PopMatters is moving to WordPress in December. We will continue to publish on this site as we work on the move. We aim to make it a seamless experience for readers.

Music

Freddie Hubbard: An Appreciation

Hubbard’s always energetic, often exhilarating voice speaks for itself, and needs no one to augment or embellish the official record.

The next sentence is predictable as it is inevitable: Freddie Hubbard, had he happened to die at some point in the late (or even mid-) ‘60s, would have been forever lamented as one of the all-time great jazz trumpet players. He still should be, despite doing the very unhip thing and living a fairly good, fairly long life (he passed away Monday at age 70). In fairness to those with whom Hubbard fell out of favor (right around the same time jazz music in general tended to fall out of favor: in the early ‘70s): Hubbard’s finest work, by far, was made during the same decade so much of the greatest jazz music was made: the ‘60s. Two words: Blue Note. Freddie Hubbard, as much as any of the myriad A-list names from that time, was one of the heavyweights of that invaluable label -- as a hotshot session player, and also as a leader of his own bands.

The people with whom he played—and made truly groundbreaking records—speaks volumes about the musician: Ornette Coleman (on the seminal Free Jazz session, from 1960), John Coltrane (the criminally overlooked Ole Coltrane, from 1961), Sonny Rollins (another overlooked masterwork, East Broadway Rundown, from 1966). He also appeared on some of the best-loved jazz albums ever, including Herbie Hancock’s Maiden Voyage (1965), Oliver Nelson’s The Blues and the Abstract Truth (1961), Wayne Shorter’s Speak No Evil (1964) and Eric Dolphy’s Out to Lunch!, (1964).

And then there is the considerable string of stellar recordings he made as a leader. A (very) short list of essential albums must include his remarkable debut from 1960, Open Sesame (when he was all of 22 years old), Ready for Freddie (1961), Red Clay and Straight Life (both from 1970). For my money, I’d also insist on throwing in three extremely undervalued efforts, 1962’s The Artistry of Freddie Hubbard, which includes a spirited take of the standard “Summertime” and an incendiary original number, “The 7th Day”; Blue Spirits (a fantastic session from 1965 well worth checking out for the title track alone), and finally, from the less-friendly ‘70s, Sky Dive, which provides a full-funk assault and has plenty of post-Miles cool quotient.

Speaking of Miles, it is hard to get around the Cool One when making any type of historical assessment of significant trumpet players, he looms that large. After (necessarily) bringing Clifford Brown into the equation (who, like Art Tatum and the piano, is often considered the penultimate player of his instrument even if he is not the best known or most frequently listened to), you have the genuine died-before-their-time duo of Lee Morgan and Booker Little. Then, maybe, talk turns to Freddie Hubbard. This is a shame, and Hubbard deserves better (not to take anything whatsoever away from any of the geniuses listed above). If one wanted to take stock of Hubbard’s place simply by considering the albums he was invited to appear on, it would be difficult to name a similarly influential or sought-after artist. Hubbard’s always energetic, often exhilarating voice speaks for itself, and needs no one to augment or embellish the official record. It is, as always, on the records.

Finally, for anyone curious to see for themselves why Hubbard is so beloved by the types of folks who tend to love jazz musicians, virtually any of the albums mentioned above come enthusiastically recommended. In terms of the unique and even ecstatic sounds Hubbard made with his horn, I’d turn to my favorite tunes from sessions he did not lead: “Hat and Beard” (from Dolphy’s Out to Lunch!, “Stolen Moments” (from Nelson’s The Blues and the Abstract Truth), “Dahomey Dance” (from Coltrane’s Ole Coltrane), “East Broadway Rundown” (from Rollins’ East Broadway Rundown) and “Little One” (from Hancock’s Maiden Voyage). For the faithful fans, I’m certain I’m not alone in immediately reaching for the last track on Straight Life, the sad but sweetly entitled “Here’s That Rainy Day”.

Please Donate to Help Save PopMatters

PopMatters have been informed by our current technology provider that we have until December to move off their service. We are moving to WordPress and a new host, but we really need your help to fund the move and further development.


Music

Books

Film

Recent
Music

Artemis Is the Latest Jazz Supergroup

A Blue Note supergroup happens to be made up of women, exclusively. Artemis is an inconsistent outing, but it dazzles just often enough.

