Music to our ears — and multiplexes

Sharon Hoffmann
Fame (2009)
McClatchy Newspapers (MCT)

Oscar host Hugh Jackman declared the movie musical is back. Is this the proof?


What: The stories of some artsy kids over their four years at the prestigious New York High School of Performing Arts. Playing their teachers: Debbie Allen, Charles S. Dutton, Kelsey Grammer, Megan Mullally and Bebe Neuwirth.

Directed by: Choreographer Kevin Tancharoen

Based on: The 1980 film, which spawned a TV series and a stage musical in London.

Opening: Sept. 25


What: A famous film director (Daniel Day-Lewis) suffers a midlife crisis while balancing the many women in his life: his wife (Marion Cotillard), mistress (Penelope Cruz), protege (Nicole Kidman, left), friend and costume designer (Judi Dench), fashion journalist (Kate Hudson), prostitute from his youth (Stacy "Fergie" Ferguson ) and mother (Sophia Loren).

Directed by: Rob Marshall ("Chicago")

Based on: The 1982 Broadway musical, which was based on Federico Fellini's autobiographical 1963 film, "8 ½."

Opening: Nov. 25

"The Princess and the Frog"

What: The animated musical tale of 19-year-old Tiana, Disney's first African-American princess, voiced by Anika Noni Rose of "Dreamgirls." Tiana lives in New Orleans' French Quarter during the Jazz Age and happens upon a prince who was transformed into a frog by an evil voodoo magician (Keith David). Oprah Winfrey and Terrence Howard voice her mother and father.

Directed by: Ron Clements and John Musker ("The Little Mermaid," "Aladdin" and "Hercules")

Based on: E.D. Baker's The Frog Princess, a twist on the old fairy tale.

Opening: Dec. 25


What: Zac Efron plays Ren, a rebellious teen who moves to a town where dancing is not allowed (!).

Directed by: Kenny Ortega (all three "High School Musicals")

Based on: Kevin Bacon's 1984 film, which was based (loosely) on events in a small Oklahoma town, and spawned a Broadway musical.

Opening: 2010


The Best Indie Rock of 2017

Photo courtesy of Matador Records

The indie rock genre is wide and unwieldy, but the musicians selected here share an awareness of one's place on the cultural-historical timeline.

Indie rock may be one of the most fluid and intangible terms currently imposed upon musicians. It holds no real indication of what the music will sound like and many of the artists aren't even independent. But more than a sonic indicator, indie rock represents a spirit. It's a spirit found where folk songsters and punk rockers come together to dialogue about what they're fed up with in mainstream culture. In so doing they uplift each other and celebrate each other's unique qualities.

With that in mind, our list of 2017's best indie rock albums ranges from melancholy to upbeat, defiant to uplifting, serious to seriously goofy. As always, it's hard to pick the best ten albums that represent the year, especially in such a broad category. Artists like King Gizzard & the Lizard Wizard had a heck of a year, putting out four albums. Although they might fit nicer in progressive rock than here. Artists like Father John Misty don't quite fit the indie rock mold in our estimation. Foxygen, Mackenzie Keefe, Broken Social Scene, Sorority Noise, Sheer Mag... this list of excellent bands that had worthy cuts this year goes on. But ultimately, here are the ten we deemed most worthy of recognition in 2017.

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From genre-busting electronic music to new highs in the ever-evolving R&B scene, from hip-hop and Americana to rock and pop, 2017's music scenes bestowed an embarrassment of riches upon us.

60. White Hills - Stop Mute Defeat (Thrill Jockey)

White Hills epic '80s callback Stop Mute Defeat is a determined march against encroaching imperial darkness; their eyes boring into the shadows for danger but they're aware that blinding lights can kill and distort truth. From "Overlord's" dark stomp casting nets for totalitarian warnings to "Attack Mode", which roars in with the tribal certainty that we can survive the madness if we keep our wits, the record is a true and timely win for Dave W. and Ego Sensation. Martin Bisi and the poster band's mysterious but relevant cool make a great team and deliver one of their least psych yet most mind destroying records to date. Much like the first time you heard Joy Division or early Pigface, for example, you'll experience being startled at first before becoming addicted to the band's unique microcosm of dystopia that is simultaneously corrupting and seducing your ears. - Morgan Y. Evans

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The Best Country Music of 2017

still from Midland "Drinkin' Problem" video

There are many fine country musicians making music that is relevant and affecting in these troubled times. Here are ten of our favorites.

Year to year, country music as a genre sometimes seems to roll on without paying that much attention to what's going on in the world (with the exception of bro-country singers trying to adopt the latest hip-hop slang). That can feel like a problem in a year when 58 people are killed and 546 are injured by gun violence at a country-music concert – a public-relations issue for a genre that sees many of its stars outright celebrating the NRA. Then again, these days mainstream country stars don't seem to do all that well when they try to pivot quickly to comment on current events – take Keith Urban's muddled-at-best 2017 single "Female", as but one easy example.

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It's ironic that by injecting a shot of cynicism into this glorified soap opera, Johnson provides the most satisfying explanation yet for the significance of The Force.

Despite J.J. Abrams successfully resuscitating the Star Wars franchise with 2015's Star Wars: The Force Awakens, many fans were still left yearning for something new. It was comforting to see old familiar faces from a galaxy far, far away, but casual fans were unlikely to tolerate another greatest hits collection from a franchise already plagued by compositional overlap (to put it kindly).

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Yeah Yeah Yeahs played a few US shows to support the expanded reissue of their debut Fever to Tell.

Although they played a gig last year for an after-party for a Mick Rock doc, the Yeah Yeah Yeahs hadn't played a proper NYC show in four years before their Kings Theatre gig on November 7th, 2017. It was the last of only a handful of gigs, and the only one on the East coast.

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