Between the Grooves celebrates Led Zeppelin’s Houses of the Holy by examining how the band were at their best on the underrated post-Zoso masterwork.
PopMatters talks with Sara Watkins of Nickel Creek about the beloved acoustic trio's vinyl reissues of their first three major studio albums.
Serpentine Prison gives the National's baritone crooner Matt Berninger a chance to shine in the spotlight, even if it doesn't push him into totally new territory.
Touché Amoré's Lament doesn't push the band's sound in new directions. Instead, it builds on what the Los Angeles post-hardcore band do so well already.
Hot Chip's contribution to the perennial compilation project Late Night Tales is a mixed bag, but its high points are consistent with the band's excellence.
Years after its conclusion, The Wire continues to top best-of-TV lists. With each season's unique story arc, each viewer is likely to have favorites.
The conceptual focus of Versions of the Truth and the tight interplay between the musicians mark a new creative high for the Pineapple Thief, easily their best since Magnolia.
Patience joins its predecessors, Please and Pleasure, to form a loose trilogy that stands as the finest work of Sondre Lerche's career.
By turning to her roots in central Texas for inspiration on World on the Ground, Sarah Jarosz has crafted some of her strongest songs yet.
“It feels strange to say it”, says Norwegian pop artist Sondre Lerche about his ninth studio album, “but this is the perfect time for ‘Patience’.”
Algiers are what would result if Verso Books turned into an art rock band. This is a very good thing.
Nearly 30 years have gone into the making of Tim Bowness and Steven Wilson's seventh album as No-Man, Love You to Bits. Bowness speaks with PopMatters about returning to the duo's electronic early days, and how Love You to Bits may be the Terminator: Dark Fate of No-Man albums.
