Film

Knight Music: The Top 10 Batman Music Tracks

As the World's Greatest Detective is set to triumph at the box office yet again this weekend with the release of The Dark Knight Rises, Sound Affects shines a Bat-Signal on one of the most essential components of any Batman film or TV series -- the music.

From his inception, Batman has always been a very cinematic character. Though borne of and forever linked to the comic book medium, his early exploits drew liberally from filmic inspirations ranging from noir to German Expressionism to Orson Welles’ Citizen Kane, cribbing their odd camera angles and generous shadows to convey, drama, dread, and excitement on the four-color page. So it should be no surprise that more than any of his superhero peers, Batman has become an icon on both the big and small screens, one who has starred in everything from low-budget serials to summer blockbusters to stylized animated adventures.

As the masked vigilante is poised to conquer movie screens worldwide once again this week with the release of the much-anticipated The Dark Knight Rises, Sound Affects would like to shine a Bat-Signal on one particularly essential component of any Batman film or TV series -- the music. Be it strum und drang orchestrations or the latest pop sounds, the music that accompanies the Caped Crusader’s extra-comic exploits has always played a key role in crafting the right atmosphere, upping the stakes, and punctuating the narrative developments -- not to mention the on-screen fisticuffs. Quibble all you want with the make-up of the final list (Hans Zimmer’s formless and indistinct score for the Christopher Nolan films is nowhere in sight, and Shirley Walker’s character motifs for Batman: The Animated Series would assuredly have numbers 11 and up all sewn up if this article was doubled in size). But if you are going to take anything away from this countdown, it should be confirmation that Batman, perhaps more than any modern fictional hero, has proven to be a steady source of inspiration for a wildly divergent array of great theme music for well over half a century.

 
10. Prince – “Batdance”
(Batman)

No, wait, hear me out on this one. Yes, in many respects Prince’s “Batdance” is a mess, a sprawling, multi-section mash-up of synthfunk grooves, squalling guitar histrionics, and dialogue from the film that made for one of the most bizarre songs to ever top the charts (and make no mistake, it did indeed top them, as did the soundtrack it was spawned from). “Flawed genius” is a perfectly apt label for “Batdance”, as it constantly flirts with moments of transcendent awesomeness and overindulgent musical wankery, never allowing either to win in the end. You could say such a dichotomy perfectly reflects the Batman/Joker relationship, one which the musician reinforced in a music video where his wardrobe was stylized so that each character was represented on halves of his body. Or you can say Prince was off into the stratosphere on a yet another freaky flight of fancy when he recorded this. Either works.

 
9. Seal – “Kiss from a Rose”
(Batman Forever)

Omnipresent back in 1995, the hit that briefly made Seal an international superstar hasn’t aged that well, its breathy R&B sensuality reeking of a decidedly mid-‘90s vintage. For a moment in time, though, it was the perfect action movie love theme, one that was passionate without being soft -- just like Batman. And for those insistent that Batman’s dedication to his crime-fighting mission should leave his adventures bereft of romance, might I suggest digging through some early ’70s comic book back issues starring a globetrotting Dark Knight as what writer Grant Morrison succinctly labeled a “hairy-chested love god”. James Bond would be jealous of some of the dalliances Bruce Wayne has had, and none of the British secret agent's many title themes have ever been as smooth as this.


 
8. Neal Hefti – “Batman Theme”
(Batman television series)

Simplistic almost to the point of idiocy, the theme to the infamous ‘60s live-action series is remarkably enduring, as synonymous with the program -- indeed, the decade at large -- as star Adam West. The deadpan Technicolor campiness of the show is perfectly reflected in the insistent mod bass riff and “Na na na na na na... Batman!” chants that shift pitch to match the chord changes. As dark and serious as depictions of the Batman mythos have become over subsequent decades, the long shadow cast by Hefti’s immensely infectious tune can never be fully exorcised (see U2 guitarist the Edge’s theme music for first two seasons of the WB’s The Batman cartoon for an instance of its spirit living on in the 21st century). And why should it be? Even if your favorite incarnation of the Caped Crusader is of the gravely stoic variety, you’re probably singing this to yourself right as you read these words.

 
7. Siouxsie and the Banshees – “Face to Face”
(Batman Returns)

Given the gothic finery that draped Tim Burton’s Batman films (and virtually anything else the director touches), it was inevitable that the soundtrack to at least one of them would feature a contribution by a proper goth group. Co-written by Batman Return composer/frequent Burton collaborator/former Oingo Boingo frontman Danny Elfman, “Face to Face” was the last noteworthy track from the Banshees’ long and storied career before they disbanded in 1996. As sung by a smolderingly seductive Siouxsie Sioux, the lyrics relish in Batman and Catwoman’s tempestuous and erotically charged relationship (“Face to face / My lovely foe / Mouth to mouth / Raining heaven’s blows”). The singer even throws in a few throaty purrs for good measure, never sounding anything less than cool when she does.

