Editor's Choice

Three cheers for being boring

Does typecasting by nationality become more pronounced in a crisis? (One of the curious paradoxes of the identity politics of the 1980s and 1990s was that it was both wrong to essentialize people categorically based on their nationality, race, or gender or what have you, but at the same time the differences automatically engendered by these characteristics required a deeper respect.) I'm reading Orwell's essays written during World War II, in which he concludes naturally enough that patriotism is the most powerful force in the world, considering all the destruction being wreaked in its name. In "England Your England," he proceeds to claim that Spaniards can be known by their cruelty to animals and Italians are congenitally noisy before proclaiming that the British citizens' respect for the law is a national characteristic.

Now, facing an economic crisis, more and more national stereotypes seem to be cropping up in economic analysis. Or maybe they are always there, but now we really need them to be true. Americans are presumed to be optimistic shopaholics, sustaining worldwide demand; Asians are inveterate savers who stubbornly refuse to consume more. And in an editorial in yesterday's FT, Canadian finance minister James Flaherty champions his people's dullness. In a piece headlined " 'Boring' Canada's financial tips for the world," he writes,

Few countries are as dependent on trade or as integrated into the global financial system as Canada. Yet our financial sector continues to weather the turbulence better than many other countries. This did not happen by chance. Canadians by nature are prudent and our financial system has been characterised as unexciting. Canada's regulatory regime ensures that stability and efficiency are balanced.
This sort of thing makes me extremely envious of Canadians. I wish I lived in a country that was generally proud of being boring and pragmatic as opposed to gluttonous and intemperate.

Cover down, pray through: Bob Dylan's underrated, misunderstood "gospel years" are meticulously examined in this welcome new installment of his Bootleg series.

"How long can I listen to the lies of prejudice?
How long can I stay drunk on fear out in the wilderness?"
-- Bob Dylan, "When He Returns," 1979

Bob Dylan's career has been full of unpredictable left turns that have left fans confused, enthralled, enraged – sometimes all at once. At the 1965 Newport Folk Festival – accompanied by a pickup band featuring Mike Bloomfield and Al Kooper – he performed his first electric set, upsetting his folk base. His 1970 album Self Portrait is full of jazzy crooning and head-scratching covers. In 1978, his self-directed, four-hour film Renaldo and Clara was released, combining concert footage with surreal, often tedious dramatic scenes. Dylan seemed to thrive on testing the patience of his fans.

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TV

Inane Political Discourse, or, Alan Partridge's Parody Politics

Publicity photo of Steve Coogan courtesy of Sky Consumer Comms

That the political class now finds itself relegated to accidental Alan Partridge territory along the with rest of the twits and twats that comprise English popular culture is meaningful, to say the least.

"I evolve, I don't…revolve."
-- Alan Partridge

Alan Partridge began as a gleeful media parody in the early '90s but thanks to Brexit he has evolved into a political one. In print and online, the hopelessly awkward radio DJ from Norwich, England, is used as an emblem for incompetent leadership and code word for inane political discourse.

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The show is called Crazy Ex-Girlfriend largely because it spends time dismantling the structure that finds it easier to write women off as "crazy" than to offer them help or understanding.

In the latest episode of Crazy Ex-Girlfriend, the CW networks' highly acclaimed musical drama, the shows protagonist, Rebecca Bunch (Rachel Bloom), is at an all time low. Within the course of five episodes she has been left at the altar, cruelly lashed out at her friends, abandoned a promising new relationship, walked out of her job, had her murky mental health history exposed, slept with her ex boyfriend's ill father, and been forced to retreat to her notoriously prickly mother's (Tovah Feldshuh) uncaring guardianship. It's to the show's credit that none of this feels remotely ridiculous or emotionally manipulative.

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Here comes another Kompakt Pop Ambient collection to make life just a little more bearable.

Another (extremely rough) year has come and gone, which means that the German electronic music label Kompakt gets to roll out their annual Total and Pop Ambient compilations for us all.

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Winner of the 2017 Ameripolitan Music Award for Best Rockabilly Female stakes her claim with her band on accomplished new set.

Lara Hope & The Ark-Tones

Love You To Life

Label: Self-released
Release Date: 2017-08-11
Amazon
iTunes

Lara Hope and her band of roots rockin' country and rockabilly rabble rousers in the Ark-Tones have been the not so best kept secret of the Hudson Valley, New York music scene for awhile now.

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