Reviews

'Point Blank': Has Action, Action and More Action

Samuel (Gilles Lellouche) is about to have really bad day in Point Blank. His pregnant wife is kidnapped, and now everyone wants to kill him. Can it get any worse?


Point Blank

Director: Fred Cavayé
Cast: Gilles Lellouche, Elena Anaya, Roschdy Zem, Mireille Perrier, Claire Perot
Distributor: Magnolia
Rated: R
Release date: 2011-12-06

Point Blank, the latest thriller from French writer/director Fred Cavayé, doesn’t break any new ground, but it has something that too few action films actually have these days: action, action, and more action. Things kick off right from the start, and in the terse, 78-minute run time, little space is wasted. Point Blank grabs on, and drags you kicking and screaming along for a fast-paced, turbulent, and most importantly, kick ass ride.

The story of an everyman driven to extreme measures, the plot of Point Blank is predictable—think this: nothing is ever going to be that easy, and you have a idea of what will happen—but it is executed well, and Cavayé crafts a tense, action-packed film. It's more that you have a general sense of where the film is going, than you can actually guess what's in store. There are enough twists, turns, and tweaks to the formula that Point Blank never becomes distractingly formulaic, and the end result is a great deal of fun.

Samuel (Gilles Lellouche, Mesrine: Killer Instinct) is a normal guy, a nurse-in-training, just trying to do right by his pregnant wife, Nadia (Elena Anaya, The Skin I Live In). When a mysterious John Doe (Roschdy Zem, 36th Precinct) comes into Samuel’s ward, his life is thrown into a violent tailspin; a storm of chases, shootouts, murder, and betrayal. John Doe is Hugo Sartet, a low-level, lifetime criminal who happened to see something he shouldn’t have, and seemingly everyone wants him dead as a result. Nadia is kidnapped, the ransom is that Samuel must help Sartet escape, and things quickly devolve from there.

Is it the mob? Is it a cadre of corrupt cops? Who can Samuel trust? Will he ever see Nadia again? Who wants Hugo dead? To get out of their parallel predicaments, Samuel and Sartet must form an unstable trust, an uneasy bond, and team up for what turns out to be a really, really bad day. A bad day that will see them leaping off buildings, being framed for murders they didn’t commit, and dealing with a variety of other problems neither of them planned for.

A pair of rival police squads, and an assortment of other unsavory characters are hot on the heels of Samuel and Sartet. There are taut chase scenes, narrow escapes, corruption, lies, and layers piled upon layers of deception. The pace never slows down for you to catch your breath. Your heroic duo are constantly on the run, searching for clues, dodging bullets, trying to figure out what the hell they’ve gotten themselves into, and how the hell to get themselves out. Everything builds until the only possible way out is through a grand, daring, possibly suicidal mission. In short, Point Blank is just about everything you want out of a tough-as-nails, badass actioner.

The DVD from Magnolia doesn’t come with a glut of bonus material. There are a few audio options, including dubs and subtitles; a trailer for Point Blank, a movie you just watched; and a collection of trailers for other recent films. None of that is of much interest to anyone.

The one significant extra that Point Blank does come with is a 49-minute long behind-the-scenes video. Part production documentary, part discussion of the film, the topics covered run the gamut from debate about costume decisions, to in depth breakdowns of particular scenes. Interviews with cast and crew are interspersed with footage from the set. For what it is, there's a lot of information here. It's interesting to watch them set up some of the more extreme stunts, and it is fun to see the crew experiment angles, shots, lighting, and various filmic elements, in an attempt to find what will work best for a given scene and location. The cameras capture some spirited discussions between the actors, director, and producers, about what they have time to keep, and what will have to be cut, and how to squeeze every last useable frame out of the production.

After a while things get repetitive—it is only interesting to watch the stage a couple scenes—but overall, there is a lot of great information here, and this extra offers a unique look behind the curtain of a large-scale movie production.

7

The year in song reflected the state of the world around us. Here are the 70 songs that spoke to us this year.

