Mediocrity Washes Ashore in 'Pirates of the Caribbean: On Stranger Tides'

On Stranger Tides lacks the chemistry of the first three Pirates of the Caribbean films, in which the Jack-Elizabeth-Will triangle offered a rich foundation for the adventures.

Pirates of the Caribbean: On Stranger Tides

Director: Rob Marshall
Cast: Johnny Depp, Ian McShane, Penelope Cruz, Geoffrey Rush, Kevin McNally
Distributor: Disney
Rated: PG-13
Release date: 2011-10-18

Every film franchise runs the risk of diminishing returns over time. Sure, a loyal fan base is nice, but can they sustain several movies over a period of several years? In the case of Pirates of the Caribbean: On Stranger Tides sure, the film did well at the box office, but without two of the main characters (Elizabeth Swann and Will Turner), the series has become an "Adventures of Captain Jack Sparrow" affair that will have to rely more on spectacle than on the stories, if this movie is any indication.

As you've probably heard, On Stranger Tides, which is loosely based on a novel by the same name, features Sparrow on a quest to find the Fountain of Youth. His journey is complicated by the return of a former lover, Angelica (Penelope Cruz), and her father, Blackbeard (Ian McShane). Barbossa (Geoffrey Rush) is back, but now he's a privateer in the service of King George, and he wants revenge against Blackbeard for the loss of his leg. Spanish explorers also seeking the Fountain play a wild card role, and mermaids and zombified pirates feature heavily in the mix during the second half of the film.

All of the Pirates of the Caribbean films have come up with creative ways to introduce Jack Sparrow during act one, and On Stranger Tides follows in their footsteps as a pirate we believe is him is dragged into court to face sentencing. Of course, it's not really Sparrow, but he has disguised himself as a judge to free his friend who is a victim of mistaken identity.

We soon learn there's another Sparrow impersonator, and Jack sets out to discover who it is. As the story gets rolling, we're treated to many exciting set pieces that unfortunately rely a bit too much on convenient deus ex machina moments, such as the introduction of Jack's father or a guard who happens to put down his pistol and sword where Jack can grab them, even though he is rushing to respond to an alert that a prisoner is on the loose. It's sloppy storytelling, and it sets the tone for acts two and three.

Jack's one-liners, which are a key part of his appeal, also fall a bit flat in various ways. For example, he's asked at one point how he ended up in a Spanish convent and he replies: I thought it was a brothel. Honest mistake." (Meh.) Much later in the film, he dives into the water as a lighthouse crumbles, and after the scene gives us the aftermath of other things that have been happening, he pops in and says: "Did everyone see that? Because I will not be doing it again." The timing there is off; he should have said the line much sooner.

There are a couple Sparrow lines that elicit a smile (said to Angelica: "If you had a sister and a dog, I would choose the dog."), but many of his punchlines tend to be limp. If Jack Sparrow is expected to carry these films moving forward, he'll need to do better than that.

The rest of the characters do their job, but the story is mediocre and the payoffs aren't hard to see coming. While the two earlier films, Dead Man's Chest and At World's End, were met with mixed critical reactions, I enjoyed the attempt by screenwriters Ted Elliott and Terry Rossio to craft more complex tales that didn't neatly fit into the summer movie mold. Unfortunately, On Stranger Tides isn't nearly as interesting, especially since the intriguing Will-Elizabeth-Jack triangle is now gone; Jack's interplay with Angelica is pedestrian in comparison. I also find Penelope Cruz irritating, which didn't help.

If the Pirates of the Caribbean series is going to continue, it will need a stronger cast of recurring characters for Jack to play off, along with adventures that don't tread well-known territory.

Moving on to the DVD, I received the Blu-ray+DVD combo pack for review, but I haven't yet moved into the world of high-def DVD, so I'm only looking at the standard-def disc here. In addition to the film, we have 3.5 minutes of bloopers and five one-minute animated LEGO Pirates of the Caribbean stories. Yup, that's it. The Blu-ray promises all that plus interactive content (whatever it is; there are no details on the back of the package) and audio commentary with director Rob Marshall and executive producer John DeLuca.






The Dance of Male Forms in Denis' 'Beau travail'

Claire Denis' masterwork of cinematic poetry, Beau travail, is a cinematic ballet that tracks through tone and style the sublimation of violent masculine complexes into the silent convulsions of male angst.


The Cradle's 'Laughing in My Sleep' Is an Off-kilter Reflection of Musical Curiosity

The Cradle's Paco Cathcart has curated a thoughtfully multifarious album. Laughing in My Sleep is an impressive collection of 21 tracks, each unapologetic in their rejection of expectations.


