PopMatters is moving to WordPress. We will publish a few essays daily while we develop the new site. We hope the beta will be up sometime late next week.

When I'm 64 (Plus Six): My Favorite Macca Beatles Songs

To commemorate Paul McCartney's 70th birthday this past week, here is a list of one writer's favorite songs from each proper Beatles album.

Sgt. Pepper's Lonely Hearts Club Band and more...

"Fixing a Hole"
(Sgt. Pepper's Lonely Hearts Club Band, 1967)

For the hype and praise (all of it warranted, obviously) heaped on Sgt. Pepper in particular, and 1967 in general, this particular tune seems to slip under the radar. For me, in addition to being yet another short burst of pop perfection (ho hum), it is an extremely laid-back and convincing statement of individuality. To his credit, even though he wore the outfit (look at the album cover), McCartney did not easily pay allegiance to any particular cause. He may have embraced the countercultural energy of the era, but he was his own man. He didn't name names or slag off any institutions and he did not need to. In one of the seminal years in rock 'n' roll history, McCartney did not surf the wave that crested during the Summer of Love: he was the wind that helped create the wave.

"Penny Lane"
(Magical Mystery Tour, 1967)

Of course, this is not from a "proper" album; winding up on the American release of Magical Mystery Tour, it was introduced to a not-quite-suspecting world as one half of the most brilliant/influential single of all time, on the flip side of Lennon's four-minute revolution, "Strawberry Fields Forever".

Debate has raged as to how much "better" Sgt. Pepper would be had the lads saved those two songs for it. No question the quality of the album would have improved but... well, it wouldn't be the same. And there is something almost heroic about the Beatles, already the biggest band in the universe, putting out a single just to let the world know they were still in charge. Ever-unappreciated fifth Beatle George Martin's presence is particularly felt on this one, courtesy of the trumpet flourishes (the idea of which came to McCartney in a burst of inspiration while listening to Bach's Brandenburg Concertos). There is no shortage of delightful irony that Mac, easily one of the most famous and beloved rock stars on the scene, sings wistfully about his childhood. Nostalgic without being sentimental, McCartney illustrates that he was king, culturally and creatively, circa 1967.

"Hey Jude"
(non-album single, 1968)

Just because.

"Blackbird", "Mother Nature's Son"
(Two songs from the double-album The Beatles, 1968)

Trying to cut this album down to size (something George Martin fought for, and something each member probably advocated at some point, in ’68 or after) is ultimately like chasing that (white) whale around all the continents and hunting him down: it can’t be done. Impossible, like trying to make sense out of “Revolution 9" (forwards or backwards, and back in the day, we tried it many times). And that is the point of this album: it really is just an album a band that happened to be growing apart made in between ’67 and ’69. Due to not working together as closely, or productively, as they once had, does the end product suffer?

Perhaps. But even with the odds and sods (even with "Ob-La-Di, Ob-La-Da" for God’s sake), the bottom line is that the Beatles couldn’t help but be brilliant. They were as close to the sun as they’d ever get at this point in their careers, and this work endures as a sort of field recording that touches on almost all the music made in the modern era, while anticipating (and to a large degree commencing) the post ’60s era (one might even say that by recognizing the ’60s were effectively over, the Beatles effectively ended the ’60s). Could it have been edited to make a more concise, aesthetically satisfactory result? Maybe. But would it be as satisfying? Fortunately, that is the question that cannot, and need not, ever be answered.

"Hey Bulldog"
(Yellow Submarine, 1969)

Yes, this is a Lennon song. Yes, it would not sound remotely the same without McCartney.

The video below represents one of the unfortunately rare instances when the band filmed themselves in the studio. It's a near miraculous moment in time captured for posterity: priceless because it affords a brief but beautiful window into this other world, the laboratory where the magic got made. And this is most definitely magical; it is also exceedingly bittersweet. This track was cut as the group was beginning to put together the puzzle pieces that ultimately comprised The Beatles and things had begun to unravel. This, then, is not merely an illustration -- albeit a wonderful one -- of the organic process of inspiration and improvisation, but a document of the Lennon/McCartney engine powering along at full steam. Watching the interaction (look at Mac’s ebullient body language at the 2.50 mark!) removes any doubt that at their best, these two amigos required ingredients that were always lacking once they went their separate ways.

"You Never Give Me Your Money"
(Abbey Road 1969)

Whenever I listen to Abbey Road, I find myself feeling grateful that the collective world of musicians did not, upon hearing it for the first time, throw up their hands and get day jobs. Why bother, they did not ask, allowing us to remain thankful for everything that keeps filling our ears, all these years later. But what must it have sounded like, to mortals simply trying to occupy the same planet, when this one originally dropped?

And what can I possibly say about this song that it doesn't say quite nicely for itself? Personally, I would put this one at the very top of the heap if asked, "Why do you insist Paul McCartney is a genius?"

