It’s a week full of worthless efforts at the local Cineplex. Who in their right mind would actually want to see Steve Martin desecrate Peter Sellers legacy? Or wallow in the shallow silliness of a self-help book turned rancid RomCom? While the other mainstream movie this week is best considered Jumper Lite, there are a couple of other choices worth pondering. Henry Selick brings us a new animated classic, while Blair Witch‘s Daniel Myrick turns the War on Terror into something literal. These are the films in focus for 6, February – beginning with the aforementioned stop-motion masterwork:
Coraline [rating: 9]
In a genre packed with derivative visuals and too hip for homeroom pop culture jibes, Coraline is a welcome return to pure animation splendor.
The nostalgic effect of stop motion animation is potent. Indeed, the moment a member of an earlier generation sees the static, superlative work of such single frame artistry, visions of Ray Harryhausen, George Pal and his Puppetoons, and the dream factory forged by Arthur Rankin Jr. and Jules Bass instantly come to mind. It’s all Mad Monster Parties and the adventures of Tubby the Tuba. As the format flourished during the ‘50s, ‘60s, and ‘70s, the love for all things Clokey (Gumby), O’Brien (King Kong), and Danforth (When Dinosaurs Ruled the Earth) grew. In the ‘80s, Will Vinton carried the magic mantle, while the ‘90s saw Nick Park and his Wallace and Gromit gain international approval. read full review…
Push [rating: 4]
Even with all its idiosyncratic elements, Push feels like something we’ve seen before. Unfortunately, said memory is of something far more fascinating and definitely more engaging.
They say the most important element in a science fiction story is a strong, understandable mythology. Formulate a believable, working, and logistically logical universe where characters and creatures abide by the rules and regulations set before them and you’ve conquered a great deal of the potential problems. As a result, slip ups can be cured with ease and risks rewarded, just as long as the foundation is set and secure. In the new future shock thriller Push, we are introduced to an entirely new (if slightly redundant) race of specialized individuals, people with powers beyond those of mere mortals. Meeting them towards the middle of their real world arc, we gets bits and pieces of how Nazi experiments in psychic warfare led to an X-Men like mutant population capable of great things – and the secret society Hell-bent on controlling them. Regrettably, the aforementioned reference to a certain comic franchise isn’t the only bit of borrowing this film does. Indeed, the whole effort feels lifted from dozens of familiar – and in most cases, superior – offerings. read full review…
The Objective [rating: 7]
Still, it’s the shivers that count, and while Myrick may not make our spine tingle like he did back in the late ‘90s…The Objective is still an impressive piece of work
The genre film, by its very nature, is a bit of a cinematic chameleon. It can function as humor, social commentary, political diatribe, and in rare cases, sobering human tragedy. Coated in the usual celluloid garment of horror and/or science fiction, it takes talent and determination to traverse its pitfall-laden path. Ten years ago, Daniel Myrick made movie history of sorts by releasing his first person POV frightmare The Blair Witch Project. Along with collaborator Eduardo Sanchez, he created a night terror that functioned as a documentary, a pseudo-realistic look at fear as it happened, and a full blown web phenomenon. A critical and commercial ‘event’, the filmmaker retreated for a while, unsure of his next move. Now, almost a decade later, he’s returned with a fine film entitled The Objective. And once again, he has taken the standard scary movie and tweaked it with something different – a little speculative scope. read full review…