Amnesia Scanner's 'Tearless' Aesthetically Maps the Failing Anthropocene

Photo: Courtesy of PAN via Bandcamp

Amnesia Scanner's Tearless aesthetically maps the failing Anthropocene through its globally connected features and experimental mesh of deconstructed club, reggaeton, and metalcore.

Amnesia Scanner


19 June 2020

Amnesia Scanner is the Berlin-based Finnish duo of Ville Haimala, Martti Kalliala, and Oracle, the synthetic voice who is described as "the third, machinic ghost-member". After a series of mysterious releases since 2014, the group broke out as one of the most compelling new artists of 2018 with their debut full-length Another Life, a wiry deconstruction of electronic music, memetics, and criticisms of consumerism. Thereafter, they joined the founder of PAN Bill Kouligas and the conceptual artist Harm van den Dorpel for their 2019 full-length Lexachast, an audiovisual experimentation of algorithmic sounds and images from DeviantArt and Flickr.

So immersed in the center of experimental electronic music and audiovisual art, it was exciting to think about where Amnesia Scanner would refocus their conceptual lens onto after the turn of the decade. Intriguingly, their latest 2020 full-length Tearless hones their typically obscure modes into their most precise concept yet. That is, the 10-track album aesthetically maps the failing Anthropocene. It offers limited, ambiguous answers through words, as expected, but it powerfully speaks about our divisive world through artistic and aural choices. Its globally connected featured artists bring together the voices of climatic hotspots, from Europe, South America, to the United States. And, its experimental mesh of deconstructed club, reggaeton, and metalcore mimics the popular chaos that bombards the dominant consciousness. Tearless is, as Amnesia Scanner told, "a breakup album with the planet".

Tearless begins as a cli-fi novel might end, on the precipice of climatic defeat. The opener "AS Enter" emerges as a vast soundscape that shares a daunting perspective about the Anthropocene. Amid damning, reverberating synths, Oracle's distant, reverb-ladened voice deems, "When it ends, it ends / When there is no plan / Turn the page, my friend." That is a disillusioned but understandable starting point for the album. Amnesia Scanner first conceptualized this project as the realities of climate change grew incessantly nearer to them. It was a period in which they witnessed "their icy home country of Finland thaw," and massive climate strikes take place in their current home base Berlin.

These conditions led Amnesia Scanner to feel that "there's a looming sense of radical change". Of course, no amount of intuition could have led anyone to imagine the many radical changes that actually emerged around the initially proposed release date of Tearless, 5 June—Amnesia Scanner decided to postpone the release of Tearless to 19 June as all proceeds from Bandcamp were donated to the NAACP Legal Defense Fund. Now, the world is mobilizing against the systemic killing of black people, against the elite oppressors, hired guns, and agitators. And, scientists, politicians, and industries continue to clash about how to navigate COVID-19, exacerbated by conspiracies and xenophobic sentiments. So, in such divisive times, overloaded by battling signal, it seems that Amnesia Sanner was fortuitous and justified to declare that "there is no plan".

However, Tearless immediately rises from the somber opener to the declarative title track that features the Peruvian artist Lalita. Over synthetic guitar riffs and anthemic drums, Lalita powerfully commands vocal chants. She cries, "Este aire me va a calmar / Esta tierra te va a curar / Pero ya no lo siento cierto", lamenting the loss of spiritual connection to the air and land. Such lamentations may allude to Peru's melting glaciers or the increasing climatic struggles for generational Andean alpaca herders. But, Lalita's impassioned delivery ensures that Tearless does not simply mourn such tragedies but also cathartically denounces them.

Thereafter, from South America to the northern States, the following track "AS Flat" features the metalcore band Code Orange. Tearless continues to foreground the voices of climatic hotspots with distorted throat shrieks that emerge from mechanical beats and menacing, metallic guitar riffs. This industrial pit is cold, malaised, distressed. It makes palpable the industries that systemically converge in poor and minority communities, creating systems of environmental racism in places like Code Orange's hometown of Pittsburgh, Pennsylvania. It makes evident the rightful anger that must be expressed and heard from these communities.

