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Sui Generis on the Rocks: An Appreciation of Christopher Hitchens

The best way to compliment a writer, as a writer, is to recognize, with neither regret nor resignation, that on your best day you will always stand in awe of what they achieved.

The best way to compliment a writer, as a reader, is to recommend their work to others. That I wholeheartedly do, and have done.

The best way to compliment a writer, as a writer, is to recognize, with neither regret nor resignation, that on your best day you will always stand in awe of what they achieved.

Reading and responding to the Hitch is ceaselessly inspiring and seldom less than exhilarating. More, it is an instigatory experience: it compels you to get involved more deeply with the world around and inside you. Reading any worthwhile writer is an act of celebration, a shared reaction to the act of creation. More, it is an exercise in how to write, read, think and live.

The best tribute I can offer to Hitch is that even when he infuriated me (something he did often when he wrote about politics after 9/11), he excited me. I’ve never read a writer who thrilled me as consistently and thoroughly as Hitchens did. He is one of the very few writers who could write about virtually anything and I’d want to read his take. Even, or perhaps especially, when I disagreed with him I came away a more informed and better equipped. In this sense, Hitchens --who at different times could accurately be described as a Marxist, a contrarian, a reactionary and an iconoclast -- provided lessons for how to engage intellectually and spiritually (yes, spiritually) with the world. And think about those four words (and there are many others I could use): how many public figures could conceivably, much less convincingly, be described thusly? If Hitchens had sold out, his ostensibly contradictory stances might seem like a case of cognitive dissonance. In actuality, it was the evidence of his ongoing evolution, as a thinker, writer and human being. Evolution is never static, and Hitchens was always moving forward: ravenous, curious, ornery, insatiable. Above all, he burrowed into the world with the glee and intensity of a converted soul. His salvation was not religion; it was the simple and profound act of existing: I think, therefore I am.

Hitchens combined the range of Twain, the erudition of Mencken and the irreverence of Hunter S. Thompson. Of course, he also had the political courage of Orwell, the acerbic wit of Cyril Connolly and the adroit literary acumen as his great friend Martin Amis. Of all the writers whose work I’ve worshipped, Hitchens was the most fully-formed summation of his influences. As a result of his monomaniacal addiction to knowledge, he produced an insight that is at once all-encompassing and wholly unique. At his best, Hitchens could remind you of any number of geniuses, while at the same time, nobody else is like Hitchens. The Hitch is sui generis, on the rocks.

Here’s the deal... even as I felt intense discomfort for how cozy he became with the architects of our recently-concluded (?) misadventure in Iraq, it was difficult to write him off. For one thing, he never stood to profit in any sense of the word, and I believe he was inexorably affected by what his mate Salman Rushdie endured (when he was notably one of the few artists willing to stand up and defend Rushdie). Over time he came to -- wrongly in my view -- perceive a very gray (and shady) situation as black and white. And yet it wasn’t like he ever turned tail and apologized for being a liberal (like some of his ersthwhile allies did) and he certainly didn't embrace his new “friends” on the Right in any meaningful way. He was cocksure, inscrutable and resolute to the end. If he was a big pig-headed at times, he could never be accused of being opportunistic or craven. How many legit famous people can we say that about?

The best way to compliment on a person for the life they lived is how they choose to die.

That seems to cute by half, but I can’t think of a better way to put it. Of course, few of us have the opportunity to choose how, or when, we die. For the unfortunate folks who contend with cancer, the choice is made for us. The true measure of the courage of one’s convictions is how those convictions hold up under duress. Hitchens promised he would never “find” religion once he was diagnosed with what turned out to be the ailment that took him out. True to his word, as usual, as ever, he was unflinching to the end, even as the hideous disease made him emaciated, weak and fried inside-out. True to his nature, he not only refused to give quarter, he took every opportunity to reiterate the feelings he had about all-things religious.

People who live the right way are living lessons on how to exist, aspire and inevitably, to perish. Hitchens, through his example, will remain a vivid and unquenchable exhibit for how to suck the marrow out of this life, as Thoreau admonished us to do. The mind-boggling body of work he leaves behind will ensure that this world is never without him. Which, in the final analysis is a relief, because the world is already a poorer place without further input from this unbowed, inimitable piece of work.

So far J. J. Abrams and Rian Johnson resemble children at play, remaking the films they fell in love with. As an audience, however, we desire a fuller experience.

As recently as the lackluster episodes I-III of the Star Wars saga, the embossed gold logo followed by scrolling prologue text was cause for excitement. In the approach to the release of any of the then new prequel installments, the Twentieth Century Fox fanfare, followed by the Lucas Film logo, teased one's impulsive excitement at a glimpse into the next installment's narrative. Then sat in the movie theatre on the anticipated day of release, the sight and sound of the Twentieth Century Fox fanfare signalled the end of fevered anticipation. Whatever happened to those times? For some of us, is it a product of youth in which age now denies us the ability to lose ourselves within such adolescent pleasure? There's no answer to this question -- only the realisation that this sensation is missing and it has been since the summer of 2005. Star Wars is now a movie to tick off your to-watch list, no longer a spark in the dreary reality of the everyday. The magic has disappeared… Star Wars is spiritually dead.

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"Vanishing. It's a powerful word, that"

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There's something characteristically English about the Royal Society, whereby strangers gather under the aegis of some shared interest to read, study, and form friendships and in which they are implicitly agreed to exist insulated and apart from political differences.

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