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Music

Download the Wild Swans' "In Secret"

In the mid-to-late 1980s, lots of bands popped up that sounded like Echo & the Bunnymen. On the surface, the Wild Swans were one of them. But their story was unique.

The band's debut album, Bringing Home the Ashes, didn't appear until 1988. But the Wild Swans had already established their reputation for starry-eyed guitar pop magnificence with the "Revolutionary Spirit" single in 1982. release was actually produced by the Bunnymen's Pete De Freitas. Both the Wild Swans and the Bunnymen were signed to Bill Drummond's Zoo label. The two bands were contemporaries.

Wild Swans leader Paul Simpson is set to release the band's first album since Space Flower in 1990. The Coldest Winter for a Hundred Years is released August 1 in Europe and the following day in the US. Simpson's always-fluid band now includes ex-Bunnymen bassist Les Pattinson as well as members of Brian Jonestown Massacre and Spiritualized. Here, via Slicing Up Eyeballs is a free download of album track "In Secret". Thankfully, the band's windswept sense of nostalgia hasn't aged at all.

The Wild Swans, 'In Secret' by Slicing Up Eyeballs

From genre-busting electronic music to new highs in the ever-evolving R&B scene, from hip-hop and Americana to rock and pop, 2017's music scenes bestowed an embarrassment of riches upon us.


60. White Hills - Stop Mute Defeat (Thrill Jockey)

White Hills epic '80s callback Stop Mute Defeat is a determined march against encroaching imperial darkness; their eyes boring into the shadows for danger but they're aware that blinding lights can kill and distort truth. From "Overlord's" dark stomp casting nets for totalitarian warnings to "Attack Mode", which roars in with the tribal certainty that we can survive the madness if we keep our wits, the record is a true and timely win for Dave W. and Ego Sensation. Martin Bisi and the poster band's mysterious but relevant cool make a great team and deliver one of their least psych yet most mind destroying records to date. Much like the first time you heard Joy Division or early Pigface, for example, you'll experience being startled at first before becoming addicted to the band's unique microcosm of dystopia that is simultaneously corrupting and seducing your ears. - Morgan Y. Evans

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Music

The Best Country Music of 2017

still from Midland "Drinkin' Problem" video

There are many fine country musicians making music that is relevant and affecting in these troubled times. Here are ten of our favorites.

Year to year, country music as a genre sometimes seems to roll on without paying that much attention to what's going on in the world (with the exception of bro-country singers trying to adopt the latest hip-hop slang). That can feel like a problem in a year when 58 people are killed and 546 are injured by gun violence at a country-music concert – a public-relations issue for a genre that sees many of its stars outright celebrating the NRA. Then again, these days mainstream country stars don't seem to do all that well when they try to pivot quickly to comment on current events – take Keith Urban's muddled-at-best 2017 single "Female", as but one easy example.

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Scholar Judith May Fathallah's work blurs lines between author and ethnographer, fan experiences and genre TV storytelling.

In Fanfiction and the Author: How Fanfic Changes Popular Culture Texts, author Judith May Fathallah investigates the progressive intersections between popular culture and fan studies, expanding scholarly discourse concerning how contemporary blurred lines between texts and audiences result in evolving mediated practices.

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Merseybeat survivors, the Searchers made two new-wave styled, pop rock albums in 1979 and 1981. They covered Big Star, Bob Dylan and Tom Petty. What could possibly go wrong?

Imagine the plight of the Searchers in 1979. You've been diligently plugging away at the night-club circuit since the hits dried up in the late '60s, and you've just made a great, pop-rock record. Critics love it, but radio won't play it as they're too busy scrambling around to find bands that look like the Pretenders, the Boomtown Rats and Elvis Costello, but who sound like… well, the Searchers.

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Burt Lancaster not only stars in The Kentuckian (1955) but directed and produced it for the company he co-founded with Ben Hecht. The result is an exciting piece of Americana accoutred in all sorts of he-man folderol, as shot right handsomely in Technicolor by Ernest Laszlo and scored by Bernard Herrmann with lusty horns to echo the source novel, Felix Holt's The Gabriel Horn.

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