A list of 10 alternative titles that you may not have heard of, but definitely deserve consideration as some of 2011's very best.
Outsider films are, dare it be said, a dying breed. Thanks to updates in technology, new and novel means of distribution, and the bandwagon like call to arms that is the Internet, even the most reclusive cinematic "genius" is bound to be discovered (and if the biz has anything to say about it, exploited). This doesn't mean that every movie made sees the light of an everyday release, but it does make it harder and harder to stay in the background. Websites strive on uncovering the unique and unsung, and as such, banking on the uniqueness to raise their always struggling profiles. After 12 months of sifting through the celluloid remnants, offering up a compendium of ten heretofore unknown treats is difficult, if not impossible. Still, in the annual spirit of such a discussion, we will give it a well-considered whirl.
Of course, the notion of titles "you never heard of" has to be taken with a grain of cinematic salt. We could have easily included the brilliant British alien invasion film Attack the Block, and equally genius UK road comedy, The Trip, or the killer clowns from Franco's Spain, The Last Circus, on this list. They easily demand inclusion among 2011's Best. But the minute we include them here, someone will come out to claim that, as mainstream hits around the world, we are being too US-ccentric in our premise's frame of reference. With this in mind we dug a little deeper, looked a little harder, and came up with a list that hopefully has more "huh's" that "aha's." Sure, some will still be known, but most will be untapped treasures.
Of course, as with any year end acknowledgment, a few consideration parameters have to be laid down. First and foremost, it’s important to note that the films themselves do not have to be made in, or originally released during 2011 proper. After all, some outsider cinema takes years in legal or logistical limbo before making it out via some manner of viewable state. In addition, there is no need for an Oscar like NY to LA preview schedule. As long as the film made it out on some format during this year (originally or in an update) we allowed it. Finally, we don’t discriminate against those who self distribute. As long as it passed over our critical transom, we considered it, no matter how it first got there. About the only consistent element is worth - if the movie wasn’t something really special, we just didn’t add it to our final overview.