Then, back to South America, the album's definitive banger "AS Going" features the Brazillian DJ/producer LYZZA. This reggaeton-inspired cut begins with the mantra, "He ya, keep it going." It repeats in ranging modulated notes until LYZZA enters with the massive hook. A barrage of percussion rolls adds even more pressure to this bursting piece. It lets off a fury of emotions in the face of a threat. Perhaps, this threat may be understood as the system of ecocidal capitalism that ignited widespread forest fires across LYZZA's home country Brazil, or maybe, it can be the system of racial capitalism that disregards the health of indigenous people during the pandemic. Either way, Tearless seems to build toward a unifying cry against these interconnected systems, these threats against the global wellbeing.

To recall, Amnesia Scanner referred to Tearless as "a breakup album with the planet", but it does not convey any type of surrender, even if the opener may have made it seem so. More precisely, the album is a breakup with the planet under the dominant rule. Along with the globally connected voices of Lalita, LYZZA, and Code Orange, Amnesia Scanner builds anthems of anger that transform into inspiration for resistance. Just remember, as Oracle assures on the closer "AS U Will Be Fine", "If we can help you lose your mind / You will be fine, You will be fine." Then, perhaps, we must lose our dominant mind to reimagine the failing Anthropocene.





The Top 20 Punk Protest Songs for July 4th

As punk music history verifies, American citizenry are not all shiny, happy people. These 20 songs reflect the other side of patriotism -- free speech brandished by the brave and uncouth.


90 Years on 'Olivia' Remains a Classic of Lesbian Literature

It's good that we have our happy LGBTQ stories today, but it's also important to appreciate and understand the daunting depths of feeling that a love repressed can produce. In Dorothy Strachey's case, it produced the masterful Olivia.


Indie Rocker Alpha Cat Presents 'Live at Vox Pop' (album stream)

A raw live set from Brooklyn in the summer of 2005 found Alpha Cat returning to the stage after personal tumult. Sales benefit organizations seeking to end discrimination toward those seeking help with mental health issues.

Love in the Time of Coronavirus

A Lesson from the Avengers for Our Time of COVID-19

Whereas the heroes in Avengers: Endgame stew for five years, our grief has barely taken us to the after-credit sequence. Someone page Captain Marvel, please.


Between the Grooves of Nirvana's 'Nevermind'

Our writers undertake a track-by-track analysis of the most celebrated album of the 1990s: Nirvana's Nevermind. From the surprise hit that brought grunge to the masses, to the hidden cacophonous noise-fest that may not even be on your copy of the record, it's all here.


Deeper Graves Arrives via 'Open Roads' (album stream)

Chrome Waves, ex-Nachtmystium man Jeff Wilson offers up solo debut, Open Roads, featuring dark and remarkable sounds in tune with Sisters of Mercy and Bauhaus.

Featured: Top of Home Page

The 50 Best Albums of 2020 So Far

Even in the coronavirus-shortened record release schedule of 2020, the year has offered a mountainous feast of sublime music. The 50 best albums of 2020 so far are an eclectic and increasingly "woke" bunch.


First Tragedy, Then Farce, Then What?

Riffing off Marx's riff on Hegel on history, art historian and critic Hal Foster contemplates political culture and cultural politics in the age of Donald Trump in What Comes After Farce?


HAIM Create Their Best Album with 'Women in Music Pt. III'

On Women in Music Pt. III, HAIM are done pretending and ready to be themselves. By learning to embrace the power in their weakest points, the group have created their best work to date.


Amnesia Scanner's 'Tearless' Aesthetically Maps the Failing Anthropocene

Amnesia Scanner's Tearless aesthetically maps the failing Anthropocene through its globally connected features and experimental mesh of deconstructed club, reggaeton, and metalcore.


How Lasting Is the Legacy of the Live 8 Charity Concert?

A voyage to the bottom of a T-shirt drawer prompts a look back at a major event in the history of celebrity charity concerts, 2005's Live 8, Philadelphia.


Jessie Ware Embraces Her Club Culture Roots on Rapturous 'What's Your Pleasure?'

British diva Jessie Ware cooks up a glittery collection of hedonistic disco tracks and delivers one of the year's best records with What's Your Pleasure.

Collapse Expand Reviews

Collapse Expand Features
PM Picks
Collapse Expand Pm Picks

© 1999-2020 All rights reserved.
PopMatters is wholly independent, women-owned and operated.