News

Assassination of journalist says much about Russia

Trudy Rubin [The Philadelphia Inquirer]

A thousand mourners placed flowers around the casket of Anna Politkovskaya in Moscow on Tuesday, weeping for one of Russia's most famous journalists, who was assassinated last week.

This is a huge story -- eclipsed by the North Korean nuclear test -- that says much about the Russia of today and the future. Politkovskaya was the Bob Woodward and the Seymour Hersh of Russian journalism rolled into one in a country where investigative reporting can be fatal. She's the 13th Russian journalist killed in a contract-style murder since Russian President Vladimir Putin took office in 2000. According to the Committee to Protect Journalists, none of the cases has been solved.

A harsh critic of Putin's rule, Politkovskaya risked her life to report on government corruption and human-rights abuses. She had been threatened, jailed, exiled, even poisoned -- in a previous effort to kill her. She was gunned down in broad daylight in her apartment lobby by an assassin who left his Makarov pistol by her body -- the trademark of a Russian hit man. She was murdered just before the scheduled publication of an expose of Russian-sanctioned torture in Chechnya.

A Russian journalist friend said on the phone, "Can you imagine if Bob Woodward was killed in his doorway? Whatever your presidents think of Woodward, he is still reporting. There is something wrong with this country." That "something" is evident in Putin's response to Politkovskaya's death.

The Russian leader has made no statement to his own people about the crime, mentioning it only in response to inquiries from President Bush and German Chancellor Angela Merkel. But he denigrated Politkovskaya while in Germany this week, saying her work was of "very minor" import to Russia. He said her death was of concern mainly to human-rights circles in the West.

Pro-Kremlin newspapers (most of Moscow's media are now government-controlled) even suggested that Russian liberals might have arranged the murder to destabilize the homeland. Putin told Bush he would order an investigation, but no one should expect her real murderer to be found.

This vicious killing is a reminder of how far Russia has swerved back toward authoritarianism under Putin. In 1990, I worked as an exchange journalist for Moscow News and watched Soviet journalists take advantage of glasnost and, for the first time, really report on political issues. Under Putin, the Kremlin has taken back control of national television and muzzled all but a few national newspapers. Few journalists have the courage of Politkovskaya, when the penalty can be death.

Her tragedy recalls the similar death in 1998 of the courageous, internationally known human-rights campaigner Galina Starovoitova. She, too, was gunned down in her lobby, in St. Petersburg. I visited her grave one week after her death and watched long lines of mourners toss flowers and poems on the tomb, their tears frozen by cold.

At that time, Putin was head of the FSB -- the KGB successor organization -- and could have used his vast resources to find the killer. But Starovoitova's assassin has never been found.

It doesn't matter whether such killings are ordered by the Kremlin or regional politicians, or, in Politkovskaya's case, possibly by a Kremlin-backed Chechen leader. We'll never learn who contracted these hits because the Kremlin has no interest in such revelations. The deaths of journalists and human-rights activists send a sharp message to Russians: Don't criticize, or you, too, may wind up dead.

Flush with oil revenue with which to pacify his public, Putin has muzzled dissent at every level. He has neutered the regional governments and national parliament (and intimidated Russia's neighbors, such as Georgia).

He has also tamed the so-called oligarchs -- businessmen who accumulated vast wealth after the Soviet breakup and presented a political threat to the Kremlin. One such oligarch -- oilman Mikhail Khodorkovsky -- was sent to Siberia for eight years on trumped-up charges; the Kremlin broke up and took control of his vast, international oil company, Yukos. Some human-rights experts fear Khodorkovsky may be murdered while behind bars.

Only recently, the deputy central bank chairman, Andrei Kozlov, who campaigned against bank crime, was shot dead in Moscow. And don't forget the attempted murder by poison of Ukrainian politician Viktor Yushchenko in the run-up to the Orange Revolution: He accused the Kremlin. You get the picture.

Putin -- who once said he wanted to impose a "dictatorship of law" -- has no interest in law when it comes to murders of journalists or other critics. European leaders who depend on Russia for natural gas should harbor no illusions that Putin's Russia operates like a normal country. Neither should would-be international investors.

