24: The House Special Subcommittee's Findings at CTU by Marc Cerasini

Mark Dionne

Halfway between a novel based on a TV show and a cut-and-paste 'Official Guide.'"


Publisher: HarperCollins
Length: 239
Subtitle: The House Special Subcommittee's Findings At Ctu
Price: $16.95 (US)
Author: Marc Cerasini
US publication date: 2003-01

Most TV tie-in books are almost entirely harmless parasites on the cash cow of a show. The "Such-and-Such" Companion. The Watcher's Guide to "This-Other-Thing". If you like the show and have the spare cash, you can get a hundred or so pages of episode guide, some cast bios, interviews with the creators and main actors, some trivia, photos and maybe something on those wacky fans. If the show is still around in three years, they do another one just like it called "Volume 2."

Mark Cerasini's 24: The House Special Subcommittee's Findings at CTU tries to be a little different. The bulk of Findings consists of testimony given by Jack Bauer and others to a Congressional committee investigating the attempted assassination of then Senator and "now" President-elect David Palmer. In other words, what happened during season one of 24. Findings never drops the pretense of being a document of real events. In addition to the testimonies, Cerasini, posing as a reporter, provides things like dossiers on key players, magazine articles about Palmer's campaign after the assassination attempt, autopsy reports, and transcripts of commentary from fictitious TV shows. Some background material appears as "reporter's notes" on stationary "from the desk of Mark Cerasini." The idea has a lot of potential. Unfortunately, most of that potential is unrealized.

24 is the best show currently on TV. It follows the rules of its own universe scrupulously. Everything must happen in 24 hours, and something must happen every hour. Anyone can be a turncoat. If that turncoat dies, he will leave one and only one lead for the always desperate Jack Bauer. There are plenty of crazy plans and all of them just might work. Co-workers often pull guns on each other and frequently with reason. This is big fun done right.

The format of the show encourages the creators to pull out the most absurd twists without fretting over the ramifications. We don't worry about how a candidate can divorce his sort of evil wife mid-campaign and still get elected. That happens later. We don't worry about how a government agent can shoot his own supervisor and one of his colleagues in the same day and still keep his job. It's 24, not The Continuing Adventures of Jack Bauer. The writers can't resist the temptation of their farthest over the top ideas and it works for me.

Findings never comes to life in the same way. One of the apparent motives of the book, or perhaps just an inevitable side effect of the format, is to address plot holes and questions lobbed by fans. Cerasini uses the Congressional inquiry to offer answers for those who care about such things. If Jack could review surveillance footage to see that Nina killed Jamey, why didn't they use the security cameras to see who smuggled out the doctored key card in the early episodes? Since footage more than 48 hours old is compressed, archived and stored in Washington, it would take too long to retrieve, Jack testifies. If Nina were a double agent, why did she help Jack in the early episodes? She was maintaining her cover, we are told. There's nothing wrong with these answers, but really, who cares other than nitpickers and people who wear out their pause buttons looking for problems?

Cerasini fills in some background on Jack Bauer's early mission against Victor Drazen (played by Dennis Hopper with the funniest Eastern European villain accent I've ever heard by an actor not wearing plastic fangs). But this new material is brief and concentrated at the start of the book. 24 understands its own disposability. The creators clearly want to keep the thrills and twists coming. Take this season for example. Remember when CTU headquarters was bombed? Jack went undercover and had to simultaneously plant a bomb and prevent the bombing. Ultimately, this plot line didn't accomplish much besides killing Sara Gilbert. In the early hours, the characters needed some tension, Jack needed the next lead and the show needed a bang. It served its purpose, but there's no need for the casual fan to go back and investigate it in detail.

Cerasini's book doesn't truly depart from the TV tie-in standard since the testimony is given hour-by-hour, resulting in an episode guide by character recollection. The format of Findings ultimately works against the strengths of 24. While it is entertaining to watch Jack throw himself into some brutal and desperate plan, it is no fun reading his later justifications. Findings also misses out on the humor of the show. The tough guy dialogue fueled by constantly simmering rage generally cracks me up. 24 knows how to push a situation without ever winking at the camera. In Findings, we've already seen the over the top events and the things that are new -- a Democratic Congresswoman from Connecticut who needs military jargon explained to her -- aren't exciting or funny. Findings is stuck halfway between a novel based on a TV show and a cut-and-paste "Official Guide."





Literary Scholar Andrew H. Miller On Solitude As a Common Bond

Andrew H. Miller's On Not Being Someone Else considers how contemplating other possibilities for one's life is a way of creating meaning in the life one leads.


