The latest Heartless Bastards video has just released. In the words of the directors Bradley Beesley and Louisiana Kreutz: "We wanted to honor the theme of the song with a good old fashioned office romance. Lucky for us we found two young-looking executives who had time to act in our music video. We also managed to trick the band into standing in a pool for three hours while they pretended to play toy instruments. The Heartless Bastards are a cooperative group!"
The year in song reflected the state of the world around us. Here are the 70 songs that spoke to us this year.
70. The Horrors - "Machine"
On their fifth album V, the Horrors expand on the bright, psychedelic territory they explored with Luminous, anchoring the ten new tracks with retro synths and guitar fuzz freakouts. "Machine" is the delicious outlier and the most vitriolic cut on the record, with Faris Badwan belting out accusations to the song's subject, who may even be us. The concept of alienation is nothing new, but here the Brits incorporate a beautiful metaphor of an insect trapped in amber as an illustration of the human caught within modernity. Whether our trappings are technological, psychological, or something else entirely makes the statement all the more chilling. - Tristan Kneschke
This has been a remarkable year for shoegaze. If it were only for the re-raising of two central pillars of the initial scene it would still have been enough, but that wasn't even the half of it.
It hardly needs to be said that the last 12 months haven't been everyone's favorite, but it does deserve to be noted that 2017 has been a remarkable year for shoegaze. If it were only for the re-raising of two central pillars of the initial scene it would still have been enough, but that wasn't even the half of it. Other longtime dreamers either reappeared or kept up their recent hot streaks, and a number of relative newcomers established their place in what has become one of the more robust rock subgenre subcultures out there.
Staggeringly multi-layered, dangerously fast-paced and rich in characterizations, dialogue and context, Jez Butterworth's new hit about a family during the time of Ireland's the Troubles leaves the audience breathless, sweaty and tearful, in a nightmarish, dry-heaving haze.
"Vanishing. It's a powerful word, that"
Northern Ireland, Rural Derry, 1981, nighttime. The local ringleader of the Irish Republican Army gun-toting comrades ambushes a priest and tells him that the body of one Seamus Carney has been recovered. It is said that the man had spent a full ten years rotting in a bog. The IRA gunslinger, Muldoon, orders the priest to arrange for the Carney family not to utter a word of what had happened to the wretched man.
In the official video for Kyle Craft's "The Rager", the singer/songwriter brings a sense of poetic tragedy to an intoxicating folk ballad.
When Sub Pop released Kyle Craft's debut album, Dolls of Highland, in 2016, it received a slew of critical huzzahs for the Louisiana native's Dylan-meets-Bowie retro glam stylings. His sophomore effort, Full Circle Nightmare, comes out early next year, and a video for the album's song "The Rager" deftly interprets the sly, intricate wordplay of the tune.
Up-and-coming indie folk artists introduce captivating new layers of sound to "Hot Scary Summer" in their rendition of this cult favorite tune from Villagers.
When Villagers first released "Hot Scary Summer", it felt like a revelation. Not only did the indie folk outlet develop a truly captivating melancholy atmosphere with their music, nor did they just appeal to the heartstrings by singing about the negative feelings associated with aching loneliness. Rather, songwriter Conor O'Brien went beyond to highlight personal struggles of being called out in public and having threats thrown out by very homophobic individuals.