Lollise Makes a Splash With Brilliant Debut ‘I Hit the Water’
Lollise’s I Hit the Water is brilliant, swirling, and compelling with its blend of Afrobeat, soul, and electronics. It’s a debut deserving all your attention.
Lollise’s I Hit the Water is brilliant, swirling, and compelling with its blend of Afrobeat, soul, and electronics. It’s a debut deserving all your attention.
El Khat’s music is unlike anyone else’s. It is a sparkling array of DIY tools that work toward vital social messages and spreading Yemeni Jewish tradition.
Throughout Ela Partíu, Laíz makes clear just how much more she is: strong, tender, and an outstanding new figure in globally-minded hip-hop.
From the first notes of her sophomore album La Mer, it’s clear that singer-songwriter Claude Fontaine is a chanteuse, and it’s not a role she takes lightly.
Belaya Polosa is full of Molchat Doma’s most complex and overtly human music, organically integrated into their melancholy post-punk atmosphere.
It would be unfair to put Moira Smiley’s work in a single box, but it seems fitting to note how fully she embodies the core ideals of contemporary folk music.
Bamako is the truest kind of jazz, all about movement and communication, and Nicole Mitchell and Ballaké Sissoko make for an expert team at the helm.
Ekuka Morris Sirikiti’s work reminds us that he and his traditions are very much still here, not artifacts of old media but flesh and blood, spirit and sound.
África Negra always were and still are a gem of a band and one deserving of a multi-volume set of reissues: the more of them, the better.
Yemi Alade takes the nebulous concept of Afropop from cheap copout to something far more powerful and interesting: a sonic indexing of widespread community.
Okaidja Afroso’s Àbòr Édín delivers a genuinely seamless blend of different styles and unplugged sounds, with each track dense with color and meaning.
KOKOKO!’s Butu is full of heat and movement, from the traffic sounds that start the opening track “Butu Ezo Ya” to the final claps of razor-sharp “Salaka Bien”.