Books

Horrors in the Closet: A Closet Full of Monsters

A closet full of monsters is a scary place where "straight people" can safely negotiate and articulate their fascination and/or dread of "difference" in sexuality.

Music

'Wildflowers & All the Rest' Is Tom Petty's Masterpiece

Wildflowers is a masterpiece because Tom Petty was a good enough songwriter by that point to communicate exactly what was on his mind in the most devastating way possible.

Music

Jazz Composer Maria Schneider Takes on the "Data Lords" in Song

Grammy-winning jazz composer Maria Schneider released Data Lords partly as a reaction to her outrage that streaming music services are harvesting the data of listeners even as they pay musicians so little that creativity is at risk. She speaks with us about the project.

Music

The 100 Best Albums of the 2000s: 100-81

PopMatters' best albums of the 2000s begin with a series of records that span epic metal, ornate indie folk, and a terrifying work of electronic music.

Books

The Power of Restraint in Sophie Yanow, Paco Roca, and Elisa Macellari's New Graphic Novels

The magical quality that makes or breaks a graphic novel lies somewhere in that liminal space in which art and literature intersect.

Books

'People of the City' Is an Unrelenting Critique of Colonial Ideology and Praxis

Cyprian Ekwensi's People of the City is a vivid tale of class struggle and identity reclamation in the shadows of colonialism's reign.

Music

1979's 'This Heat' Remains a Lodestone for Avant-Rock Adventure

On their self-titled debut, available for the first time on digital formats, This Heat delivered an all-time classic stitched together from several years of experiments.

Film

'The Edge of Democracy' and Parallels of Political Crises

Academy Award-nominated documentary The Edge of Democracy, now streaming on Netflix, lays bare the political parallels of the rise of Bolsonaro's Brazil with Trump's America.

Music

The Pogues' 'The BBC Sessions 1984-1986' Honors Working-Class Heroes

The Pogues' BBC Sessions 1984-1986 is a welcome chapter in the musical story of these working-class heroes, who reminded listeners of the beauty and dignity of the strong, sooty backs upon which our industrialized world was built.

Music

Mary Halvorson Creates Cacophony to Aestheticize on 'Artlessly Falling'

Mary Halvorson's Artlessly Falling is a challenging album with tracks comprised of improvisational fragments more than based on compositional theory. Halvorson uses the various elements to aestheticize the confusing world around her.

Music

15 Overlooked and Underrated Albums of the 1990s

With every "Best of the '90s" retrospective comes a predictable list of entries. Here are 15 albums that are often overlooked as worthy of placing in these lists, and are too often underrated as some of the best records from the decade.

Books

'A Peculiar Indifference' Takes on Violence in Black America

Pulitzer Prize finalist Elliott Currie's scrupulous investigation of the impacts of violence on Black Americans, A Peculiar Indifference, shows the damaging effect of widespread suffering and identifies an achievable solution.

Music

20 Songs From the 1990s That Time Forgot

Rather than listening to Spotify's latest playlist, give the tunes from this reminiscence of lost '90s singles a spin.

Film

Delightful 'Miss Pettigrew Lives for a Day' Is Good Escapism

Now streaming on Amazon Prime, Bharat Nalluri's 2008 romantic comedy, Miss Pettigrew Lives for a Day, provides pleasant respite in these times of doom and gloom.

Film

The 10 Best Horror Movie Remakes

The horror genre has produced some remake junk. In the case of these ten treats, the update delivers something definitive.

Television

Flirting with Demons at Home, or, When TV Movies Were Evil

Just in time for Halloween, a new Blu-ray from Kino Lorber presents sparkling 2K digital restorations of TV movies that have been missing for decades: Fear No Evil (1969) and its sequel, Ritual of Evil (1970).

Music

Magick Mountain Are Having a Party But Is the Audience Invited?

Garage rockers Magick Mountain debut with Weird Feelings, an album big on fuzz but light on hooks.


Reviews
Collapse Expand Reviews



Features
Collapse Expand Features

PM Picks
Collapse Expand Pm Picks

© 1999-2020 PopMatters.com. All rights reserved.
PopMatters is wholly independent, women-owned and operated.