The Last Dinner Party Hypnotize Listeners with ‘Prelude to Ecstasy’
The Last Dinner Party committed an act of mass hypnosis, swiftly securing the top spot on many lists of 2024 indie darlings. Let’s figure out how they did it.
Igor Bannikov
I have 12+ years of experience in music journalism as a writer and
showrunner of music YouTube shows. During my career, I have worked
with Esquire, Maxim, FHM, Elle Girl, Northern Transmissions, and other
outlets. I specialize in folk, indie, and all kinds of guitar music, as well as
pop music and R&B. Additionally, I focus on up-and-coming musicians and
new music trends.
Torres’ ‘What an Enormous Room’ Shows 12 Years Is Enough
Torres’ new LP cements her position as an iconic musician and signifies a final breakthrough into the stratosphere of musical history.
Duration Doesn’t Matter on Adam Remnant’s ‘Sunrise at the Sunset Motel’
Adam Remnant’s new EP is full of narratives about mistakes of the past, life routine, and nighttime miracles, with a touch of Elliott Smith and Bright Eyes.
Kid Cudi Channels Travis Scott on ‘Insano’
Kid Cudi’s 21-track-long effort is disastrously dull, vague, and full of clichés from his media library of sounds and the genre in general.
Boygenius, Joan Didion and Other Influences in Sarah Goldstone’s ‘Waving’
Sarah Goldstone conveys in Waving many impressions through sophisticated music structures with the knack of an experienced musician with much solo work.