Music

Iris Campo - "I'll Wait For You" (audio) (Premiere)

The ultra-danceable "I'll Wait For You", which can count the songs of Imogen Heap as its sonic kin, is the latest from the Canadian musician Iris Campo.

Spanish born Canadian Iris Campo is a drummer since 1997 of the indie band Roads (Indica Records). Iris will launch her solo career in 2015; her forthcoming EP was written at home in Montréal and three singles produced in Nashville together with Scott Moffatt of The Moffatts.

A waiting game in love could however be easily overshadowed by struggles in health, and if anybody knows that, it's Iris. During the years 2009 and 2010 she was hit by Ulcerative-Colitis, a sister version of Crohn's disease that gets really serious if you don't respond well to medication. Unfortunately, this is what Iris went through, ultimately leading to an emergency total-colectomy surgery. Iris describes this period in her life as dying and being reborn and today she is immensely focused to live and share through her passion of music. This created a fearlessness which Iris has used to accomplished many life goals.

One of Campo's newest tracks following this transformative time, "I'll Wait For You", reveals that she hasn't lost her artistic energy whatsoever. The danceable number finds Campo giving a vocal performance that's reminiscent of the best tracks on Imogen Heap's album Speak for Yourself.

Campo says to PopMatters about the song, "When I wrote 'I'll Wait For You', the lyrics came out fast, like a revelation in a way. It took me 15 mins and they poured out effortlessly. I think, prior to writing this song, I was always trying so hard for it all to make sense, but this one just came out. For me it's about never giving up on what you truly want in life. It's that moment when you realize that you can accomplish anything if you put your heart into, and if you're supposed to be with someone, your paths will surely cross again."




Follow Campo on Facebook and Instagram for more updates on her musical prospects in 2015.

The year in song reflected the state of the world around us. Here are the 70 songs that spoke to us this year.

70. The Horrors - "Machine"

On their fifth album V, the Horrors expand on the bright, psychedelic territory they explored with Luminous, anchoring the ten new tracks with retro synths and guitar fuzz freakouts. "Machine" is the delicious outlier and the most vitriolic cut on the record, with Faris Badwan belting out accusations to the song's subject, who may even be us. The concept of alienation is nothing new, but here the Brits incorporate a beautiful metaphor of an insect trapped in amber as an illustration of the human caught within modernity. Whether our trappings are technological, psychological, or something else entirely makes the statement all the more chilling. - Tristan Kneschke

Keep reading... Show less

This has been a remarkable year for shoegaze. If it were only for the re-raising of two central pillars of the initial scene it would still have been enough, but that wasn't even the half of it.

It hardly needs to be said that the last 12 months haven't been everyone's favorite, but it does deserve to be noted that 2017 has been a remarkable year for shoegaze. If it were only for the re-raising of two central pillars of the initial scene it would still have been enough, but that wasn't even the half of it. Other longtime dreamers either reappeared or kept up their recent hot streaks, and a number of relative newcomers established their place in what has become one of the more robust rock subgenre subcultures out there.

Keep reading... Show less
Theatre

​'The Ferryman': Ephemeral Ideas, Eternal Tragedies

The current cast of The Ferryman in London's West End. Photo by Johan Persson. (Courtesy of The Corner Shop)

Staggeringly multi-layered, dangerously fast-paced and rich in characterizations, dialogue and context, Jez Butterworth's new hit about a family during the time of Ireland's the Troubles leaves the audience breathless, sweaty and tearful, in a nightmarish, dry-heaving haze.

"Vanishing. It's a powerful word, that"

Northern Ireland, Rural Derry, 1981, nighttime. The local ringleader of the Irish Republican Army gun-toting comrades ambushes a priest and tells him that the body of one Seamus Carney has been recovered. It is said that the man had spent a full ten years rotting in a bog. The IRA gunslinger, Muldoon, orders the priest to arrange for the Carney family not to utter a word of what had happened to the wretched man.

Keep reading... Show less
10

Aaron Sorkin's real-life twister about Molly Bloom, an Olympic skier turned high-stakes poker wrangler, is scorchingly fun but never takes its heroine as seriously as the men.

Chances are, we will never see a heartwarming Aaron Sorkin movie about somebody with a learning disability or severe handicap they had to overcome. This is for the best. The most caffeinated major American screenwriter, Sorkin only seems to find his voice when inhabiting a frantically energetic persona whose thoughts outrun their ability to verbalize and emote them. The start of his latest movie, Molly's Game, is so resolutely Sorkin-esque that it's almost a self-parody. Only this time, like most of his better work, it's based on a true story.

Keep reading... Show less
7

There's something characteristically English about the Royal Society, whereby strangers gather under the aegis of some shared interest to read, study, and form friendships and in which they are implicitly agreed to exist insulated and apart from political differences.

There is an amusing detail in The Curious World of Samuel Pepys and John Evelyn that is emblematic of the kind of intellectual passions that animated the educated elite of late 17th-century England. We learn that Henry Oldenburg, the first secretary of the Royal Society, had for many years carried on a bitter dispute with Robert Hooke, one of the great polymaths of the era whose name still appears to students of physics and biology. Was the root of their quarrel a personality clash, was it over money or property, over love, ego, values? Something simple and recognizable? The precise source of their conflict was none of the above exactly but is nevertheless revealing of a specific early modern English context: They were in dispute, Margaret Willes writes, "over the development of the balance-spring regulator watch mechanism."

Keep reading... Show less
8
Pop Ten
Mixed Media
PM Picks

© 1999-2017 Popmatters.com. All rights reserved.
Popmatters is wholly independently owned and operated.

rating-image