David Charpentier

David Charpentier has a Master's Degree in Architecture from the University of North Carolina Charlotte. His thesis work involved a discourse on the relationship between cinema and architecture. He is currently earning a MFA in Film Production at Boston University. He has worked for several architecture firms and independent production companies over the years, but his passion for writing and interests in spatial dynamism has led him to write for PopMatters and pursue cinematography. He also likes to travel, ski, go to concerts and try new foods--if only he could afford to do those things. No kids, one lovely wife, two cats and a whole lot student loans.
Akira Kurosawa Films 101: 1960 – 1962

Akira Kurosawa Films 101: 1960 – 1962

Today’s Kurosawa 101 covers three of his most popular and accessible films Yojimbo and Sanjuro, as well as arguably his most earnest, The Bad Sleep Well.

In ‘300: Rise of Empire’ We See How Xerxes Became That Bald, Pierced Badass

In ‘300: Rise of Empire’ We See How Xerxes Became That Bald, Pierced Badass

If 300 is the cinematic equivalent of a video game, then 300: Rise of an Empire, is at water level: murky, awkward and not nearly as fun.
In ‘The Lego Movie’ We All Happily Exceed the Recommended Age Limit

In ‘The Lego Movie’ We All Happily Exceed the Recommended Age Limit

There’s a dualist philosophy here between following instructions and letting creativity reign.
‘Fantastic Mr. Fox’ Is One Cussin’ Fantastic Film

‘Fantastic Mr. Fox’ Is One Cussin’ Fantastic Film

Like Roald Dahl, Wes Anderson seems to have a twisted desire to expose the fallacies of adulthood through the innocent yet knowing eyes of children.

‘Fast and Furious 6’: Because Everyone Needs a Little Danger in Their Lives, Now and Then

Trapped in a Car Driving Through the Desert with Abbas Kiarostami’s ‘A Taste of Cherry’

‘The Conjuring’ Is a Haunting, Elevated

What Is It About TV These Days?

When Everything Changed: Memory, Nostalgia and the Tragic Turning Point

You Can’t Escape Your Future or Your Past

2012: Another Year the World Should Have Ended

You Can’t Escape Your Past — or Your Future: ‘Looper’