Christel Loar

Christel Loar is a freelance writer and editor, a part-time music publicist, and a full-time music fan. She is often an overreactor and sometimes an overachiever. When not dodging raindrops or devising escape plans, Christel is usually found down front and slightly left of center stage reveling in a performance by yet another new favorite band. Christel holds a B.S. degree in Magazine Journalism from the University of Oregon School of Journalism and Communication. She hopes that one day this will mean something. She's a sucker for close harmonies and melodic bass lines, and she would like to meet Brian Wilson (all the Wilsons really, Andrew, Owen, Luke...). Christel currently sleeps in Eugene, Oregon, but she dreams of Austin, Texas.

Procol Harum: Live At the Union Chapel

Punk Intensity and Passion: ‘Treat Me Like Dirt: An Oral History of Punk in Toronto’

‘Directory of World Cinema: American Hollywood’ Has a Wealth of Gorgeous Production Stills

Women on the Margins: Cinema of Jean-Claude Brisseau

‘Bedlam: Season 1’ Takes Its Premise Right Out of a Classic Ghost Story

‘Pretenders: Loose in L.A.’: Simple and Stark

Care to Romp, Once Again, with ‘The Monkees: Season 1 and Season 2’?

A River Called Titas (Titash Ekti Nadir Naam)

Spin City: The Complete Fifth Season

Blues and The Alligator: The First Twenty Years of Alligator Records

‘Robert Plant’s Blue Note’: Chasing a Sound

Barbara Ehrenreich’s ‘Nickel and Dimed’ Is, Sadly, Still Relevant

Barbara Ehrenreich’s ‘Nickel and Dimed’ Is, Sadly, Still Relevant

At Nickled and Dimed‘s first publication in 2001, it was a revelation to many who didn’t realize the extent nor the impact of poverty upon the American working class. Do they get it now?