Katie Stelmanis is Poised to Break

My first prediction of 2009: Katie Stelmanis is going to blow up. She’s been ignored for too long and after her performance at SXSW this year, it’s going to be “Stelmania” (I stole that phrase from her MySpace).

Katie Stelmanis was already starting to pick up steam in 2008. Almost a year since her nearly unnoticed debut album, Join Us dropped on Blocks Recording Club (a record co-op based in Toronto), Stelmanis was featured on Fucked Up’s Chemistry of Common Life, and split a Matador released 7” with them in late 2008. In 2009, people are bound to pick up on the ethereal and eerie leanings of this powerful vocalist and songwriter.

The album shares some similarities with the darker side of Kate Bush, but for the most part it’s hard to find an apt comparison to Stelmanis’s slightly operatic, dark, synth-based debut. Rufus Wainwright shares a couple of her characteristics on his more gothic sounding numbers and one could compare certain songs to that spooky Christmas song “Carol of Bells”(I mean this in the best way possible), but there’s nothing completely comparable. The album is well-paced and there is patience and artistry in each composition and they usually swell to commanding and satisfying multi-voiced choruses.

Album opener, “In My Favour”, and the three following tracks are throbbing slow-builds while “You’ll Fall” and “I’m Sick” are classically tinged balladry. In addition to the originals, a highlight is her penchant for atypical cover songs. The album ends with an amazing interpretation of Aretha Franklin’s “Natural Woman” and on her MySpace page is an equally excellent cover of Roy Orbison’s “Crying”.

Add this to her already impressive oeuvre and you’ve got a success-prone arsenal set to explode in the coming year.