‘Chameleon Street’ Pushes the Limits of Independent Cinema
Chameleon Street has a finger on the throbbing pulse of shifting cultures that see youth through punk, new wave, and hip-hop.
Imran Khan
Yuppies, Punks and Sociopaths Congregate in Scorsese’s ‘After Hours’
In After Hours, Scorsese’s camera wanders through a tableau of living and breathing graffiti incarnated as ’80s New York City’s most dangerous bottom-feeders.
Dirk Bogarde Disturbs and Fascinates in ‘The Servant’
Once possessing a genially handsome face, Dirk Bogarde cut a daring figure in The Servant‘s darker material, which readily accommodated his increasingly aged and weathered looks.
Parker Posey’s Character in ‘Party Girl’ Is Almost Mythic
Parker Posey’s performance in Party Girl – a parodic gesture that sweeps the frames in wide, showy arcs – is pure, sparkling kitsch delivered in champagne coupes.
Ekiti Sound Premieres the Sensuously-Charged “aLAcarte pt. 2”
“aLAcarte pt. 2” offers another sweet slice of Ekiti Sound’s culturally-spiced pie. It’s a sensuously shuddering, percussive jam that is as minimal as deep.
Enigmatic and Emotional ‘Three Colors’ Is a Hypnotic Triptych of Polish Cinema
Krzysztof Kieślowski’s Three Colors – Blue, White, and Red – are grand reminders of the little motions that gather slowly but surely, to deliver the quick, sudden turns that give even the most indolent life meaning.
Rock ‘n’ Stroll: Robert Cray’s Blues Stormer ‘Midnight Stroll’
Robert Cray plays subtly with basic blues convention on Midnight Stroll, turning it into a brand-new face for listeners who have heard it all before.
‘Dona Flor and Her Two Husbands’ Is a Spicy Brazilian Cinema Classic
Bruno Barreto’s romantic charmer Dona Flor and Her Two Husbands is rich with sensuous detail that fills every scene with dizzying amounts of culture, music, and atmosphere.
‘Devil in a Blue Dress’ Is Among Neo-Noir’s Finest Films
Denzel Washington’s voiceover in neo-noir Devil in a Blue Dress is an equal mix of deadpan charm and wide-eyed innocence, which textures and nuances his performance.
Vanessa Daou’s Galactic Dance Gem, ‘Plutonium Glow’
The retro-electro feel of Vanessa Daou’s 1998 ‘Plutonium Glow’ is influenced by ‘90s rave culture, which pushes Daou’s usual bedroom listeners onto the dance floor.
When 1980s Music Drama ‘Times Square’ Tried to Capture NYC Punk
It was not without admirable aplomb that Times Square attempted to capture the punk movement in its zeitgeist the way Saturday Night Fever did with disco.
Glitch-Hop Pioneer Thavius Beck on the Beats and the Love That Inspired ‘LEO’
Glitch-hop pioneer Thavius Beck talks about Public Enemy, the Bomb Squad, and LEO, an album heavy with his baritone boom and pumping, catawampus beats.