Music

The Forbidden Dimension: The Golden Age of Lasers

This album is horror-rock at its best, pounding hard rock with elements of punk, rockabilly, blues, and surf mixed in just right. And all played with a winning sense of humor.


The Forbidden Dimension

The Golden Age of Lasers

Label: Saved By Vinyl
US Release Date: 2011-11-22
UK Release Date: 2011-11-22
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I'd never heard of The Forbidden Dimension before listening to The Golden Age of Lasers, but they've apparently been making music in Calgary on and off since 1988, unjustly toiling in obscurity to the world at large. This album is horror-rock at its best, pounding hard rock with elements of punk, rockabilly, blues, and surf mixed in just right. Lyrically, the songs are the stuff of classic horror movies, sung with a winning sense of humor by bandleader Jackson Phibes. The slinky "Haywire Hannah" is a chugging ode to an attractive witch, complete with Farfisa organ underpinnings and over the top guitar solos. "Lillydale Orphanage" details the lives of children at a horrible orphanage, but does it with an extremely catchy, singalong chorus. Album opener "Where's My Wolves" begins with a creepy piano solo that intentionally evokes the theme song to John Carpenter's Halloween before exploding into '70s-style guitar riffs, complete with tropes like vibraslap, cowbell, and hyperactive drum fills. The highlight of the record, though, is the hilarious "Tor Johnson Mask", which is a treat for B-movie fans with its referential chorus "Now is time for go to bed!" In an alternate universe (an idea The Forbidden Dimension would surely appreciate), record label representatives would've descended on Calgary instead of New York City in the early '90s, giving Phibes the career and success that Rob Zombie ended up having.

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To be a migrant worker in America is to relearn the basic skills of living. Imagine doing that in your 60s and 70s, when you thought you'd be retired.


Nomadland: Surviving America in the Twenty-First Century

Publisher: W. W. Norton
Author: Jessica Bruder
Publication date: 2017-09
Amazon

There's been much hand-wringing over the state of the American economy in recent years. After the 2008 financial crisis upended middle-class families, we now live with regular media reports of recovery and growth -- as well as rising inequality and decreased social mobility. We ponder what kind of future we're creating for our children, while generally failing to consider who has already fallen between the gaps.

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Music

The World of Captain Beefheart: An Interview with Gary Lucas and Nona Hendryx

Gary Lucas and Nona Hendryx (photo © Michael DelSol courtesy of Howlin' Wuelf Media)

Guitarist and band leader Gary Lucas and veteran vocalist Nona Hendryx pay tribute to one of rock's originals in this interview with PopMatters.

From the opening bars of "Suction Prints", we knew we had entered The World of Captain Beefheart and that was exactly where we wanted to be. There it was, that unmistakable fast 'n bulbous sound, the sudden shifts of meter and tempo, the slithery and stinging slide guitar in tandem with propulsive bass, the polyrhythmic drumming giving the music a swing unlike any other rock band.

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Very few of their peers surpass Eurythmics in terms of artistic vision, musicianship, songwriting, and creative audacity. This is the history of the seminal new wave group

The Rock and Roll Hall of Fame nominating committee's yearly announcement of the latest batch of potential inductees always generates the same reaction: a combination of sputtering outrage by fans of those deserving artists who've been shunned, and jubilation by fans of those who made the cut. The annual debate over the list of nominees is as inevitable as the announcement itself.

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From Haircut 100 to his own modern pop stylings, Nick Heyward is loving this new phase of his career, experimenting with genre with the giddy glee of a true pop music nerd.

In 1982, Nick Heyward was a major star in the UK.

As the leader of pop sensations Haircut 100, he found himself loved by every teenage girl in the land. It's easy to see why, as Haircut 100 were a group of chaps so wholesome, they could have stepped from the pages of Lisa Simpson's "Non-Threatening Boys" magazine. They resembled a Benetton knitwear advert and played a type of quirky, pop-funk that propelled them into every transistor radio in Great Britain.

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This book offers a poignant and jarring reminder not just of the resilience of the human spirit, but also of its ability to seek solace in the materiality of one's present.

Marcelino Truong launched his autobiographical account of growing up in Saigon during the Vietnam War with the acclaimed graphic novel Such a Lovely Little War: Saigon 1961-63, originally published in French in 2012 and in English translation in 2016. That book concluded with his family's permanent relocation to London, England, as the chaos and bloodshed back home intensified.

Now Truong continues the tale with Saigon Calling: London 1963-75 (originally published in French in 2015), which follows the experiences of his family after they seek refuge in Europe. It offers a poignant illustration of what life was like for a family of refugees from the war, and from the perspective of young children (granted, Truong's family were a privileged and upper class set of refugees, well-connected with South Vietnamese and European elites). While relatives and friends struggle to survive amid the bombs and street warfare of Vietnam, the displaced narrator and his siblings find their attention consumed by the latest fashion and music trends in London. The book offers a poignant and jarring reminder not just of the resilience of the human spirit, but also of its ability to seek solace in the materiality of one's present.

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