SloGlo’s ‘Symbols and Mirrors’ Walks a Line Between Jazz and Electronic
Under the moniker of SloGlo, drummer/producer Matt Carroll’s debut album Symbols and Mirrors is a mishmash of curious, experimental textures.
Under the moniker of SloGlo, drummer/producer Matt Carroll’s debut album Symbols and Mirrors is a mishmash of curious, experimental textures.
Japanese-American experimental multi-instrumentalist Patrick Shiroishi once again pays tribute to his heritage in this deeply moving new album, Evergreen.
Producer Hagop Tchaparian conjures up a unique, bracing meld of electronic and traditional Western Asian instrumentation on his debut album, Bolts.
With the help of his longstanding trio and a chamber quartet, bassist/composer Trevor Dunn unleashes the messy, complex, and utterly mesmerizing Sèances.
Midnight Crisp shows that Takuya Kuroda is a master of knowing what parts to work with and how to assemble them properly. It’s a future classic.
Approached as neo-classical minimalist jazz, Filters is a triumphant solo debut from Phillip Golub and another fascinating album from greyfade.
Kevin O’Connor’s first album under the Talkdemonic moniker since 2011, Various Seasides, is imbued with all the warmth of a fuzzy sonic blanket.
Chicago experimentalist Jordan Reyes confronts mortality, anxiety, depression, and a pandemic with a cathartic new album, Everything Is Always.
Chicago experimentalists Edith Judith combine unique arrangements and beautifully crafted songs on their debut album, Bones & Structure.
On New Primes, Vermont experimentalist Greg Davis explores process-based composition, with a little help from a record label that revels in the concept.
GADADU’s music has always been a balm for the dreariness and anxiety inherent in everyday life. With The Weatherman Is Wrong, they continue to confound and fascinate.
Office Culture sing of love, sadness, and city life on Big Time Things, buoyed by a four-piece combination that locks in with a unique brand of art-pop.