The megamix is a variegated mural, with flashes of color – neon pink, chartreuse, head-gash red – popping off chipped concrete, an amalgamation of flavor so fresh it strains the vision, so vivid it glows.
I got so much trouble on my mind, refuse to lose. Here's your ticket -- hear the drummer get wicked -- and dig into the 131st most acclaimed album of all time. Public Enemy’s 1990 statement of purpose is next. Welcome to the terrordome.
Last week, the Rock and Roll Hall of Fame announced the 15 contenders vying to be inducted as part of its Class of 2013. By adhering to the Hall's broad definition of rock 'n' roll and by trying to objectively apply its induction criteria, Sound Affects has narrowed down the choices to five artists it would vote for if it could.
The newly-announced ballot for the next class of Rock and Roll Hall of Fame inductees not only seeks to rectify long-standing slights but lets the public have a say for once. Here's hoping it doesn't go all pear-shaped.
Career suicide albums fall into two camps: Those that were released ahead of their time, and those that set new standards in awful. The best thing that could be said about the later category is that these albums are oftentimes just as fascinating as an artist’s best work.
In this special one-year anniversary edition of Counterbalance, Eric Klinger and Jason Mendelsohn discuss their first year combing through the pop music canon (as determined by Acclaimed Music's calculations of every best-of list available), share a few favorites, and justify a couple items on their expense account.