
Alabaster Deplume’s Spirital Jazz Meditates on a Blade
As much as jazz saxophonist Alabaster Deplume’s record documents his journey towards relief, it encourages others to seek their own. A Blade is also a salve.

As much as jazz saxophonist Alabaster Deplume’s record documents his journey towards relief, it encourages others to seek their own. A Blade is also a salve.

Bluesman Mississippi John Hurt’s innovative guitar playing and down-to-earth vocal delivery are elevated in these updated recordings.

Dean Wareham savors meaningful relationships, especially when their collaboration is this kinetic. The Price of Loving Me shows noticeable depth.

Cornelia Murr’s new LP finds the artist at her most refined. The songwriting is imaginative and introspective; she has a hypnotic way of expressing self-discovery.

Parisian mellow indie rockers the Oracle Sisters are at their best when given the freedom to experiment, and Divinations offers ample space for that.

With Phonetics On and On, Horsegirl move beyond their influences, carving out a distinct identity shaped through time and life experience.
Minimalistic and captivating, Lontalius’ new album shows a more concentrated sound. It reflects his growth and marks a high watermark.
The experience of Ethel Cain’s Perverts is gloomy, powerful, and extremely terrifying. It’s practically a masterclass on how to score for a horror film.
Saint Etienne follow their creative intuition. The ambient music of The Night is a fascinating turn in their ever-adventurous discography.
Boundless & True captures Field Medic’s Kevin Patrick Sullivan almost entirely by himself, delivering masterfully fingerpicked and beautifully written songs.
The songs on Peach Pit’s Magpie have little idiosyncrasies. They are built around sophisticated chord progressions and unique vocal and guitar melodies.
Mount Eerie’s new LP takes listeners on a slow journey through somber moods and reflective soundscapes, rich with poetry and imaginative storytelling.