Music

Spectacle: Elvis Costello With... - Episode 4

Spectacle

Airtime: Wednesdays, 9pm
Length: 60
Subtitle: Elvis Costello With...
Network: Sundance Channel
First date: 2008-12-03
US release date: 2008-12-03
Website
Amazon

James Taylor: isn't he supposed to be the antithesis of a songwriter like Elvis Costello? Isn't that what we were once taught, those of us who grew up seeking alternatives to the hold-overs of AM radio's "soft rock" rein -- Taylor, the sanitized, mother-approved opposite of a dangerous, subversive character like Costello?

I've been guilty of thinking this way before, of championing something that skirts outside the mainstream's straight-and-narrow merely to satisfy my own contrarian agendas. And yet, this isn't a healthy way to think, nor a healthy way to absorb music (or the possibilities offered by any experience, for that matter). There is room in our lives for both the James Taylors and the Elvis Costellos of this world: this is a truth that should be self-evident, but is not, and so it is a truth that the fourth episode of Spectacle: Elvis Costello With... (airing Wednesdays at 9pm EST/PST on the Sundance Channel) makes ringingly clear.

This is probably my favorite episode of Spectacle so far -- Taylor is a profound thinker and humble performer, a great imitator of George Jones (whose voice Taylor describes as "sorta like a singing fist"), and a quick assessor of contemporary American politics and life (he aptly equates Sarah Palin with Annie Oakley, adding, "she's the American frontier"). Speaking of George Jones, Taylor and his band perform a killer cover of Jones' "Why Baby Why", the juicy Jones-ian pronunciations smoothed out by Taylor's sweet delivery. And speaking speaking of the Jones-Taylor connection, Costello opens the show with a solo acoustic performance of Taylor's excellent "Bartender's Blues", which Taylor wrote with Jones on the brain (Laura Cantrell provides the Emmylou-esque harmonies). It's a whole master-and-student full-circle that opens up new appreciations of songs that you thought you knew.

Later, Taylor performs a few of his best-known hits, "Fire and Rain" and "Sweet Baby James", and they suddenly seem heavier than I would have ever believed, the sadness at the core of the former smacking upside the lullaby of the latter. Taylor, who spends a good deal of the episode dealing with the true meanings of the dreaded "introspective" descriptor, gets in deep here -- plumbing depths with surprising looseness.

In the wake of Malcolm Young's passing, Jesse Fink, author of The Youngs: The Brothers Who Built AC/DC, offers up his top 10 AC/DC songs, each seasoned with a dash of backstory.

In the wake of Malcolm Young's passing, Jesse Fink, author of The Youngs: The Brothers Who Built AC/DC, offers up his top 10 AC/DC songs, each seasoned with a dash of backstory.

Keep reading... Show less

Pauline Black may be called the Queen of Ska by some, but she insists she's not the only one, as Two-Tone legends the Selecter celebrate another stellar album in a career full of them.

Being commonly hailed as the "Queen" of a genre of music is no mean feat, but for Pauline Black, singer/songwriter of Two-Tone legends the Selecter and universally recognised "Queen of Ska", it is something she seems to take in her stride. "People can call you whatever they like," she tells PopMatters, "so I suppose it's better that they call you something really good!"

Keep reading... Show less

Morrison's prose is so engaging and welcoming that it's easy to miss the irreconcilable ambiguities that are set forth in her prose as ineluctable convictions.

It's a common enough gambit in science fiction. Humans come across a race of aliens that appear to be entirely alike and yet one group of said aliens subordinates the other, visiting violence upon their persons, denigrating them openly and without social or legal consequence, humiliating them at every turn. The humans inquire why certain of the aliens are subjected to such degradation when there are no discernible differences among the entire race of aliens, at least from the human point of view. The aliens then explain that the subordinated group all share some minor trait (say the left nostril is oh-so-slightly larger than the right while the "superior" group all have slightly enlarged right nostrils)—something thatm from the human vantage pointm is utterly ridiculous. This minor difference not only explains but, for the alien understanding, justifies the inequitable treatment, even the enslavement of the subordinate group. And there you have the quandary of Otherness in a nutshell.

Keep reading... Show less
3

A 1996 classic, Shawn Colvin's album of mature pop is also one of best break-up albums, comparable lyrically and musically to Joni Mitchell's Hejira and Bob Dylan's Blood on the Tracks.

When pop-folksinger Shawn Colvin released A Few Small Repairs in 1996, the music world was ripe for an album of sharp, catchy songs by a female singer-songwriter. Lilith Fair, the tour for women in the music, would gross $16 million in 1997. Colvin would be a main stage artist in all three years of the tour, playing alongside Liz Phair, Suzanne Vega, Sheryl Crow, Sarah McLachlan, Meshell Ndegeocello, Joan Osborne, Lisa Loeb, Erykah Badu, and many others. Strong female artists were not only making great music (when were they not?) but also having bold success. Alanis Morissette's Jagged Little Pill preceded Colvin's fourth recording by just 16 months.

Keep reading... Show less
9

Frank Miller locates our tragedy and warps it into his own brutal beauty.

In terms of continuity, the so-called promotion of this entry as Miller's “third" in the series is deceptively cryptic. Miller's mid-'80s limited series The Dark Knight Returns (or DKR) is a “Top 5 All-Time" graphic novel, if not easily “Top 3". His intertextual and metatextual themes resonated then as they do now, a reason this source material was “go to" for Christopher Nolan when he resurrected the franchise for Warner Bros. in the mid-00s. The sheer iconicity of DKR posits a seminal work in the artist's canon, which shares company with the likes of Sin City, 300, and an influential run on Daredevil, to name a few.

Keep reading... Show less
8
Pop Ten
Mixed Media
PM Picks

© 1999-2017 Popmatters.com. All rights reserved.
Popmatters is wholly independently owned and operated.

rating-image