Music

Harry Nilsson - "Save the Last Dance For Me"

Harry Nilsson's take on the Ben E. King classic never fails to bring a lump to my throat.

On "Save the Last Dance for Me", Harry Nilsson sounds like he's in bad shape, and he is. The highlight of an 18-month long binge drinking session with producer John Lennon, the album that boasts "Save the Last Dance", 1974's Pussy Cats, is rough, gorgeous, both orderly and a serious mess. Yet, somehow, it works. "Save the Last Dance for Me" is a perfect example, as we can actually hear Nilsson's tequila-laced phlegm, accompanied by Lennon's sensitive and bizarre string arrangement, and cannot help but be taken in by the sheer honesty and exquisite weirdness of the thing. Nilsson destroyed his vocal cords while recording Pussy Cats, and his confidence as a vocalist would never recover. All of this makes "Save the Last Dance" a bittersweet listening experience for the Harry Nilsson fan. Few other singers could make falling apart sound so beautiful.

9

Director Spotlight: Alfred Hitchcock

Alfred Hitchcock helped to create the modern horror genre, the modern thriller, and the modern black comedy. He changed film, even as he was inventing new ways to approach it. Stay tuned through October as we present our collection of essays on the Master of Suspense.

Film

'Psycho': The Mother of All Horrors

Psycho stands out not only for being one of Alfred Hitchcock's greatest films, it is also one of his most influential. It has been a template and source material for an almost endless succession of later horror films, making it appropriate to identify it as the mother of all horror films.

Francesc Quilis
Film

The City Beneath: A Century of Los Angeles Graffiti (By the Book)

With discussions of characters like Leon Ray Livingston (a.k.a. "A-No. 1"), credited with consolidating the entire system of hobo communication in the 1910s, and Kathy Zuckerman, better known as the surf icon "Gidget", Susan A. Phillips' lavishly illustrated The City Beneath: A Century of Los Angeles Graffiti, excerpted here from Yale University Press, tells stories of small moments that collectively build into broad statements about power, memory, landscape, and history itself.

Susan A. Phillips
Books

The 10 Best Indie Pop Albums of 2009

Indie pop in 2009 was about all young energy and autumnal melancholy, about the rush you feel when you first hear an exciting new band, and the bittersweet feeling you get when your favorite band calls it quits.

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