Sometimes, rarely, a work is so good (so well-conceived, so well-executed) that it simply breaks our traditional expectations of comics literature. And this breaking allows us to glimpse the true, rare promise of what the industry can achieve. Davids Lapham and Aja's Wolverine: Debt of Death is this work.
They lived on opposite sides of the planet, at roughly the same time, and never met. In their lifetimes (one is now dead) each became an acknowledged and influential master in his chosen form of storytelling, and even though their media, social contexts and biographies were worlds apart, the early work of each artist bears striking similarities: they shared a melancholy, darkly humorous, and peculiarly bleak vision of character, story, and life.