"Let It Be"
(Let It Be, 1970)

And I would put "Let It Be" next to the top, if asked the same question.

There is only one thing to add, and it says everything that needs to be said: McCartney was not yet 30 years old when he wrote and recorded this song.

As we get older we gradually and however reluctantly acknowledge that we will, one day, cease to exist. For anyone not yet born when the Beatles broke up, we will most likely end up watching many of our musical gods expire on our watch. I don't know how I'm going to react when Paul McCartney eventually goes, but here's hoping it's not for a very long time indeed. Happy 70th, Macca!

Prev Page

Please Donate to Help Save PopMatters

PopMatters have been informed by our current technology and hosting provider that we have less than a month, until November 6, to move PopMatters off their service or we will be shut down. We are moving to WordPress and a new host, but we really need your help to save the site.





The 13 Greatest Horror Directors of All Time

In honor of Halloween, here are 13 fascinating fright mavens who've made scary movies that much more meaningful.


British Jazz and Soul Artists Interpret the Classics on '​Blue Note Re:imagined'

Blue Note Re:imagined provides an entrance for new audiences to hear what's going on in British jazz today as well as to go back to the past and enjoy old glories.


Bill Murray and Rashida Jones Add Another Shot to 'On the Rocks'

Sofia Coppola's domestic malaise comedy On the Rocks doesn't drown in its sorrows -- it simply pours another round, to which we raise our glass.


​Patrick Cowley Remade Funk and Disco on 'Some Funkettes'

Patrick Cowley's Some Funkettes sports instrumental renditions from between 1975-1977 of songs previously made popular by Donna Summer, Herbie Hancock, the Temptations, and others.


The Top 10 Definitive Breakup Albums

When you feel bombarded with overpriced consumerism disguised as love, here are ten albums that look at love's hangover.


Dustin Laurenzi's Natural Language Digs Deep Into the Jazz Quartet Format with 'A Time and a Place'

Restless tenor saxophonist Dustin Laurenzi runs his four-piece combo through some thrilling jazz excursions on a fascinating new album, A Time and a Place.


How 'Watchmen' and 'The Boys' Deconstruct American Fascism

Superhero media has a history of critiquing the dark side of power, hero worship, and vigilantism, but none have done so as radically as Watchmen and The Boys.


Floodlights' 'From a View' Is Classicist Antipodal Indie Guitar Pop

Aussie indie rockers, Floodlights' debut From a View is a very cleanly, crisply-produced and mixed collection of shambolic, do-it-yourself indie guitar music.


CF Watkins Embraces a Cool, Sophisticated Twang on 'Babygirl'

CF Watkins has pulled off the unique trick of creating an album that is imbued with the warmth of the American South as well as the urban sophistication of New York.


Helena Deland Suggests Imagination Is More Rewarding Than Reality on 'Something New'

Canadian singer-songwriter Helena Deland's first full-length release Someone New reveals her considerable creative talents.


While the Sun Shines: An Interview with Composer Joe Wong

Joe Wong, the composer behind Netflix's Russian Doll and Master of None, articulates personal grief and grappling with artistic fulfillment into a sweeping debut album.


Peter Frampton Asks "Do You Feel Like I Do?" in Rock-Solid Book on Storied Career

British rocker Peter Frampton grew up fast before reaching meteoric heights with Frampton Comes Alive! Now the 70-year-old Grammy-winning artist facing a degenerative muscle condition looks back on his life in his new memoir and this revealing interview.


Bishakh Som's 'Spellbound' Is an Innovative Take on the Graphic Memoir

Bishakh's Som's graphic memoir, Spellbound, serves as a reminder that trans memoirs need not hinge on transition narratives, or at least not on the ones we are used to seeing.


Gamblers' Michael McManus Discusses Religion, Addiction, and the Importance of Writing Open-Ended Songs

Seductively approachable, Gamblers' sunny sound masks the tragedy and despair that populate the band's debut album.


Peter Guralnick's 'Looking to Get Lost' Is an Ode to the Pleasures of Writing About Music

Peter Guralnick's homage to writing about music, 'Looking to Get Lost', shows how good music writing gets the music into the readers' head.


In Praise of the Artifice in George Cukor's 'Sylvia Scarlett'

George Cukor's gender-bending Sylvia Scarlett proposes a heroine who learns nothing from her cross-gendered ordeal.


The Cure: Ranking the Albums From 13 to 1

Just about every Cure album is worth picking up, and even those ranked lowest boast worthwhile moments. Here are their albums, spanning 29 years, presented from worst to best.


The 20 Best Episodes of 'Star Trek: The Original Series'

This is a timeless list of 20 thrilling Star Trek episodes that delight, excite, and entertain, all the while exploring the deepest aspects of the human condition and questioning our place in the universe.

Collapse Expand Reviews

Collapse Expand Features

PM Picks
Collapse Expand Pm Picks

© 1999-2020 PopMatters.com. All rights reserved.
PopMatters is wholly independent, women-owned and operated.