The 12 Most Memorable Paul McCartney Solo Songs

It’s hard not to get technical when discussing Paul McCartney’s music. When talking over the idea of this list with my editor, I quickly realized how an article called “Paul McCartney’s Best Songs” just couldn’t be done. First, there were songs like “Yesterday”, when he was the only Beatle playing on a Beatles song. Then there were all of those great Wings (AKA Paul McCartney & Wings) songs ranging from “Band on the Run” to “Silly Love Songs”. There were also all of his collaborations, with wife Linda McCartney, Stevie Wonder, Carl Perkins, Michael Jackson, Elvis Costello, Steve Miller, Ringo Starr, and more. And let’s not forget his electronic experiments/rocking under the guise of the Fireman. However, when we really get down to it, McCartney has released 14 solo albums so far, and that’s quite an accomplishment.

Most discussions on Paul’s best work overlook most of these gems in his discography, but in light of the recent reissues of McCartney (1970) and McCartney II (1980), now is the perfect time to change that. With the exception of McCartney, most of his solo work dates from 1980 onward, so let’s count down 41 years of highlights!


12. “You Tell Me” – Memory Almost Full (2007)

I’ve seen many know-it-alls say that the music industry is a young person’s game. In a world where 30-year-olds are said to over-the-hill, Paul McCartney did a shocking thing for a man in his 60s: he recorded an album that a teenager couldn’t, and he blew everybody out of the water. Singing in a rare, almost-hoarse tone, he remembers past rain-free summers with bright, red cardinals. Or does he? “When was that… you tell me,” marks each statement as if the subject is beginning to lose his memory. A shattering thought, yet not all is despair, his whistling towards the end tells us that an altered life is still worth living. He isn’t singing about himself, of course, but this is one great acting performance.


11. “Ain’t That a Shame” – Choba B CCCP (1988/1991)

Many musicians have covered this Fats Domino hit over the years, but no one else has really packed as much enthusiasm into it. He works his way around the love-gone-wrong lyrics so well; you would be led to believe he wrote them himself from personal experience. McCartney was certainly gutsy for tackling the track, being that his best friend and former bandmate, John Lennon, notably put his own spin on the track decades before. The song ends with overdubbed hysterical howls that suggest that McCartney might also know a thing or two about primal scream therapy.


10. “The Pound Is Sinking” – Tug of War (1982)

I once saw a fan remark that the best thing about McCartney is that he “records every damned thing that comes into his head”. He was kidding, but with records like “The Pound Is Sinking”, one could see how someone would think that. Several notable Beatles songs (“A Day in the Life”, “I’ve Got a Feeling”) were actually separate incomplete Lennon/McCartney songs pieced together. McCartney seems to use this technique here with two compositions of his own, first going into a financial report (!) (“The pound is sinking, the peso’s falling…”) and then summing up another person (“Well, I feel my dear that it’s evidently clear that you can’t see the trees for the forest…”). We could decipher its meaning in a dozen different ways, but the fact remains that this catchy earworm of a song just sounds so right that we don’t need to know what it’s about, if anything at all.


9. “No Other Baby” – Run Devil Run (1999)

A cover of the Vipers’ forgotten oldie, “No Other Baby” is rendered heartbreaking by Paul’s rendition. His voice make you sense something beyond the mere declaration that he’ll be true, and when you put yourself in his mindset at the time, his melancholy makes sense. Recorded after the death of Linda McCartney, the song’s feeling of longing and loneliness even seeps into its guitar part. Its official music video, a black-and-white short film in and of itself, is enough to bring a tear to your eye.


8. “This One” Flowers in the Dirt (1989)

More pop than rock, “This One” is pure catchiness wrapped up in a theme a bit more complicated than your average love song. A list of past regrets about a friendship, though some could argue it could also be a romantic relationship, it segues into a hypnotically sing-songy chorus about a god riding a swan across the ocean. Rarely does a song with allegorical religious references come off as so easily listenable.


7. “The World Tonight” – Flaming Pie (1997)

Despite being one of the world’s biggest celebrities, Paul doesn’t discuss it much. While other, far lesser-known artists have devoted multiple albums to fame and its side effects, McCartney gives us this look at fame in the third person. In addition to that cool perspective, we get an equally cool rock sound on par with any radio hit at that time. Hardcore fans even get a hidden backwards message around the 2:40 mark (“Save animals’ fur, Linda Eastman”)!

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6. “No More Lonely Nights” – Give My Regards to Broad Street (1984)

The theme to his entertaining yet commercially unsuccessful movie Give My Regards to Broad Street, “No More Lonely Nights” is a perfect slice of stereotypical McCartney. A lovely ballad with soaring vocals, critics denounced it. One particular reviewer deemed it “wimpy”, but I pity whoever falls in love with them. Most people would focus on David Gilmour’s guitar solo, but I just can’t get over how well this song is sung.


5. “Coming Up” – McCartney II (1980)

Not to be confused with Wings’ live version, the best track off McCartney II is the highlight of McCartney’s early electronic experimentations. Sounding like a party for synthesizers with all sorts of electronic noises to be heard, Paul’s filtered voice rises above the melee to discuss love, peace, and understanding. Most musicians would turn these lyrics into a serious ballad, but they are not as smart or as fun-loving as McCartney. Listen carefully to the end, when he sings the “feel it in my bones, yeah yeah yeah…” part. He’s having a ball.


4. “That Was Me” – Memory Almost Full (2007)

“That Was Me” is a fast, blistering scream of recognition. Speeding from memories of being in a school play to rocking out on TV, it’s the greatest autobiography ever. Not only has he lived this amazing life, that voice commands you to believe that he’s enjoyed every minute of it. Who wouldn’t? Yet with a simple, “Who am I to disagree?”, the great rock star manages to come off as a little bit humble.


3. “Fine Line” – Chaos & Creation in the Backyard (2005)

A revelation to all of those nay-saying critics, the joyous instrumentation to “Fine Line” dashed away most of their negative words with every punching piano line. An ode to peace, the song’s high concept was easily hidden in a sound catchy enough to be used as a car commercial. The true definition of pop/rock, it’s light enough not be too heavy and heavy enough to not float away.


2. “Every Night” – McCartney (1970)

While dozens of books have tried to thoroughly examine both Paul’s thoughts during the end of the Beatles and Linda’s influence on his life and work, none of them does it as well as “Every Night”. A close listen to the lyrics tells us that although he can do whatever he wants, he is unfulfilled, but spending time with his love will fix that. McCartney’s vocals are the most impressive instrument here, with his impassioned vocalizations towards the end showing us just how he means every word he’s singing. Vastly underrated, it is a close second to his best solo song.


1. “Maybe I’m Amazed” – McCartney (1970)

“Maybe I’m Amazed” is quite simply Paul McCartney’s biggest hit. Despite the fact that it was never released as a single until Wings’ grand live cover, it remains the jewel of his solo catalog. The sparse original version (recorded in McCartney’s home studio) lacks surround stadium sound, but makes up for that with a type of honesty behind its simplicity. Nothing is there to block us from the sound of a man pouring his heart out about the newfound love that has truly changed his life for the better. Unfinished, the song doesn’t end completely, but what a symbol that alone is. Just as there is no real end to true love, the song fades off, suggesting that it is still going on somewhere else. Many other artists have tried to get the same emotional response out of it in their renditions, and many couples relate to it, considering it their own theme, but it will always be Paul’s ode to his love, Linda.