Tobin Sprout Goes Americana on 'Empty Horses'

During the heyday of Guided By Voices, Tobin Sprout wasn't afraid to be absurd amongst all that fuzz. Sprout's new album, Empty Horses, is not the Tobin Sprout we know.


'All In: The Fight for Democracy' Spotlights America's Current Voting Restrictions as Jim Crow 2.0

Featuring an ebullient and combative Stacey Abrams, All In: The Fight for Democracy shows just how determined anti-democratic forces are to ensure that certain groups don't get access to the voting booth.


'Transgender Street Legend Vol. 2' Finds Left at London "At My Peak and Still Rising"

"[Pandemic lockdown] has been a detriment to many people's mental health," notes Nat Puff (aka Left at London) around her incendiary, politically-charged new album, "but goddamn it if I haven't been making some bops here and there!"


Daniel Romano's 'How Ill Thy World Is Ordered' Is His Ninth LP of 2020 and It's Glorious

No, this is isn't a typo. Daniel Romano's How Ill Thy World Is Ordered is his ninth full-length release of 2020, and it's a genre-busting thrill ride.


The Masonic Travelers Offer Stirring Rendition of "Rock My Soul" (premiere)

The Last Shall Be First: the JCR Records Story, Volume 1 captures the sacred soul of Memphis in the 1970s and features a wide range of largely forgotten artists waiting to be rediscovered. Hear the Masonic Travelers "Rock My Soul".


GLVES Creates Mesmerizing Dark Folktronica on "Heal Me"

Australian First Nations singer-songwriter GLVES creates dense, deep, and darkish electropop that mesmerizes with its blend of electronics and native sounds on "Heal Me".


Otis Junior and Dr. Dundiff Tells Us "When It's Sweet" It's So Sweet

Neo-soul singer Otis Junior teams with fellow Kentuckian Dr. Dundiff and his hip-hop beats for the silky, groovy "When It's Sweet".


Lars and the Magic Mountain's "Invincible" Is a Shoegazey, Dreamy Delight (premiere)

Dutch space pop/psychedelic band Lars and the Magic Mountain share the dreamy and gorgeous "Invincible".


What 'O Brother, Where Art Thou?' Gets Right (and Wrong) About America

Telling the tale of the cyclops through the lens of high and low culture, in O'Brother, Where Art Thou? the Coens hammer home a fatalistic criticism about the ways that commerce, violence, and cosmetic Christianity prevail in American society .


Alexander Wren's "The Earth Is Flat" Wryly Looks at Lost Love (premiere + interview)

Singer-songwriter Alexander Wren's "The Earth Is Flat" is a less a flat-earther's anthem and more a wry examination of heartache.


Big Little Lions' "Distant Air" Is a Powerful Folk-Anthem (premiere)

Folk-pop's Big Little Lions create a powerful anthem with "Distant Air", a song full of sophisticated pop hooks, smart dynamics, and killer choruses.


The Flat Five Invite You to "Look at the Birdy" (premiere)

Chicago's the Flat Five deliver an exciting new single that exemplifies what some have called "twisted sunshine vocal pop".


Brian Bromberg Pays Tribute to Hendrix With "Jimi" (premiere + interview)

Bass giant Brian Bromberg revisits his 2012 tribute to Jimi Hendrix 50 years after his passing, and reflects on the impact Hendrix's music has had on generations.

Jedd Beaudoin

Shirley Collins' ​'Heart's Ease'​ Affirms Her Musical Prowess

Shirley Collins' Heart's Ease makes it apparent these songs do not belong to her as they are ownerless. Collins is the conveyor of their power while ensuring the music maintains cultural importance.


Ignorance, Fear, and Democracy in America

Anti-intellectualism in America is, sadly, older than the nation itself. A new collection of Richard Hofstadter's work from Library of America traces the history of ideas and cultural currents in American society and politics.

By the Book

Democratizing Our Data: A Manifesto (excerpt)

Just as big tech leads world in data for profit, the US government can produce data for the public good, sans the bureaucracy. This excerpt of Julia Lane's Democratizing Our Data: A Manifesto will whet your appetite for disruptive change in data management, which is critical for democracy's survival.

Julia Lane

Collapse Expand Reviews

Collapse Expand Features

PM Picks
Collapse Expand Pm Picks

© 1999-2020 All rights reserved.
PopMatters is wholly independent, women-owned and operated.