
Cormac McCarthy’s ‘Blood Meridian’ Diagnoses Everyday Fascism
If everyday fascism’s essence is the anti-humanist view of living beings as disposable instruments, then Cormac McCarthy’s Blood Meridian is its field manual and warning.

If everyday fascism’s essence is the anti-humanist view of living beings as disposable instruments, then Cormac McCarthy’s Blood Meridian is its field manual and warning.

Paul Verhoeven’s sci-fi films are like how-to manuals for neo-totalitarianism, which doesn’t rely on coups, martial law, violent suppression of the opposition press, or paramilitary factions roaming the streets to instill our obedience.

In our era of awe-inspiring hypersonic weaponry, we turn to Thomas Pynchon, who warns in Gravity’s Rainbow that the Rocket is never mere hardware; it is a nihilistic creed whose liturgy is speed.

Horror and sci-fi nuclear cinema of the Cold War era is our finest rehearsal for the AI future, and that’s why pop culture still reaches for monstrous metaphors when technology leaps beyond comprehension.

So long as AI-assisted assassinations are sold as clean acts of “self-defense”, modern states will keep writing sequels to David Lynch’s beetle-infested nightmares.