Rodd Rathjen Discusses 'Buoyancy', His Film About Modern Slavery

Rodd Rathjen's directorial feature debut, Buoyancy, seeks to give a voice to the voiceless men and boys who are victims of slavery in Southeast Asia.


Hear the New, Classic Pop of the Parson Red Heads' "Turn Around" (premiere)

The Parson Red Heads' "Turn Around" is a pop tune, but pop as heard through ears more attuned to AM radio's glory days rather than streaming playlists and studio trickery.


Blitzen Trapper on the Afterlife, Schizophrenia, Civil Unrest and Our Place in the Cosmos

Influenced by the Tibetan Book of the Dead, Blitzen Trapper's new album Holy Smokes, Future Jokes plumbs the comedic horror of the human condition.

Love in the Time of Coronavirus

Fire in the Time of Coronavirus

If we venture out our front door we might inhale both a deadly virus and pinpoint flakes of ash. If we turn back in fear we may no longer have a door behind us.


Sufjan Stevens' 'The Ascension' Is Mostly Captivating

Even though Sufjan Stevens' The Ascension is sometimes too formulaic or trivial to linger, it's still a very good, enjoyable effort.

Jordan Blum

Chris Smither's "What I Do" Is an Honest Response to Old Questions (premiere + interview)

How does Chris Smither play guitar that way? What impact does New Orleans have on his music? He might not be able to answer those questions directly but he can sure write a song about it.


Sally Anne Morgan Invites Us Into a Metaphorical Safe Space on 'Thread'

With Thread, Sally Anne Morgan shows that traditional folk music is not to be smothered in revivalist praise. It's simply there as a seed with which to plant new gardens.


Godcaster Make the Psych/Funk/Hard Rock Debut of the Year

Godcaster's Long Haired Locusts is a swirling, sloppy mess of guitars, drums, flutes, synths, and apparently whatever else the band had on hand in their Philly basement. It's a highly entertaining and listenable album.


What 'O Brother, Where Art Thou?' Gets Right (and Wrong) About America

Telling the tale of the cyclops through the lens of high and low culture, in O'Brother, Where Art Thou? the Coens hammer home a fatalistic criticism about the ways that commerce, violence, and cosmetic Christianity prevail in American society .


The Dance of Male Forms in Denis' 'Beau travail'

Claire Denis' masterwork of cinematic poetry, Beau travail, is a cinematic ballet that tracks through tone and style the sublimation of violent masculine complexes into the silent convulsions of male angst.


The Cradle's 'Laughing in My Sleep' Is an Off-kilter Reflection of Musical Curiosity

The Cradle's Paco Cathcart has curated a thoughtfully multifarious album. Laughing in My Sleep is an impressive collection of 21 tracks, each unapologetic in their rejection of expectations.


Tobin Sprout Goes Americana on 'Empty Horses'

During the heyday of Guided By Voices, Tobin Sprout wasn't afraid to be absurd amongst all that fuzz. Sprout's new album, Empty Horses, is not the Tobin Sprout we know.


'All In: The Fight for Democracy' Spotlights America's Current Voting Restrictions as Jim Crow 2.0

Featuring an ebullient and combative Stacey Abrams, All In: The Fight for Democracy shows just how determined anti-democratic forces are to ensure that certain groups don't get access to the voting booth.


'Transgender Street Legend Vol. 2' Finds Left at London "At My Peak and Still Rising"

"[Pandemic lockdown] has been a detriment to many people's mental health," notes Nat Puff (aka Left at London) around her incendiary, politically-charged new album, "but goddamn it if I haven't been making some bops here and there!"


Daniel Romano's 'How Ill Thy World Is Ordered' Is His Ninth LP of 2020 and It's Glorious

No, this is isn't a typo. Daniel Romano's How Ill Thy World Is Ordered is his ninth full-length release of 2020, and it's a genre-busting thrill ride.


The Masonic Travelers Offer Stirring Rendition of "Rock My Soul" (premiere)

The Last Shall Be First: the JCR Records Story, Volume 1 captures the sacred soul of Memphis in the 1970s and features a wide range of largely forgotten artists waiting to be rediscovered. Hear the Masonic Travelers "Rock My Soul".

Collapse Expand Reviews

Collapse Expand Features

PM Picks
Collapse Expand Pm Picks

© 1999-2020 All rights reserved.
PopMatters is wholly independent, women-owned and operated.