National Society of Film Critics Names ‘Amour’ Best Film of 2012

Susan King
Los Angeles Times (MCT)

LOS ANGELES — Another critics’ group has shown love for the film “Amour.”

The National Society of Film Critics named “Amour,” Michael Haneke’s heartbreaking drama about an elderly couple facing a catastrophic illness, the best film of 2012. Haneke was named best director and star Emmanuelle Riva was named best actress by the group, which gave out its awards on Saturday.

“The Master” came in second for best picture, with “Zero Dark Thirty” third. Kathryn Bigelow (“Zero Dark Thirty”) tied with Paul Thomas Anderson (“The Master”) for runner-up in the director category.

It’s the latest critical acclaim for “Amour” which was named best picture by the Los Angeles Film Critics Assn. in December. The film also won the Palme d’Or at the Cannes Film Festival in May.

Jennifer Lawrence placed second in the best actress category for “Silver Linings Playbook,” with Jessica Chastain placing third for “Zero Dark Thirty.”

Best actor honors went to Daniel Day-Lewis for his performance as Abraham Lincoln in “Lincoln,” with Denis Levant of “Holy Motors” placing second. Joaquin Phoenix was third for “The Master.”

Day-Lewis previously won best actor from the critics’ group for 1989’s “My Left Foot” and 2007’s “There Will Be Blood.”

The National Society of Film Critics is made up of 60 of the country’s major critics. Forty-three members gathered Saturday in New York for the 47th annual awards meeting, at the Elinor Bunin Munroe Film Center, as guests of the Film Society of Lincoln Center.

The society and the Academy of Motion Picture Arts and Sciences often disagree over their top choices. Last year, the critics chose Lars Von Trier’s end-of-the-world drama “Melancholia” as the best film, but the best picture Oscar went to “The Artist.”

Matthew McConaughey received supporting actor honors for “Magic Mike” and “Bernie.”

Amy Adams was named best supporting actress for “The Master.”

Tony Kushner won screenplay honors for “Lincoln.”

“The Gatekeepers” received the best nonfiction award.


The Best Indie Rock of 2017

Photo courtesy of Matador Records

The indie rock genre is wide and unwieldy, but the musicians selected here share an awareness of one's place on the cultural-historical timeline.

Indie rock may be one of the most fluid and intangible terms currently imposed upon musicians. It holds no real indication of what the music will sound like and many of the artists aren't even independent. But more than a sonic indicator, indie rock represents a spirit. It's a spirit found where folk songsters and punk rockers come together to dialogue about what they're fed up with in mainstream culture. In so doing they uplift each other and celebrate each other's unique qualities.

With that in mind, our list of 2017's best indie rock albums ranges from melancholy to upbeat, defiant to uplifting, serious to seriously goofy. As always, it's hard to pick the best ten albums that represent the year, especially in such a broad category. Artists like King Gizzard & the Lizard Wizard had a heck of a year, putting out four albums. Although they might fit nicer in progressive rock than here. Artists like Father John Misty don't quite fit the indie rock mold in our estimation. Foxygen, Mackenzie Keefe, Broken Social Scene, Sorority Noise, Sheer Mag... this list of excellent bands that had worthy cuts this year goes on. But ultimately, here are the ten we deemed most worthy of recognition in 2017.

Keep reading... Show less

From genre-busting electronic music to new highs in the ever-evolving R&B scene, from hip-hop and Americana to rock and pop, 2017's music scenes bestowed an embarrassment of riches upon us.

60. White Hills - Stop Mute Defeat (Thrill Jockey)

White Hills epic '80s callback Stop Mute Defeat is a determined march against encroaching imperial darkness; their eyes boring into the shadows for danger but they're aware that blinding lights can kill and distort truth. From "Overlord's" dark stomp casting nets for totalitarian warnings to "Attack Mode", which roars in with the tribal certainty that we can survive the madness if we keep our wits, the record is a true and timely win for Dave W. and Ego Sensation. Martin Bisi and the poster band's mysterious but relevant cool make a great team and deliver one of their least psych yet most mind destroying records to date. Much like the first time you heard Joy Division or early Pigface, for example, you'll experience being startled at first before becoming addicted to the band's unique microcosm of dystopia that is simultaneously corrupting and seducing your ears. - Morgan Y. Evans

Keep reading... Show less

The Best Country Music of 2017

still from Midland "Drinkin' Problem" video

There are many fine country musicians making music that is relevant and affecting in these troubled times. Here are ten of our favorites.

Year to year, country music as a genre sometimes seems to roll on without paying that much attention to what's going on in the world (with the exception of bro-country singers trying to adopt the latest hip-hop slang). That can feel like a problem in a year when 58 people are killed and 546 are injured by gun violence at a country-music concert – a public-relations issue for a genre that sees many of its stars outright celebrating the NRA. Then again, these days mainstream country stars don't seem to do all that well when they try to pivot quickly to comment on current events – take Keith Urban's muddled-at-best 2017 single "Female", as but one easy example.

Keep reading... Show less

It's ironic that by injecting a shot of cynicism into this glorified soap opera, Johnson provides the most satisfying explanation yet for the significance of The Force.

Despite J.J. Abrams successfully resuscitating the Star Wars franchise with 2015's Star Wars: The Force Awakens, many fans were still left yearning for something new. It was comforting to see old familiar faces from a galaxy far, far away, but casual fans were unlikely to tolerate another greatest hits collection from a franchise already plagued by compositional overlap (to put it kindly).

Keep reading... Show less

Yeah Yeah Yeahs played a few US shows to support the expanded reissue of their debut Fever to Tell.

Although they played a gig last year for an after-party for a Mick Rock doc, the Yeah Yeah Yeahs hadn't played a proper NYC show in four years before their Kings Theatre gig on November 7th, 2017. It was the last of only a handful of gigs, and the only one on the East coast.

Keep reading... Show less
Pop Ten
Mixed Media
PM Picks

© 1999-2017 Popmatters.com. All rights reserved.
Popmatters is wholly independently owned and operated.