
Taj Mahal and Keb’ Mo’ Sound Happy and Bring the Fun
Room on the Porch proves there is more room for Taj Mahal and Keb’ Mo’ to create, sing, and be happy with their collective union.

Room on the Porch proves there is more room for Taj Mahal and Keb’ Mo’ to create, sing, and be happy with their collective union.

Sparks maintain a sophistication that stands up with older work, complete with a production sheen, giving their idiosyncratic backdrop a contemporary flavor.

Blondshell’s new LP is beautifully produced and clouds the issue of feeling like a throwback to a bygone era, rather than a call for a new generation of songwriters.

Cold Specks’ new LP works as a concept album, diving across the spectrum of human emotions: grief, sorrow, euphoria, energy, anger, lust, and acceptance.

What surprises are heard on the Darkness’ new record are few and far between, but hardcore fans will enjoy the grandeur and sense of ceremony that cements it.

It’s evident from Kind Regards that Oren Ambarchi and Eric Thielemans are in lockstep: two boxers circling one another, waiting for the other to strike.

Van Halen’s David Lee Roth is more than a pretty singer who used to front a group. He is a vocalist of resilience and impressive ingenuity.

Franz Ferdinand dazzle and frustrate with The Human Fear, their return to the recording studio after a seven-year hiatus. It’s a patchy album with brilliance.

Blues artist Kenny Wayne Shepherd’s Dirt on My Diamonds -Vol. 2 is a tribute to rock music, an epistle from a proud disciple to his beatified masters.

The Killing Fields, the harrowing film set in Cambodia during the Pol Pot regime, could not be made until after Chariots of Fire, Producer David Puttnam recalls.

You can sense Charles Crichton’s stare bearing down on John Cleese every time the former Monty Python actor attempts anything more comedic than a bemused smirk.

The only thing that salvages Scott Waugh’s unpronounceable Expend4bles from the usual action film clichés is the franchise’s new star, Jason Statham