
“Mother of the Blues” Ma Rainey Is Restored to Full Glory
Ma Rainey’s Mother of the Blues: The Complete Paramount Recordings 1923-1928 is a treasure trove that fully lives up to both of Rainey’s famous sobriquets.

Ma Rainey’s Mother of the Blues: The Complete Paramount Recordings 1923-1928 is a treasure trove that fully lives up to both of Rainey’s famous sobriquets.

Barry Walters’ Mighty Real is 30 glorious years of music that can be “read as a metaphor of LGBTQ existence”, regardless of who created it.

From its opening title, Esta Isla (This Island) embraces the complexity and contradictions of Fredric Jameson’s formulation of “third-world” society and Puerto Rico’s unique situation.

Modern Nature’s new LP, The Heat Warps, is fabulously compelling and questioning, and the questions it asks are not the ones you expect to hear on a pop album.

Punk’s rooted, regional, and defiantly local identities made scenes like Louisville punk essential and life-affirming during the violently conformist Reagan years.

Like all of the best folk music, S.G. Goodman’s songs plumb emotional depths. They also have teeth and they’re not afraid to stick a beating on the world.

Turnstile’s Never Enough lies somewhere between the working man’s folk-rock earnestness of the bygone SoCal era and the synth-washed ambience of the cover.
Neil Young’s On the Beach lodges not in the heart or brain but in the spleen. Perfect for depressed, alienated teenagers in the soft-rock days before punk.
Blaxploitation signaled the moment ghetto culture and the Black vernacular hit the American mainstream, paving the way for rap, hip-hop, disco, and modern sports.
2 Tone found a sweet spot between punk anger and pop sensibility that mirrored the myriad poles they were trying to bridge in their band members and audiences.
Rosali’s Bite Down is a deceptively smooth ride that threatens to pull you under at any moment. Its classic sound draws from Fleetwood Mac and 1970s music.
Yard Act’s Where’s My Utopia? is a mother lode of cool sounds, critiques of late capitalism, meditation on fame’s futility, and a forecast of apocalyptic change.