100 Essential Directors celebrates directors of distinct vision, who have honed their respective crafts, who have brought something new and exciting to the medium, and who continue to push the boundaries of the form.
There are really two Kenneth Anger's running around in the new millennium -- three if you add in his current crusade as a certified pagan, supporter of the works of Aleister Crowley and Anton LaVey, and advocate of Wicca. Many might know him from his famous show biz tell-alls, Hollywood Babylon and Hollywood Babylon II, terrific pre-tabloid tomes that exposed many of Tinsel Town's tawdriest secrets. But for the chosen few who have followed the careers of such motion picture mavericks as John Waters and David Lynch, Anger is an idol, an experimental underground filmmaker who forged a specific celluloid identity out of his experience with old school studio films, a complicated childhood, and his emerging homosexuality. By the time the '80s rolled around, he had contributed more to the fringes of the full blown independent movie scene than any other artist from his time.