On Wicked City, UK art-pop duo Jockstrap run through a gamut of styles and sounds, sometimes gracefully, sometimes forcefully, but always seductively.
Amnesia Scanner's Tearless aesthetically maps the failing Anthropocene through its globally connected features and experimental mesh of deconstructed club, reggaeton, and metalcore.
Tri Angle comes to an end as a label but begins as an important archive of electronic music. To celebrate these legendary 10 years of Tri Angle, here are 10 of their many essential releases.
The Weeknd's After Hours naturally weaves together cinematic vignettes of debauched Hollywood and Las Vegas nights, following a new filmic tie to Uncut Gems and a prior decade of character building.
Ghostly International took over three of Chicago's best artistic spaces, the Metro, Smart Bar, and Notre Shop, to celebrate the culture and communities that supported their legendary 20-year creative mission.
On For You and I, Loraine James rightfully claims the title "Glitch Bitch" to explore what it means to be queer in the spaces of IDM and one of its places of origin, London.
On All My Heroes Are Cornballs, experimental rapper and producer JPEGMAFIA broadens his visceral online image and sounds into a more vulnerable, humanizing, and melodic project.
Salami Rose Joe Louis’ ‘Zdenka 2080’ Tells a Dystopian But Still Hopeful Allegory of Ecocidal Capitalism
On the 22-track concept album Zdenka 2080, Bay Area musician and planetary scientist Salami Rose Joe Louis shuffles nu jazz, dream pop, and hip-hop vibes into the soundtrack for a dystopian sci-fi allegory of ecocidal capitalism.
Blanck Mass' Animated Violence Mild drops unrelenting electro-industrial melodies, practicing excess to explore personal grief and the global devastation of consumerism.
Lingua Ignota's second full-length CALIGULA continues her blend of opera, neoclassical darkwave, and death industrial. She transforms shattering lamentations into empowered declarations against misogyny, while also complicating the dominant narratives of women's trauma.
Carmen Villain's latest album Both Lines Will Be Blue veers hard from her last two albums, trading her psychedelic roots for spacious ambient dub.
Experimental composer and French poet Félicia Atkinson creates The Flower and the Vessel "with pregnancy", using small gestures to explore questions of ontology and becoming.