That's the message conveyed by Putin's cavalier attitude toward Politkovskaya's death.

___

ABOUT THE WRITER

Trudy Rubin is a columnist and editorial-board member for the Philadelphia Inquirer. Readers may write to her at: Philadelphia Inquirer, P.O. Box 8263, Philadelphia, Pa. 19101, or by e-mail at [email protected]

___

© 2006, The Philadelphia Inquirer. Distributed by McClatchy-Tribune Information Services.

Music


Books


Film


Recent
Music

12 Essential Performances from New Orleans' Piano "Professors"

New Orleans music is renowned for its piano players. Here's a dozen jams from great Crescent City keyboardists, past and present, and a little something extra.

Music

Jess Williamson Reimagines the Occult As Source Power on 'Sorceress'

Folk singer-songwriter, Jess Williamson wants listeners to know magic is not found in tarot cards or mass-produced smudge sticks. Rather, transformative power is deeply personal, thereby locating Sorceress as an indelible conveyor of strength and wisdom.

By the Book

Flight and Return: Kendra Atleework's Memoir, 'Miracle Country'

Although inconsistent as a memoir, Miracle Country is a breathtaking environmental history. Atleework is a shrewd observer and her writing is a gratifying contribution to the desert-literature genre.

Music

Mark Olson and Ingunn Ringvold Celebrate New Album With Performance Video (premiere)

Mark Olson (The Jayhawks) and Ingunn Ringvold share a 20-minute performance video that highlights their new album, Magdalen Accepts the Invitation. "This was an opportunity to perform the new songs and pretend in a way that we were still going on tour because we had been so looking forward to that."

Music

David Grubbs and Taku Unami Collaborate on the Downright Riveting 'Comet Meta'

Comet Meta is a brilliant record full of compositions and moments worthy of their own accord, but what's really enticing is that it's not only by David Grubbs but of him. It's perhaps the most emotive, dream-like, and accomplished piece of Grubbsian experimental post-rock.

Music

On Their 2003 Self-Titled Album, Buzzcocks Donned a Harder Sound and Wore it With Style and Taste

Buzzcocks, the band's fourth album since their return to touring in 1989, changed their sound but retained what made them great in the first place

Reading Pandemics

Chaucer's Plague Tales

In 18 months, the "Great Pestilence" of 1348-49 killed half of England's population, and by 1351 half the population of the world. Chaucer's plague tales reveal the conservative edges of an astonishingly innovative medieval poet.

Music

Country's Jaime Wyatt Gets in Touch With Herself on 'Neon Cross'

Neon Cross is country artist Jaime Wyatt's way of getting in touch with all the emotions she's been going through. But more specifically, it's about accepting both the past and the present and moving on with pride.

Music

Counterbalance 17: Public Enemy - 'It Takes a Nation of Millions to Hold Us Back'

Hip-hop makes its debut on the Big List with Public Enemy’s meaty, beaty manifesto, and all the jealous punks can’t stop the dunk. Counterbalance’s Klinger and Mendelsohn give it a listen.

Music

Sondre Lerche and the Art of Radical Sincerity

"It feels strange to say it", says Norwegian pop artist Sondre Lerche about his ninth studio album, "but this is the perfect time for Patience. I wanted this to be something meaningful in the middle of all that's going on."

Books

How the Template for Modern Combat Journalism Developed

The superbly researched Journalism and the Russo-Japanese War tells readers how Japan pioneered modern techniques of propaganda and censorship in the Russo-Japanese War.

Film

From Horrifying Comedy to Darkly Funny Horror: Bob Clark Films

What if I told you that the director of one of the most heartwarming and beloved Christmas movies of all time is the same director as probably the most terrifying and disturbing yuletide horror films of all time?

Reviews
Collapse Expand Reviews

Features
Collapse Expand Features
PM Picks
Collapse Expand Pm Picks

© 1999-2020 PopMatters.com. All rights reserved.
PopMatters is wholly independent, women-owned and operated.