Music

20 Questions: Glasser

Photo: Jonathan Turner Williams/Glasser

She releases some of the most forward-thinking electronic pop music during the day, goes out in ball gowns in the night. Glasser tackles PopMatters' 20 Questions, and the results are predictably wonderful.


Glasser

Interiors

Label: True Panther
US Release Date: 2013-10-08
Amazon
iTunes

Some may call the work of Cameron Mesirow (better known as Glasser) something like "dance music" -- yet such a label simply doesn't fit work as daring as Glasser's. Not in the least.

Part of the reason for this is that Glasser's music, which itself is indebted to synthpop just as much as it is to experimental electronica, defies easy categorization. On Mesirow's 2011 debut, Ring, she wound up creating what sounded like a modern-day, lo-fi tribute to the Cocteau Twins, and slowly but surely, her sound garnered acclaim across the blogosphere. With Interiors, Glasser's new album, things go a little bit weirder, flirting with the likes of IDM and non-traditional song structures, still managing to find time to fit in straight-from-the-'80s sax breaks in the middle of songs like the thumping "New Year". It's for reasons like this that Interiors isn't mean to be an album that's "enjoyed" as much as it is to be "experienced" -- and what an experience it is.

To help celebrate the release, Mesirow sat down with PopMatters' 20 Questions, and winds up revealing that the movie Aladdin made her cry, why Thriller is the greatest album of all time, and why ball gowns may very well be an acceptable form of day-to-day attire ...

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1. The latest book or movie that made you cry?

I cry at every sentimental thing that I read or watch. No joke, I think I just watched Aladdin and cried a little.

2. The fictional character most like you?

[Question was not answered.]

3. The greatest album, ever?

Definitely impossible to answer with 100% accuracy for this kind of opinion changes all the time for me. I'm going to go with Thriller.

4. Star Trek or Star Wars?

Star Wars.

5. Your ideal brain food?

Movies seem to target all of my needs at once.

6. You're proud of this accomplishment, but why?

I'm proud of making two records! I never even thought I would make it through the first one and now I have two!

7. You want to be remembered for ...?

In terms of my work, I would like to be remembered as a unique voice.

8. Of those who've come before, the most inspirational are?

Joni Mitchell, David Bowie, Brian Eno, Kate Bush, Michael and Janet Jackson; there are too many!

9. The creative masterpiece you wish bore your signature?

Ziggy Stardust and the Spiders from Mars.

10. Your hidden talents ...?

I do impressions of people.

11. The best piece of advice you actually followed?

Someone told me once that there is an audience for everything, and it has helped me to explore some unusual things in my work without fear.

12. The best thing you ever bought, stole, or borrowed?

I got hit by a car once and with the insurance money, I went to Japan with my friends. No regrets! I still have dreams about being there.

13. You feel best in Armani or Levis or ...?

This changes daily for me: I love dressing up and I love dressing down. There's truly nothing better than solid staple garments to me, good jeans, a sweater, or a dress. But I would also like to wear ball gowns every once and a while too.

14. Your dinner guest at the Ritz would be?

I love to laugh, so I would probably choose a comedian like Steve Martin or Bill Murray.

15. Time travel: where, when and why?

The future! I'm so much more curious about the future than the past, I want to see if there will ever be a cure for cancer.

16. Stress management: hit man, spa vacation, or Prozac?

Spa for me. I usually have physical stress that accompanies whatever I'm worried about, and I like to take care of my body.

17. Essential to life: coffee, vodka, cigarettes, chocolate, or ...?

Fresh food of all sorts, especially vegetables.

18. Environ of choice: city or country, and where on the map?

I love to be in a city with an ocean nearby. That's the best set up for me.

19. What do you want to say to the leader of your country?

To the US government, I would say that their lack of compassion is truly shameful.

20. Last but certainly not least, what are you working on, now?

I'm working on my signature scent.

From genre-busting electronic music to new highs in the ever-evolving R&B scene, from hip-hop and Americana to rock and pop, 2017's music scenes bestowed an embarrassment of riches upon us.


