Michelle Branch Released Perfect Pop-Rock LP ‘The Spirit Room’ 20 Years Ago
At only 17, Michelle Branch created The Spirit Room, an album that perfectly balances an indie approach with mainstream-friendly songwriting.
At only 17, Michelle Branch created The Spirit Room, an album that perfectly balances an indie approach with mainstream-friendly songwriting.
Marisa Monte’s first album in ten years is almost escapist in how its positivity and romance distance from Brazil’s current situation.
As Carole King’s magnum opus Tapestry turns 50, scholar Loren Glass gives King and her work a deserved place in Bloomsbury’s prestigious 33 1/3 series.
Taste of Love is an enjoyable dance-pop album but the best moments of TWICE’s new phase are in its predecessors.
Korean singer-songwriter Song Heejin uses every color of her experience in the K-pop industry to paint a gorgeous, diversified landscape on ‘Soda’.
Seventeen years after its release, Jonh Cabano’s classic of Brazilian guitarrada paraense is finally available to stream. Hear “Guitarrada Amazônica” now.
Pabllo Vittar’s Batidão Tropical comes at a moment when Brazilian Northeast culture is on the rise but she’s taking Brega music to the next level.
TXT’s The Chaos Chapter: FREEZE makes bold statements about the Korean band’s expansive music.
John Travolta Wannabe shows why K-pop attracts people from all walks of life, and why T-ara became a force to be reckoned with.
While 4 didn’t showcase peak Beyoncé, it nonetheless hinted at how she’d shape popular culture for decades to come.
Twenty years ago, P.Y.T.’s Down With Me represented the sounds that shaped one of the most effusive moments of popular culture, teen pop.
BTS’ original Japanese tracks could fill a compilation, even if the curation of BTS, The Best is a good representation of the Korean group as a crossover act.