70. The Horrors - "Machine"

On their fifth album V, the Horrors expand on the bright, psychedelic territory they explored with Luminous, anchoring the ten new tracks with retro synths and guitar fuzz freakouts. "Machine" is the delicious outlier and the most vitriolic cut on the record, with Faris Badwan belting out accusations to the song's subject, who may even be us. The concept of alienation is nothing new, but here the Brits incorporate a beautiful metaphor of an insect trapped in amber as an illustration of the human caught within modernity. Whether our trappings are technological, psychological, or something else entirely makes the statement all the more chilling. - Tristan Kneschke

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Music

The Best Dance Tracks of 2017

Photo: Murielle Victorine Scherre (Courtesy of Big Beat Press)

From the "shamanic techno" of Parisian duo Pouvoir Magique to Stockholm Noir's brilliant string of darkly foreboding, electro-licked singles, here are ten selections that represent some of the more intriguing dance offerings of 2017.

In June of 2016, prolific producer Diplo lambasted the world of DJ's in an interview with Billboard, stating that EDM was dying. Coincidentally enough, the article's contents went viral and made their way into Vice Media's electronic music and culture channel Thump, which closed its doors after four years this summer amid company-wide layoffs. Months earlier, electronic music giant SFX Entertainment filed bankruptcy and reemerged as Lifestyle, Inc., shunning the term "EDM".

So here we are at the end of 2017, and the internet is still a flurry with articles declaring that Electronic Dance Music is rotting from the inside out and DJ culture is dying on the vine, devoured by corporate greed. That might all well be the case, but electronic music isn't disappearing into the night without a fight as witnessed by the endless parade of emerging artists on the scene, the rise of North America's first Electro Parade in Montréal, and the inaugural Electronic Music Awards in Los Angeles this past September.

For every insipid, automaton disc jockey-producer, there are innovative minds like Anna Lunoe, Four Tet, and the Black Madonna, whose eclectic, infectious sets display impeccable taste, a wealth of knowledge, and boundless creativity. Over the past few years, many underground artists have been thrust into the mainstream spotlight and lost the je ne sais quoi that made them unique. Regardless, there will always be new musicians, producers, singers, and visionaries to replace them, those who bring something novel to the table or tip a hat to their predecessors in a way that steps beyond homage and exhilarates as it did decades before.

As electronic music continues to evolve and its endless sub-genres continue to expand, so do fickle tastes, and preferences become more and more subjective with a seemingly endless list of artists to sift through. With so much music to digest, its no wonder that many artists remain under the radar. This list hopes to remedy that injustice and celebrate tracks both indie and mainstream. From the "shamanic techno" of Parisian duo Pouvoir Magique to Stockholm Noir's brilliant string of darkly foreboding, electro-licked singles, here are ten selections that represent some of the more intriguing dance offerings of 2017.

10. Moullinex - “Work It Out (feat. Fritz Helder)”

Taken from Portuguese producer, DJ, and multi-instrumentalist Luis Clara Gomes' third album Hypersex, "Work It Out" like all of its surrounding companions is a self-proclaimed, "collective love letter to club culture, and a celebration of love, inclusion and difference." Dance music has always seemingly been a safe haven for "misfits" standing on the edge of the mainstream, and while EDM manufactured sheen might have taken the piss out of the scene, Hypersex still revels in that defiant, yet warm and inviting attitude.

Like a cheeky homage to Rick James and the late, great High Priest of Pop, Prince, this delectably filthy, sexually charged track with its nasty, funk-drenched bass line, couldn't have found a more flawless messenger than former Azari & III member Fritz Helder. As the radiant, gender-fluid artist sings, "you better work your shit out", this album highlight becomes an anthem for all those who refuse to bow down to BS. Without any accompanying visuals, the track is electro-funk perfection, but the video, with its ruby-red, penile glitter canon, kicks the whole thing up a notch.

9. Touch Sensitive - “Veronica”

The neon-streaked days of roller rinks and turtlenecks, leg warmers and popped polo collars have come and gone, but you wouldn't think so listening to Michael "Touch Sensitive" Di Francesco's dazzling debut Visions. The Sydney-based DJ/producer's long-awaited LP and its lead single "Lay Down", which shot to the top of the Hype Machine charts, are as retro-gazing as they are distinctly modern, with nods to everything from nu disco to slo-mo house.

