
Laufey’s Massive Rise Was Just a Matter of Time
Laufey is a prodigious talent, but also immensely relatable: she’s a nerd, and everyone was at the show because, well, we’re all nerds too.

Laufey is a prodigious talent, but also immensely relatable: she’s a nerd, and everyone was at the show because, well, we’re all nerds too.

Of all the dozens of artists at FME 2025, a few stood out more than others, many of whom showcased just how strong the Québec music scene is right now.

More than Gracie Abrams, Tyler, the Creator, and Olivia Rodrigo, Doechii offered the best set of this year’s Osheaga Festival.

Ghost’s more measured approach lends an appealing atmosphere of sadness, but fans will be clamoring for more energy and menace amidst the garishness next time.

Bush’s 90-minute set spanned the band’s entire career, but the real meat of the show consisted of the five miraculously great singles from Sixteen Stone.

Opeth’s The Last Will and Testament is their most focused, disciplined piece of music to date and their heaviest work in more than 15 years.

Contemplating the future of Iron Maiden by celebrating the present and looking back at an album that was all about looking ahead. That’s a good hook.

BEAT’s tour had the potential to be a revelation, especially to the generations that were too young to catch the King Crimson foursome more than 40 years ago.

Festival De Musique Émergente is about discovering new music. When you go exploring on one night, you’ll uncover at least one new favorite artist, guaranteed.

After almost four years of darkness, violence, cultural malaise, and fascism’s threat, today’s young generation fight back with sincere joy at Osheaga.

Festival de musique émergente, the annual new music festival in Northern Quebec, brought sunshine, diversity, and fun to concert-starved audiences.

While their most musically cautious work, Metallica’s 72 Seasons still takes some huge risks. We all deserve to be happy, including our heavy metal heroes.