60. White Hills - Stop Mute Defeat (Thrill Jockey)

White Hills epic '80s callback Stop Mute Defeat is a determined march against encroaching imperial darkness; their eyes boring into the shadows for danger but they're aware that blinding lights can kill and distort truth. From "Overlord's" dark stomp casting nets for totalitarian warnings to "Attack Mode", which roars in with the tribal certainty that we can survive the madness if we keep our wits, the record is a true and timely win for Dave W. and Ego Sensation. Martin Bisi and the poster band's mysterious but relevant cool make a great team and deliver one of their least psych yet most mind destroying records to date. Much like the first time you heard Joy Division or early Pigface, for example, you'll experience being startled at first before becoming addicted to the band's unique microcosm of dystopia that is simultaneously corrupting and seducing your ears. - Morgan Y. Evans

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Music

The Best Dance Tracks of 2017

Photo: Murielle Victorine Scherre (Courtesy of Big Beat Press)

From the "shamanic techno" of Parisian duo Pouvoir Magique to Stockholm Noir's brilliant string of darkly foreboding, electro-licked singles, here are ten selections that represent some of the more intriguing dance offerings of 2017.

In June of 2016, prolific producer Diplo lambasted the world of DJ's in an interview with Billboard, stating that EDM was dying. Coincidentally enough, the article's contents went viral and made their way into Vice Media's electronic music and culture channel Thump, which closed its doors after four years this summer amid company-wide layoffs. Months earlier, electronic music giant SFX Entertainment filed bankruptcy and reemerged as Lifestyle, Inc., shunning the term "EDM".

So here we are at the end of 2017, and the internet is still a flurry with articles declaring that Electronic Dance Music is rotting from the inside out and DJ culture is dying on the vine, devoured by corporate greed. That might all well be the case, but electronic music isn't disappearing into the night without a fight as witnessed by the endless parade of emerging artists on the scene, the rise of North America's first Electro Parade in Montréal, and the inaugural Electronic Music Awards in Los Angeles this past September.

For every insipid, automaton disc jockey-producer, there are innovative minds like Anna Lunoe, Four Tet, and the Black Madonna, whose eclectic, infectious sets display impeccable taste, a wealth of knowledge, and boundless creativity. Over the past few years, many underground artists have been thrust into the mainstream spotlight and lost the je ne sais quoi that made them unique. Regardless, there will always be new musicians, producers, singers, and visionaries to replace them, those who bring something novel to the table or tip a hat to their predecessors in a way that steps beyond homage and exhilarates as it did decades before.

As electronic music continues to evolve and its endless sub-genres continue to expand, so do fickle tastes, and preferences become more and more subjective with a seemingly endless list of artists to sift through. With so much music to digest, its no wonder that many artists remain under the radar. This list hopes to remedy that injustice and celebrate tracks both indie and mainstream. From the "shamanic techno" of Parisian duo Pouvoir Magique to Stockholm Noir's brilliant string of darkly foreboding, electro-licked singles, here are ten selections that represent some of the more intriguing dance offerings of 2017.

10. Moullinex - “Work It Out (feat. Fritz Helder)”

Taken from Portuguese producer, DJ, and multi-instrumentalist Luis Clara Gomes' third album Hypersex, "Work It Out" like all of its surrounding companions is a self-proclaimed, "collective love letter to club culture, and a celebration of love, inclusion and difference." Dance music has always seemingly been a safe haven for "misfits" standing on the edge of the mainstream, and while EDM manufactured sheen might have taken the piss out of the scene, Hypersex still revels in that defiant, yet warm and inviting attitude.

Like a cheeky homage to Rick James and the late, great High Priest of Pop, Prince, this delectably filthy, sexually charged track with its nasty, funk-drenched bass line, couldn't have found a more flawless messenger than former Azari & III member Fritz Helder. As the radiant, gender-fluid artist sings, "you better work your shit out", this album highlight becomes an anthem for all those who refuse to bow down to BS. Without any accompanying visuals, the track is electro-funk perfection, but the video, with its ruby-red, penile glitter canon, kicks the whole thing up a notch.

