Warship: Supply and Depend

Two former members of From Autumn to Ashes try out something new. With cool riffs and propulsive drumming, Warship's debut album is surprisingly listenable.


Supply and Depend

Contributors: Fran Mark, Rob Lauritsen
Label: Vagrant
US Release Date: 2008-11-04
UK Release Date: 2008-11-04

Warship is a duo featuring former members of metalcore stalwarts From Autumn to Ashes. Fran Mark handles the vocal and drumming duties while Rob Lauritsen plays guitar and bass. Their debut album Supply and Dependgets off to a rocky start with "Toil". A decent, but not great, guitar riff is quickly followed by Mark's screamed lyrics. His screaming voice is subpar to average at best, and was always one of his previous band's biggest weaknesses. Sure, he can yell his head off, but there's no power behind it; he just sounds like a regular guy shouting at the top of his lungs. There are people in heavy metal who can make this type of vocal compelling, but Mark is not one of them. Musically, the rest of "Toil" isn't all that interesting. Second song "Profit Over People" is more of a hardcore track, although a melodic guitar line shows up in the chorus to make the piece slightly more interesting. But once again Mark's shouted vocals do nothing in particular to help the song out.

At this point I was prepared for a long, boring slog through the rest of the album. But a funny thing happens on Supply and Depend's third song, "Wounded Paw". Starting with a soft, mid-tempo guitar riff, Mark soon comes in with an above-average singing voice. Sure, he sounds slightly whiny, but it's a big improvement over his earlier shouting, and the change of speed hints at a musical range that the first two songs did not. Ninety seconds in, the song accelerates into the same kind of metalcore as the first two tracks, but with more interesting guitar playing, and the song quickly settles back into its earlier, slower tempo. The end of the song, back at full speed, also features some interesting drumming from Mark, the first real spark of creativity he shows on the drums. Surprisingly, "Wounded Paw" is actually a pretty good song, and Warship has started to show some life.

Track four, "Where's Your Leash" has a great, complicated guitar riff from Lauritsen, who complements himself nicely with a bassline that weaves around the guitar instead of just echoing it. Mark makes a good call by splitting the vocals between a sing-shout and outright shouting, and shows off some real chops on the drums throughout the song. Next, "Lousy Horoscope" borders on a power ballad, albeit with more of the dark feel of a band like Failure or A Perfect Circle. Mark's singing is at its best so far here, and Warship make a canny choice to accelerate the song after three minutes with a great drum solo that drives the final 90 seconds of the tune. "We've Never Been Equal" shows off yet another side of the band, as Lauritsen creates a guitar riff that sounds straight out of the Queens of the Stone Age playbook.

The remainder of the album's ten songs returns somewhat to the earlier metalcore style of the beginning of the disc, but the band continues to throw musical curveballs. Mark's shouting vocals are much more tolerable when he contrasts them with actual singing within the same song. He also shows a knack for the drums, locking in on some deep grooves with Lauritsen's basslines and pounding the skins with real power while avoiding generic blast beats. Those basslines are also a subtle highlight of the album. Lauritsen's knack for crafting bass parts that are distinct from his guitar playing gives the album a bit more pop than most metal records. Producer Andrew Schneider keeps the bass audible, but bubbling under the mix, resulting in a disc with significant low end.

Unfortunately, all of Lauritsen's guitar leads and riffs aren't winners, which keeps Supply and Depend from working all of the time. When he has a good one the songs become compelling. But when he has a miss on his hands, the duo tend to cover it by having Mark shout his way through the song. The album's first two tracks suffer greatly from this tactic. Still, Warship recovers nicely from that shaky beginning to deliver a solid first album.






The Dance of Male Forms in Denis' 'Beau travail'

Claire Denis' masterwork of cinematic poetry, Beau travail, is a cinematic ballet that tracks through tone and style the sublimation of violent masculine complexes into the silent convulsions of male angst.


The Cradle's 'Laughing in My Sleep' Is an Off-kilter Reflection of Musical Curiosity

The Cradle's Paco Cathcart has curated a thoughtfully multifarious album. Laughing in My Sleep is an impressive collection of 21 tracks, each unapologetic in their rejection of expectations.


