Film

Wednesday Film Focus - 26 November 2008

As part of the typical, pre-Turkey Day tradition, Hollywood is handing out a few heaping helpings of holiday weekend wonder. For the upcoming celebration of gluttony and family fellowship, the following films are in focus:

Australia [rating: 6]

That it's not confrontational or deconstructionist may seem rebellious on paper, but blown up on the big screen for nearly three hours, Australia sure plays as purely conventional.

He's been making movies since 1992. Yet in 16 years, he's completed only four projects - 1992's Strictly Ballroom, 1996's William Shakespeare's Romeo + Juliet, 2001's magnificent Moulin Rogue, and now the old school epic named for his native land, Australia. So why has Baz Luhrmann been so lax in his creative output? Granted, there have been a couple of setbacks (he was fast tracking an Alexander the Great pic with Leonardo DiCaprio when Oliver Stone and Colin Farrell beat him to the punch), and has rejected offers to "go Hollywood" to make standard mainstream fare. And yet his latest is so enamored of Tinsel Town's Golden Age that MGM and Gone with the Wind should get a restraining order. This doesn't make Australia bad, just antithetical to what we know about Lurmann's previous patterns. read full review...

Four Christmases [rating: 1]

Flailing like a dying fish out of water and eventually smelling just as fetid, Four Christmases is stiflingly unfunny.

So this is what five Oscar winners gets you? This is the result of the combined Academy caliber efforts of Reese Witherspoon (Walk the Line), Sissy Spacek (Coal Miner's Daughter), Mary Steenburgen (Melvin and Howard), Jon Voight (Coming Home), and Robert Duvall (Tender Mercies)? Certainly this quintet, along with some solid satiric support from Wedding Crashers cad Vince Vaughn, and a dash of supplemental slapstick from Swingers pal Jon Favreau, could create a clever, comic Yuletide gem, right? They've even got Seth "The King of Kong" Gordon on their side, steering the material toward some edgier environs. And yet, with all this potential talent on tap, Four Christmases ends up a wasted, worthless excuse for holiday humor. read full review...

Role Models [rating: 7]

Offering a trio of elements so effective that they literally blot out almost everything that's bad, director David Wain finds a way to milk the current craze for anything Apatow into a sweet, sarcastic slice of coming of age affection

Ever since a certain Mr. Apatow introduced us to a middle aged man child with limited sexual experience, the motion picture comedy has been flooded with what could best be described as 'self-aware slackers'. You know the type - hard and cynical on the outside, indulging in whatever vice or vices they can in order to make up for the emptiness inside. Eventually, with the help of an understanding gal pal, a bumbling best friend, or a combination of the two, our hapless hero discovers clarity, and in turn, a far more productive outlook on life. This formula has been followed in several recent laugh riots - Knocked Up, Forgetting Sarah Marshall, and Superbad. Now there's another name to add to the genre, and while not as consistently funny as the aforementioned efforts, Role Models provides enough solid snickers to eventually win us over. read full review...

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