Featuring a sample lifted from 90s DJ and producer Paul Johnson's "So Much (So Much Mix)," the New Jack-kissed "Veronica" owns the dance floor. While the conversational interplay between the sexed-up couple is anything but profound, there is no denying its charms, however laughably awkward. While not everything on Visions is as instantly arresting, it is a testament to Di Francesco's talents that everything old sounds so damn fresh again.

8. Gourmet - “Delicious”

Neither Gourmet's defiantly eccentric, nine-track debut Cashmere, nor its subsequent singles, "There You Go" or "Yellow" gave any indication that the South African purveyor of "spaghetti pop" would drop one of the year's sassiest club tracks, but there you have it. The Cape Town-based artist, part of oil-slick, independent label 1991's diminutive roster, flagrantly disregards expectation on his latest outing, channeling the Scissor Sisters at their most gloriously bitchy best, Ratchet-era Shamir, and the shimmering dance-pop of UK singer-producer Joe Flory, aka Amateur Best.

With an amusingly detached delivery that rivals Ben Stein's droning roll call in Ferris Bueller's Day Off , he sings "I just want to dance, and fuck, and fly, and try, and fail, and try again…hold up," against a squelchy bass line and stabbing synths. When the percussive noise of what sounds like a triangle dinner bell appears within the mix, one can't help but think that Gourmet is simply winking at his audience, as if to say, "dinner is served."

7. Pouvoir Magique - “Chalawan”

Like a psychoactive ayahuasca brew, the intoxicating "shamanic techno" of Parisian duo Pouvoir Magique's LP Disparition, is an exhilarating trip into unfamiliar territory. Formed in November of 2011, "Magic Power" is the musical project of Clément Vincent and Bertrand Cerruti, who over the years, have cleverly merged several millennia of songs from around the world with 21st-century beats and widescreen electro textures. Lest ye be worried, this is anything but Deep Forest.

In the spring of 2013, Pouvoir Magique co-founded the "Mawimbi" collective, a project designed to unite African musical heritage with contemporary soundscapes, and released two EPs. Within days of launching their label Musiques de Sphères, the duo's studio was burglarized and a hard drive with six years of painstakingly curated material had vanished. After tracking down demos they shared with friends before their final stages of completion, Clément and Bertrand reconstructed an album of 12 tracks.

Unfinished though they might be, each song is a marvelous thing to behold. Their stunning 2016 single "Eclipse," with its cinematic video, might have been one of the most immediate songs on the record, but it's the pulsing "Chalawan," with its guttural howls, fluttering flute-like passages, and driving, hypnotic beats that truly mesmerizes.

6. Purple Disco Machine - “Body Funk” & “Devil In Me” (TIE)

Whenever a bevy of guest artists appears on a debut record, it's often best to approach the project with caution. 85% of the time, the collaborative partners either overshadow the proceedings or detract from the vision of the musician whose name is emblazoned across the top of the LP. There are, however, pleasant exceptions to the rule and Tino Piontek's Soulmatic is one of the year's most delightfully cohesive offerings. The Dresden-born Deep Funk innovator, aka Purple Disco Machine, has risen to international status since 2009, releasing one spectacular track and remix after another. It should go without saying that this long-awaited collection, featuring everyone from Kool Keith to Faithless and Boris D'lugosch, is ripe with memorable highlights.

The saucy, soaring "Mistress" shines a spotlight on the stellar pipes of "UK soul hurricane" Hannah Williams. While it might be a crowning moment within the set, its the strutting discofied "Body Funk", and the album's first single, "Devil In Me", that linger long after the record has stopped spinning. The former track with its camptastic fusion of '80s Sylvester gone 1940s military march, and the latter anthem, a soulful stunner that samples the 1968 Stax hit "Private Number", and features the vocal talents of Duane Harden and Joe Killington, feels like an unearthed classic. Without a doubt, the German DJ's debut is one of the best dance records of the year.

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