 
6. Andy Sturmer – “Batman: The Brave and the Bold Theme”
(Batman: The Brave and the Bold)

Unlike the other animated depictions of Batman in the last two decades, Cartoon Network’s team-up-themed Batman: The Brave and the Bold was bright, humorous, and fun, taking its stylistic cues from playful Sliver Age comics instead of grimmer modern interpretations. Suitably, Sturmer’s theme for the show is a brisk, jazzy number that recalls 1950s and ‘60s jet-set modernism. Once this number starts up, you know you’re in for some exciting two-fisted high adventure. Extra kudos should be given for those dramatic horn stabs at the end.

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From drunken masters to rumbles in the Bronx, Jackie Chan's career is chock full of goofs and kicks. These ten films capture what makes Chan so magnetic.

Jackie Chan got his first film role way back in 1976, when a rival producer hired him for his obvious action prowess. Now, nearly 40 years later, he is more than a household name. He's a brand, a signature star with an equally recognizable onscreen persona. For many, he was their introduction into the world of Hong Kong cinema. For others, he's the goofy guy speaking broken English to Chris Tucker in the Rush Hour films.

From his grasp of physical comedy to his fearlessness in the face of certain death (until recently, Chan performed all of his own stunts) he's a one of a kind talent whose taken his abilities in directions both reasonable (charity work, political reform) and ridiculous (have your heard about his singing career?).

Now, Chan is back, bringing the latest installment in the long running Police Story franchise to Western shores (subtitled Lockdown, it's been around since 2013), and with it, a reminder of his multifaceted abilities. He's not just an actor. He's also a stunt coordinator and choreographer, a writer, a director, and most importantly, a ceaseless supporter of his country's cinema. With nearly four decades under his (black) belt, it's time to consider Chan's creative cannon. Below you will find our choices for the ten best pictures Jackie Chan's career, everything from the crazy to the classic. While he stuck to formula most of the time, no one made redundancy seem like original spectacle better than he.

Let's start with an oldie but goodie:

10. Operation Condor (Armour of God 2)

Two years after the final pre-Crystal Skull installment of the Indiana Jones films arrived in theaters, Chan was jumping on the adventurer/explorer bandwagon with this wonderful piece of movie mimicry. At the time, it was one of the most expensive Hong Kong movies ever made ($115 million, which translates to about $15 million American). Taking the character of Asian Hawk and turning him into more of a comedic figure would be the way in which Chan expanded his global reach, realizing that humor could help bring people to his otherwise over the top and carefully choreographed fight films -- and it's obviously worked.

9. Wheels on Meals

They are like the Three Stooges of Hong Kong action comedies, a combination so successful that it's amazing they never caught on around the world. Chan, along with director/writer/fight coordinator/actor Sammo Hung and Yuen Biao, all met at the Peking Opera, where they studied martial arts and acrobatics. They then began making movies, including this hilarious romp involving a food truck, a mysterious woman, and lots of physical shtick. While some prefer their other collaborations (Project A, Lucky Stars), this is their most unabashedly silly and fun. Hung remains one of the most underrated directors in all of the genre.

8. Mr. Nice Guy
Sammo Hung is behind the lens again, this time dealing with Chan's genial chef and a missing mob tape. Basically, an investigative journalist films something she shouldn't, the footage gets mixed up with some of our heroes, and a collection of clever cat and mouse chases ensue. Perhaps one of the best sequences in all of Chan's career occurs in a mall, when a bunch of bad guys come calling to interrupt a cooking demonstration. Most fans have never seen the original film. When New Line picked it up for distribution, it made several editorial and creative cuts. A Japanese release contains the only unaltered version of the effort.

7. Who Am I?

Amnesia. An easy comedic concept, right? Well, leave it to our lead and collaborator Benny Chan (no relation) to take this idea and go crazy with it. The title refers to Chan's post-trauma illness, as well as the name given to him by natives who come across his confused persona. Soon, everyone is referring to our hero by the oddball moniker while major league action set pieces fly by. While Chan is clearly capable of dealing with the demands of physical comedy and slapstick, this is one of the rare occasions when the laughs come from character, not just chaos.

6. Rumble in the Bronx

For many, this was the movie that broke Chan into the US mainstream. Sure, before then, he was a favorite of film fans with access to a video store stocking his foreign titles, but this is the effort that got the attention of Joe and Jane Six Pack. Naturally, as they did with almost all his films, New Line reconfigured it for a domestic audience, and found itself with a huge hit on its hands. Chan purists prefer the original cut, including the cast voices sans dubbing. It was thanks to Rumble that Chan would go on to have a lengthy run in Tinseltown, including those annoying Rush Hour films.

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