La Big Vic: Cold War

La Big Vic are not that of one member's contextual background -- or even the marriage one would expect from such broad strokes -- but an experimentation in avant-garde dream-pop.

La Big Vic

Cold War

Label: Underwater Peoples
US Release Date: 2013-01-29
UK Release Date: Import

After one listen to La Big Vic's Cold War, you will likely notice a group that thrives on the influence of dichotomy; a collective of musicians that exist in the space between classical and electronic, the polarity of such varying cultures and find themselves most comfortable at the center of what pulls them all together. Upon further research, it should make complete sense to learn that this odd amalgamate of a former J-Pop boy band member turned multi-instrumentalist producer, a classically trained vocalist and violinist, and a synthesizer composer and former apprentice to Pink Floyd's live sound producer would all find each other in the melting pot that is New York City, and more specifically, the city's most eclectic borough, Brooklyn.

Neither pop nor orchestral, glitchy or vocal-driven, La Big Vic are not that of one member's contextual background–or even the marriage one would expect from such broad strokes–but an experimentation in avant-garde dream-pop whose textures make for some of the widest and ethereal soundscapes of this genre's current wave. Stand-out tracks like "All That Heaven Allows" and "Ave B" put this often times otherworldly ambience on full display, fusing twitchy synthesizer lines and beefy violin riffs, whilst maintaining a tight song-structure that pushes back on the temptation of monotony. On the other side of the spectrum, the instrumental "Nuclear Bomb" embraces these inclinations for the brevity of a three-and-a-half minute movement of noisy and arresting gusto that is both angular and deliberate.

With Cold War, La Big Vic present themselves as a group who has managed an incredible creative maturity in the time between their first album and this sophomore effort. With more hits than misses and a few extra tricks up their sleeve, there's no telling the lengths this group will achieve in the years to come. If one thing’s for certain, it’s bound to be the exact opposite of most critic’s presumptions.


To be a migrant worker in America is to relearn the basic skills of living. Imagine doing that in your 60s and 70s, when you thought you'd be retired.

Nomadland: Surviving America in the Twenty-First Century

Publisher: W. W. Norton
Author: Jessica Bruder
Publication date: 2017-09

There's been much hand-wringing over the state of the American economy in recent years. After the 2008 financial crisis upended middle-class families, we now live with regular media reports of recovery and growth -- as well as rising inequality and decreased social mobility. We ponder what kind of future we're creating for our children, while generally failing to consider who has already fallen between the gaps.

Keep reading... Show less

Very few of their peers surpass Eurythmics in terms of artistic vision, musicianship, songwriting, and creative audacity. This is the history of the seminal new wave group

The Rock and Roll Hall of Fame nominating committee's yearly announcement of the latest batch of potential inductees always generates the same reaction: a combination of sputtering outrage by fans of those deserving artists who've been shunned, and jubilation by fans of those who made the cut. The annual debate over the list of nominees is as inevitable as the announcement itself.

Keep reading... Show less

Barry Lyndon suggests that all violence—wars, duels, boxing, and the like—is nothing more than subterfuge for masculine insecurities and romantic adolescent notions, which in many ways come down to one and the same thing.

2001: A Space Odyssey (1968) crystalizes a rather nocturnal view of heterosexual, white masculinity that pervades much of Stanley Kubrick's films: after slithering from the primordial slime, we jockey for position in ceaseless turf wars over land, money, and women. Those wielding the largest bone/weapon claim the spoils. Despite our self-delusions about transcending our simian stirrings through our advanced technology and knowledge, we remain mired in our ancestral origins of brute force and domination—brilliantly condensed by Kubrick in one of the most famous cuts in cinematic history: a twirling bone ascends into the air only to cut to a graphic match of a space station. Ancient and modern technology collapse into a common denominator of possession, violence, and war.

Keep reading... Show less

This book offers a poignant and jarring reminder not just of the resilience of the human spirit, but also of its ability to seek solace in the materiality of one's present.

Marcelino Truong launched his autobiographical account of growing up in Saigon during the Vietnam War with the acclaimed graphic novel Such a Lovely Little War: Saigon 1961-63, originally published in French in 2012 and in English translation in 2016. That book concluded with his family's permanent relocation to London, England, as the chaos and bloodshed back home intensified.

Now Truong continues the tale with Saigon Calling: London 1963-75 (originally published in French in 2015), which follows the experiences of his family after they seek refuge in Europe. It offers a poignant illustration of what life was like for a family of refugees from the war, and from the perspective of young children (granted, Truong's family were a privileged and upper class set of refugees, well-connected with South Vietnamese and European elites). While relatives and friends struggle to survive amid the bombs and street warfare of Vietnam, the displaced narrator and his siblings find their attention consumed by the latest fashion and music trends in London. The book offers a poignant and jarring reminder not just of the resilience of the human spirit, but also of its ability to seek solace in the materiality of one's present.

Keep reading... Show less

Canadian soul singer Elise LeGrow shines on her impressive interpretation of Fontella Bass' classic track "Rescue Me".

Canadian soul singer Elise LeGrow pays tribute to the classic Chicago label Chess Records on her new album Playing Chess, which was produced by Steve Greenberg, Mike Mangini, and the legendary Betty Wright. Unlike many covers records, LeGrow and her team of musicians aimed to make new artistic statements with these songs as they stripped down the arrangements to feature leaner and modern interpretations. The clean and unfussy sound allows LeGrow's superb voice to have more room to roam. Meanwhile, these classic tunes take on new life when shown through LeGrow's lens.

Keep reading... Show less
Pop Ten
Mixed Media
PM Picks

© 1999-2017 All rights reserved.
Popmatters is wholly independently owned and operated.