
Josaleigh Pollett Soars on Warm Lo-Fi Buzz on Beautiful LP
Josaleigh Pollett combines striking moments of experimentation with an uncanny knack for beautiful, often breathtaking songwriting.

Josaleigh Pollett combines striking moments of experimentation with an uncanny knack for beautiful, often breathtaking songwriting.

The sense of discovery on St. Silva’s Forager is deep and palpable, and the album repeatedly fuses technology with nature with elegant ease.

Josh Mason and greyfade add another chapter to a series of artistic statements that make music and prose exceptionally vital and valuable.

While Lesley Mok has benefited from the spirit of collaboration, this “solo” album presents their unfiltered musical mind on a solitary, deeply enjoyable ride.

It’s a turbulent, often crazy world, but under the Park Hills Circle name, Maris O’Tierney is a warm, engaging respite from the world’s harsh realities.

Rob Smith’s Salt Star is a brief, bright light of emotion and musical interplay, highlighting his unique, consistently engaging vision.

Sequoia’s So Long is the sound of a well-lived, occasionally heartbroken folk troubadour who has seen it all and will happily oblige you with a story in song.

Alden Hellmuth is both blazing trails and paying tribute to the past, resulting in what may very well be the finest jazz album of the year so far.

Olaf Rupp’s Fuzzy Logic is yet another fascinating release in the Palilalia Records catalog, and his work here is impressive and deeply satisfying.

For someone who spent so long playing on other people’s records, Jacob Ungerleider is supremely confident and utterly charming, yet refreshingly relatable.

Alexander Noice creates layers of sound and interlocking melodies, blending jazz, improvisation, and tightly wound compositional lines, with modern technology.

What’s so striking about Ruth Garbus and her latest record is how musically adventurous, wondrous and revelatory it is in its maturity and self-acceptance.