Tobin Sprout Goes Americana on 'Empty Horses'

During the heyday of Guided By Voices, Tobin Sprout wasn't afraid to be absurd amongst all that fuzz. Sprout's new album, Empty Horses, is not the Tobin Sprout we know.


'All In: The Fight for Democracy' Spotlights America's Current Voting Restrictions as Jim Crow 2.0

Featuring an ebullient and combative Stacey Abrams, All In: The Fight for Democracy shows just how determined anti-democratic forces are to ensure that certain groups don't get access to the voting booth.


'Transgender Street Legend Vol. 2' Finds Left at London "At My Peak and Still Rising"

"[Pandemic lockdown] has been a detriment to many people's mental health," notes Nat Puff (aka Left at London) around her incendiary, politically-charged new album, "but goddamn it if I haven't been making some bops here and there!"


Daniel Romano's 'How Ill Thy World Is Ordered' Is His Ninth LP of 2020 and It's Glorious

No, this is isn't a typo. Daniel Romano's How Ill Thy World Is Ordered is his ninth full-length release of 2020, and it's a genre-busting thrill ride.


The Masonic Travelers Offer Stirring Rendition of "Rock My Soul" (premiere)

The Last Shall Be First: the JCR Records Story, Volume 1 captures the sacred soul of Memphis in the 1970s and features a wide range of largely forgotten artists waiting to be rediscovered. Hear the Masonic Travelers "Rock My Soul".


GLVES Creates Mesmerizing Dark Folktronica on "Heal Me"

Australian First Nations singer-songwriter GLVES creates dense, deep, and darkish electropop that mesmerizes with its blend of electronics and native sounds on "Heal Me".


Otis Junior and Dr. Dundiff Tells Us "When It's Sweet" It's So Sweet

Neo-soul singer Otis Junior teams with fellow Kentuckian Dr. Dundiff and his hip-hop beats for the silky, groovy "When It's Sweet".


Lars and the Magic Mountain's "Invincible" Is a Shoegazey, Dreamy Delight (premiere)

Dutch space pop/psychedelic band Lars and the Magic Mountain share the dreamy and gorgeous "Invincible".


What 'O Brother, Where Art Thou?' Gets Right (and Wrong) About America

Telling the tale of the cyclops through the lens of high and low culture, in O'Brother, Where Art Thou? the Coens hammer home a fatalistic criticism about the ways that commerce, violence, and cosmetic Christianity prevail in American society .


Alexander Wren's "The Earth Is Flat" Wryly Looks at Lost Love (premiere + interview)

Singer-songwriter Alexander Wren's "The Earth Is Flat" is a less a flat-earther's anthem and more a wry examination of heartache.


Big Little Lions' "Distant Air" Is a Powerful Folk-Anthem (premiere)

Folk-pop's Big Little Lions create a powerful anthem with "Distant Air", a song full of sophisticated pop hooks, smart dynamics, and killer choruses.


The Flat Five Invite You to "Look at the Birdy" (premiere)

Chicago's the Flat Five deliver an exciting new single that exemplifies what some have called "twisted sunshine vocal pop".


Brian Bromberg Pays Tribute to Hendrix With "Jimi" (premiere + interview)

Bass giant Brian Bromberg revisits his 2012 tribute to Jimi Hendrix 50 years after his passing, and reflects on the impact Hendrix's music has had on generations.

Jedd Beaudoin

Shirley Collins' ​'Heart's Ease'​ Affirms Her Musical Prowess

Shirley Collins' Heart's Ease makes it apparent these songs do not belong to her as they are ownerless. Collins is the conveyor of their power while ensuring the music maintains cultural importance.


Ignorance, Fear, and Democracy in America

Anti-intellectualism in America is, sadly, older than the nation itself. A new collection of Richard Hofstadter's work from Library of America traces the history of ideas and cultural currents in American society and politics.

By the Book

Democratizing Our Data: A Manifesto (excerpt)

Just as big tech leads world in data for profit, the US government can produce data for the public good, sans the bureaucracy. This excerpt of Julia Lane's Democratizing Our Data: A Manifesto will whet your appetite for disruptive change in data management, which is critical for democracy's survival.

Julia Lane

Collapse Expand Reviews

Collapse Expand Features

PM Picks
Collapse Expand Pm Picks

© 1999-2020 All rights reserved.
PopMatters is wholly independent, women-owned and operated.