The ‘Limitless’ Sondre Lerche
Norwegian songwriter Sondre Lerche calls Avatars of Love “a really fluid manifestation of song that I’ve hoped for my entire life, and maybe not even dared to dream that I could have.”
Norwegian songwriter Sondre Lerche calls Avatars of Love “a really fluid manifestation of song that I’ve hoped for my entire life, and maybe not even dared to dream that I could have.”
Michael W. Clune argues that a popular mantra about art – everyone’s judgment is equal – impedes our ability to imagine a world outside of the capitalist marketplace.
Rhiannon Giddens, joined by collaborator Francesco Turrisi, has put together a set of new and traditional songs exemplifying her rootedness in music history.
Ben Howard’s Collections from the Whiteout, produced by the National’s Aaron Dessner, presents a refracted take on the singer-songwriter album.
In 2011, there were only a few high-quality progressive rock albums, but those that stood out are some of the best the genre had seen in a while.
With her experimental jazz album Supersense, trumpeter Steph Richards may have created the first-ever album that you can smell.
With her sixth studio album, On My Own, Lera Lynn does it all: songwriting, production, and instrumentation.
With a turn toward loungey, jazz-inflected pop, Belgian rockers Balthazar hit a new career-high on Sand.
Between the Grooves celebrates Led Zeppelin’s Houses of the Holy by examining how the band were at their best on the underrated post-Zoso masterwork.
PopMatters talks with Sara Watkins of Nickel Creek about the beloved acoustic trio's vinyl reissues of their first three major studio albums.
With Warren Zevon's acerbic, graceful, and macabre wit still lingering long after his death, PopMatters looks back on his most lasting lyrical contributions.