9. Touch Sensitive - “Veronica”

The neon-streaked days of roller rinks and turtlenecks, leg warmers and popped polo collars have come and gone, but you wouldn't think so listening to Michael "Touch Sensitive" Di Francesco's dazzling debut Visions. The Sydney-based DJ/producer's long-awaited LP and its lead single "Lay Down", which shot to the top of the Hype Machine charts, are as retro-gazing as they are distinctly modern, with nods to everything from nu disco to slo-mo house.

Featuring a sample lifted from 90s DJ and producer Paul Johnson's "So Much (So Much Mix)," the New Jack-kissed "Veronica" owns the dance floor. While the conversational interplay between the sexed-up couple is anything but profound, there is no denying its charms, however laughably awkward. While not everything on Visions is as instantly arresting, it is a testament to Di Francesco's talents that everything old sounds so damn fresh again.

8. Gourmet - “Delicious”

Neither Gourmet's defiantly eccentric, nine-track debut Cashmere, nor its subsequent singles, "There You Go" or "Yellow" gave any indication that the South African purveyor of "spaghetti pop" would drop one of the year's sassiest club tracks, but there you have it. The Cape Town-based artist, part of oil-slick, independent label 1991's diminutive roster, flagrantly disregards expectation on his latest outing, channeling the Scissor Sisters at their most gloriously bitchy best, Ratchet-era Shamir, and the shimmering dance-pop of UK singer-producer Joe Flory, aka Amateur Best.

With an amusingly detached delivery that rivals Ben Stein's droning roll call in Ferris Bueller's Day Off , he sings "I just want to dance, and fuck, and fly, and try, and fail, and try again…hold up," against a squelchy bass line and stabbing synths. When the percussive noise of what sounds like a triangle dinner bell appears within the mix, one can't help but think that Gourmet is simply winking at his audience, as if to say, "dinner is served."

7. Pouvoir Magique - “Chalawan”

Like a psychoactive ayahuasca brew, the intoxicating "shamanic techno" of Parisian duo Pouvoir Magique's LP Disparition, is an exhilarating trip into unfamiliar territory. Formed in November of 2011, "Magic Power" is the musical project of Clément Vincent and Bertrand Cerruti, who over the years, have cleverly merged several millennia of songs from around the world with 21st-century beats and widescreen electro textures. Lest ye be worried, this is anything but Deep Forest.

In the spring of 2013, Pouvoir Magique co-founded the "Mawimbi" collective, a project designed to unite African musical heritage with contemporary soundscapes, and released two EPs. Within days of launching their label Musiques de Sphères, the duo's studio was burglarized and a hard drive with six years of painstakingly curated material had vanished. After tracking down demos they shared with friends before their final stages of completion, Clément and Bertrand reconstructed an album of 12 tracks.

Unfinished though they might be, each song is a marvelous thing to behold. Their stunning 2016 single "Eclipse," with its cinematic video, might have been one of the most immediate songs on the record, but it's the pulsing "Chalawan," with its guttural howls, fluttering flute-like passages, and driving, hypnotic beats that truly mesmerizes.

6. Purple Disco Machine - “Body Funk” & “Devil In Me” (TIE)

Whenever a bevy of guest artists appears on a debut record, it's often best to approach the project with caution. 85% of the time, the collaborative partners either overshadow the proceedings or detract from the vision of the musician whose name is emblazoned across the top of the LP. There are, however, pleasant exceptions to the rule and Tino Piontek's Soulmatic is one of the year's most delightfully cohesive offerings. The Dresden-born Deep Funk innovator, aka Purple Disco Machine, has risen to international status since 2009, releasing one spectacular track and remix after another. It should go without saying that this long-awaited collection, featuring everyone from Kool Keith to Faithless and Boris D'lugosch, is ripe with memorable highlights.

The saucy, soaring "Mistress" shines a spotlight on the stellar pipes of "UK soul hurricane" Hannah Williams. While it might be a crowning moment within the set, its the strutting discofied "Body Funk", and the album's first single, "Devil In Me", that linger long after the record has stopped spinning. The former track with its camptastic fusion of '80s Sylvester gone 1940s military march, and the latter anthem, a soulful stunner that samples the 1968 Stax hit "Private Number", and features the vocal talents of Duane Harden and Joe Killington, feels like an unearthed classic. Without a doubt, the German DJ's debut is one of the best dance records of the year.

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