The rest of America may have moved on from this 1997 disaster movie, but Dante’s Peak still percolates in the collective Northwestern consciousness, like slow-moving magma that never fully cools.
Across 25 minutes, MOMO.’s Tum Tum Tum weaves a dream of sun-splashed Brazilian warmth through samba, sultry trombone, and threads of Tropicália.
Like a gem dropped into a flute of champagne, Lily Lane never truly dissolved into her effervescent surroundings in Los Angeles, moving to New York.
Shinedown’s EI8HT is relentless fun—a rip-roaring good time for concert-goers, commuters, and rock fans who treasure substance and hard-won wisdom in their head-bangers.
“Anthemic” may as well be woven into Shinedown’s sonic DNA after 25 years of number one hits and sold-out shows. EI8HT is crafted for moshpit catharsis.
Over time, particularly since the 2016 U.S. presidential election, meme culture has shifted into a series of thought-terminating clichés that eat through our democratic identity like battery acid.
Ant Thomaz reminds us of where warmth comes from in his solo album, GAIA—the authentic, real-time, in-person human relationship.
Keith Carne offers a laidback glide through smooth vocals and buoyant electronic horns with its protagonist recognising the strange beauty of his current stage.
ROREY pulls back the curtain on the vulnerable evolution of heartbreak in “Dying Fire”, her ethereal new dream pop single.
Paired with the proper music—synthwave and ambient electronic tracks—our next visit to the pool can transcend exercise into a meditative reconnection with embodiment.
In their music and now their graphic novel, The Midnight: Shadows, this synthwave duo weaves a distinct emotional identity around the narcotic effects of nostalgia.
From physical media to ruminations on consciousness and what everyone is ultimately after, Crispian Mills answers questions like “Who are Kula Shaker?”
