
They Might Be Giants Are As Delightfully Weird As Ever
They Might Be Giants produce banger tracks, some really weird, very successful experiments, and another handful of songs where listeners’ mileage may vary.

They Might Be Giants produce banger tracks, some really weird, very successful experiments, and another handful of songs where listeners’ mileage may vary.

Ambiguous Desire is a dance pop album, but since this is Arlo Parks, it’s a low-key, introspective one. The indie dance pop feel is a successful sonic shift.

The Brook and the Bluff’s Werewolf is a solid, straightforward album that will satisfy anyone looking for a classic rock fix.

Decoration Day was the album that proved Drive-By Truckers weren’t going to be a flash in the pan. It’s a triumph from start to finish.

San Francisco’s Magic Fig combine the gentler side of 1970s prog-rock with dashes of 1960s psychedelic folk and 1980s video game-style synths.

Slow Crush’s Thirst has scattered interesting musical moments, but much of it is buried under constant guitar noise and not enough melody.

SPIRIT! isn’t just fun and catchy, it’s also sneakily well-written. Indie pop band Hunny deserve extra listens to allow their hooks to sink in fully.

Catchy melodies and big guitars are the order of the day on Sloan’s 14th album, with a side of Chris Murph’s jauntier piano-driven songs to change things up.

With SISTER, Frost Children haven’t quite figured out the balance between engaging songwriting and just reaching for the big hooks.

Neko Case’s new album brings her signature blend of achingly beautiful melodies, idiosyncratic songwriting, and, of course, a song about an animal.

Nova Twins’ willingness to draw from essentially any music style of the last 40 years and incorporate it into their sound makes their music a fascinating polyglot.

The Beths’ Straight Line Was a Lie is full of catchy hooks, big guitar riffs, and often introspective lyrics. The New Zealand quartet are at the top of their game.