the hundreds of releases each year that could be filed under Americana's vast umbrella.

Keep reading... Show less

From genre-busting electronic music to new highs in the ever-evolving R&B scene, from hip-hop and Americana to rock and pop, 2017's music scenes bestowed an embarrassment of riches upon us.

60. White Hills - Stop Mute Defeat (Thrill Jockey)

White Hills epic '80s callback Stop Mute Defeat is a determined march against encroaching imperial darkness; their eyes boring into the shadows for danger but they're aware that blinding lights can kill and distort truth. From "Overlord's" dark stomp casting nets for totalitarian warnings to "Attack Mode", which roars in with the tribal certainty that we can survive the madness if we keep our wits, the record is a true and timely win for Dave W. and Ego Sensation. Martin Bisi and the poster band's mysterious but relevant cool make a great team and deliver one of their least psych yet most mind destroying records to date. Much like the first time you heard Joy Division or early Pigface, for example, you'll experience being startled at first before becoming addicted to the band's unique microcosm of dystopia that is simultaneously corrupting and seducing your ears. - Morgan Y. Evans

Keep reading... Show less

This week on our games podcast, Nick and Eric talk about the joy and frustration of killing Nazis in Wolfenstein: The New Order.

This week, Nick and Eric talk about the joy and frustration of killing Nazis in Wolfenstein: The New Order.

Keep reading... Show less

Which is the draw, the art or the artist? Critic Rachel Corbett examines the intertwined lives of two artists of two different generations and nationalities who worked in two starkly different media.

Artist biographies written for a popular audience necessarily involve compromise. On the one hand, we are only interested in the lives of artists because we are intrigued, engaged, and moved by their work. The confrontation with a work of art is an uncanny experience. We are drawn to, enraptured and entranced by, absorbed in the contemplation of an object. Even the performative arts (music, theater, dance) have an objective quality to them. In watching a play, we are not simply watching people do things; we are attending to the play as a thing that is more than the collection of actions performed. The play seems to have an existence beyond the human endeavor that instantiates it. It is simultaneously more and less than human: more because it's superordinate to human action and less because it's a mere object, lacking the evident subjectivity we prize in the human being.

Keep reading... Show less

Gabin's Maigret lets everyone else emote, sometimes hysterically, until he vents his own anger in the final revelations.

France's most celebrated home-grown detective character is Georges Simenon's Inspector Jules Maigret, an aging Paris homicide detective who, phlegmatically and unflappably, tracks down murderers to their lairs at the center of the human heart. He's invariably icon-ified as a shadowy figure smoking an eternal pipe, less fancy than Sherlock Holmes' curvy calabash but getting the job done in its laconic, unpretentious, middle-class manner.

Keep reading... Show less
Pop Ten
Mixed Media
PM Picks

© 1999-2017 All rights reserved.
Popmatters is wholly independently owned and operated.