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Sam Peckinpah’s ‘Pat Garrett and Billy the Kid’ Is the Last Great Western

Featured

All Things Reconsidered/Featured: Top of Home Page/Features/Film/Film Feature

Camp and the Hyperreal Telenovela in Almodóvar’s ‘All About My Mother’

By Ray Uzwyshyn / 25 September 2023

Featured: Top of Home Page/Features/Interviews/Music/Music Features

Fefe Dobson Is Sick With Emotion Over First LP in 13 Years

By Jeffrey Davies / 25 September 2023

Books/Featured: Top of Home Page/Reviews

Daniel Guebel’s ‘The Jewish Son’ Invokes Kafka’s ‘Dearest Father’

By Adam Sobsey / 25 September 2023

All Things Reconsidered/Featured: Top of Home Page/Features/Music/Music Features/Pop Past

The Menacing, Grimy Weirdness of Melvins’ ‘Houdini’ at 30

By Matthew McEver / 21 September 2023

Featured: Top of Home Page/Features/Film/Film Feature

A Woman’s War Is Never Done: Wojciech Has’ ‘How to Be Loved’

By Michael Barrett / 21 September 2023

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All Things Reconsidered/Announcements/Featured: Top of Home Page/Film/Film Feature

Call for Papers: All Things Reconsidered – FILM Autumn 2023

By Karen Zarker / 6 September 2023

Announcements/Featured: Top of Home Page/Music/Music Features

Call for Papers: All Things Reconsidered – MUSIC Autumn 2023

By Sarah Zupko / 5 September 2023

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By PopMatters Staff / 28 September 2022

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PopMatters Seeks Film Critics and Essayists

By Karen Zarker / 28 September 2022

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