Dean Brown is a Contributing Editor at PopMatters, and a staff writer for Metal Hammer, Terrorizer Magazine, and Iron Fist Magazine. He has also written extensively for The Quietus and has had bylines at VICE, Decibel, and other music publications. Twitter: @reus85
Borne of hard times, Nothing For Us Here, Cult Leader's debut EP for Deathwish, doesn’t lose a drop of the nihilism that made Gaza's music so overwhelming and startlingly ferocious.
Twilight have slammed the tomb shut and are hostile to all visitors, leaving a disconnect between the listener and the songs outside of “Oh Wretched Son” and “A Flood of Eyes”.
The first edition of Mixtarum Metallum this year covers ten laudable metal albums released in January and February 2014 that we haven’t covered yet. So, without further ado, it’s time to get back to business.
Although it retains aspects of the old school death mauling that brought Morbus Chron to the Boss HM-2 pedal-laden table, Sweven is much more expansive and experimental.
The first gig of a tour can sometimes mean the band will sound a bit blunt around the edges, but not even severe jetlag can put a stop to Killswitch Engage.
PopMatters premieres the video for "Somniloquist", taken from Messenger's genre-defying debut album Illusory Blues, set for release on the 28th of March.
Svn Eater is like being cast into the blazing bowels of the beyond where Morbid Angel are Satan’s house band and they only play the “hits”, i.e. nothing after Domination.
Triumph and Power is exactly what we’ve come to expect from Grand Magus -- and if you approach this album hoping for anything other than pure heavy metal made for any decade, you’ve found yourself on the wrong longboat destined for Vahalla.
The Satanist is a definitive statement for the individual and for renewed strength resulting from waging war against adversity, and it is by far the most focused, ruthless and powerful album of Behemoth's 23 year existence.