
One Battle After Another’s 1960s Politics Make for a Good Show and a Dead End
In Paul Thomas Anderson’s dark comedy One Battle After Another, the liberationist politics of the 1960s make for a good show and a dead end.

In Paul Thomas Anderson’s dark comedy One Battle After Another, the liberationist politics of the 1960s make for a good show and a dead end.

What we have with The Wonder is a film that begins by discussing a historical crime and ends up committing one – or at least the narrative equivalent.